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Burgess T: The Singing and Acting
Handbook

The Singing and Acting Handbook

Games and Exercises for the Performer

Get Set! Piano

A new audio edition of the popular instruction book for children that introduces them to the piano and music-making through fun activities, rhymes, songs and pieces.This book is supported by a host of downloadable materials, including beautiful audio accompaniments and practice charts.

My First Piano Book

Imagination, Body, Breath, Voice

The Integrated Actor

Physical Improvisation for Theatre Makers and Directors

The Pulse Approach

This new and updated edition of Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Revised with the contemporary actor in mind, the fourth edition empowers actors wishing to master their voice as performers.

Voice: Onstage and Off

SUNY series, Horizons of Cinema

Three generations of famous movie soundtrack composers reveal the secrets of their art and success.

Conversations with Screen Composers

Overhearing Film Music

"An examination of the actor, and the non-actor, in post-war Italian cinema-a crucial moment for the Italian film industry-when cinema became an important vector of national identity and of individual identification with figures on the big screen"--

Italian Neorealist Cinema and Beyond

The Non-Professional Actor

An Integrated Approach

Voice Training Through Acting and Movement

"Renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood. With new stories from major stars and fresh exercises she's incorporated to upgrade her time-tested program, this revised edition is a must-have for anyone looking to hone their craft"--

The Chubbuck Technique--The 12-Step Acting Method for Creating Dynamic Characters

The Power of the Actor, Revised and Updated

33 1/3 South Asia

"Lata Mangeshkar: My Favourites, Vol. 2 is the story of 50 songs the songstress chose as her favourites among her own work, from a repository of over 5,000. The book covers an expanse of nearly forty years, connecting the reader to the real-life events behind the songs, going back to the times when music listening in India was limited to the radio, the 78 RPM shellac, and the occasional visit to the cinema, and later, the vinyl records, cassettes, the 30 minutes Chitrahaar on television every week, and VHS systems which were finding a place in middle-class homes"--

Lata Mangeshkar: My Favourites, Vol. 2

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde, Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics challenges the desire of a Broadway audience for escapist entertainment, devoid of critical self-reflection, in order to create complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

The Theatre of Kander and Ebb

Forms of Drama

China’s Classical Song-drama

Kunqu

The Singing and Acting Handbook

Informations bibliographiques

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Informations bibliographiques

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