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Burgess T: The Singing and Acting
Handbook

The Singing and Acting Handbook

Games and Exercises for the Performer

A gripping, painfully honest and ultimately inspirational, New York Times bestselling memoir from global superstar and creator of the Red Table Talk series Jada Pinkett Smith.

Worthy

The Politics of Form in Contemporary British Performance

Proper Theatre

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. 

Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.

The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

The first collected correspondence of one of America’s greatest songwriters—revealing a fascinating life and lasting influence

The Letters of Frank Loesser

33 1/3

Branden Jacobs-Jenkins carefully retraces Hamilton's origins as the musical that brought politicians "from both sides of the aisle," from Michelle Obama calling it "the best work of art [she's] ever seen in any medium" to Hillary Clinton's quoting it at the end of her 2016 speech at the Democratic National Convention. This book squares the emergence of Hamilton as a cultural darling of the American leftist political classes with its portraits of a morally-questionable political figures in history told through the merging of two forms with notoriously radical roots. It parses how and why this Broadway musical reached the height of visibility that it has and what this communicates about the American sociopolitical climate and culture at the beginning of the 21st century - especially after one of the most discordant and alarming sociopolitical showdowns since the 19th century. And ultimately, though Hamilton is a perfectly enjoyable and impressively crafty piece of musical theater, it argues that it in many ways is not, in fact, revolutionary. Does Hamilton engage seriously with politics? Or is politics merely the backdrop for the same-old show business?

The Original Broadway Cast Recording's Hamilton

How to Teach Music

Secondary Music Leader's Handbook

Providing a thorough introduction to both choral and instrumental conducting, this textbook offers a complete package of teaching, study, and assessment materials to support a single-semester foundational conducting course.

Fundamentals of Instrumental and Choral Conducting

Walker Clark did not set out to be an acting coach, life coach, business coach, or any other type of coach for that matter. He discovered what being an actor could do for individuals. Not the acting you already know about; Walker's way of being an actor has given him and others permission to create new ways of being and acting in life-unencumbered by the past. Permission to act is the freedom and the possibility to be someone new: to be an actor-one who lives as the possibility of being anything. This discovery has left him free to be and free to engage and interact with life in the present, which allows for enormous power and impact with the people he coaches.&nbsp;Permission to Act is a memoir of sorts. It started out as a means of answering a seemingly simple question posed by his father. You may be entertained. Coaches may discover coaching, parents may discover parenting, and athletes may discover their sport. As you take this journey with Walker you may discover what permission to act is for you...or maybe you'll just laugh.&nbsp;&nbsp;

Permission to Act

New Approaches to Sound, Music, and Media

"An examination of the relationship between audiovisual soundtracks and the "sonic haunting" of trauma, anxiety, and nostalgia"--

Audiovisual Cultures of Memory, Landscape, and Sound

Haunted Soundtracks

Perspectives on Performer Training

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Solo Performer Training as Critical Pedagogy

Practicing Archetype

Voice: Onstage and Off

Discover John Kander and Fred Ebb, the most artistically and commercially successful musical theatre writing team since Rodgers and Hammerstein, in a brand new way. Identifying the theatrical approach that renders their musical dramaturgy unique, this book explores their importance within, and contribution to, musical theatre history. Through their biggest hits, Cabaret (1966) and Chicago (1975), Kander and Ebb have been performed on the stage more times both within and outside of the USA than any other American musical theatre writers. Unlike Sondheim, whose work from 1964 increasingly aspired towards the avant-garde. Kander and Ebb located their projects in a nexus between art and commercial entertainment, seeking to deconstruct popular forms in order to expose their ideological function. This book investigates the full range of Kander and Ebb's collaboration from the pure comic entertainment of 70, Girls, 70 (1971) and Curtains (2006) to more overtly serious musicals such as The Kiss of the Spiderwoman (1992), The Scottsboro Boys (2010) and The Visit (2014), which were less commercially successful precisely because they addressed disturbing subjects. It explores how the difficult material inspired beautiful, though challenging, scores. It also probes how the ironic counterpointing of luscious music with witty and demotic lyrics makes complex demands of a Broadway audience, challenging its desire for escapist entertainment, devoid of critical self-reflection, to becomes complex, yet popular, masterpieces of the genre. This is the first volume to explicitly analyse the recurrent theatrical tropes and dramaturgical forms in Kander and Ebb's musicals, offering an in-depth introduction to their oeuvre.

The Theatre of Kander and Ebb

The Singing and Acting Handbook

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