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Anon9780063417410: Unti9780063417410

Unti9780063417410

The celebrated and beloved New York Times bestselling author of the modern classic Fun Home presents a laugh-out-loud, brilliant, and passionately political work of autofiction.In Alison Bechdel’s hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege?Meanwhile, Alison’s first graphic memoir about growing up with her father, a taxidermist who specialized in replicas of Victorian animal displays, has been adapted into a highly successful TV series. It’s a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group (recognizable as characters, now middle-aged and living communally in Vermont, from Bechdel’s beloved comic strip Dykes to Watch Out For).As the TV show&nbsp;Death and Taxidermy&nbsp;racks up Emmy after Emmy—and when Alison’s Pauline Bunyanesque partner Holly posts an instructional wood-chopping video that goes viral—Alison’s own envy spirals.&nbsp;Why couldn’t she be the writer for a critically lauded and wildly popular reality TV show…like&nbsp;Queer Eye...showing people how to free themselves from consumer capitalism and live a more ethical life?!!Spent’s rollicking and masterful denouement—making the case for seizing what’s true about life in the world at this moment, before it’s too late—once again proves that “nobody does it better” (New York Times Book Review) than the real Alison Bechdel.

The celebrated and beloved New York Times bestselling author of the modern classic Fun Home presents a laugh-out-loud, brilliant, and passionately political work of autofiction.“Truthful, rueful and delightful.”—LA TimesIn Alison Bechdel’s hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege?Meanwhile, Alison’s first graphic memoir about growing up with her father, a taxidermist who specialized in replicas of Victorian animal displays, has been adapted into a highly successful TV series. It’s a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group (recognizable as characters, now middle-aged and living communally in Vermont, from Bechdel’s beloved comic strip Dykes to Watch Out For).As the TV show&nbsp;Death and Taxidermy&nbsp;racks up Emmy after Emmy—and when Alison’s Pauline Bunyanesque partner Holly posts an instructional wood-chopping video that goes viral—Alison’s own envy spirals.&nbsp;Why couldn’t she be the writer for a critically lauded and wildly popular reality TV show…like&nbsp;Queer Eye...showing people how to free themselves from consumer capitalism and live a more ethical life?!!Spent’s rollicking and masterful denouement—making the case for seizing what’s true about life in the world at this moment, before it’s too late—once again proves that “nobody does it better” (New York Times Book Review) than the real Alison Bechdel.

A Comic Novel

Spent

Untitled Bogdanovich Memoir

A Life with the Music of Joni Mitchell

Song So Wild and Blue

In this uplifting memoir, a professor and activist shares what birds can teach us about life, social change, and protecting the environment. Trish O'Kane is an accidental ornithologist. In her nearly two decades writing about justice as an investigative journalist, she'd never paid attention to nature. But then Hurricane Katrina destroyed her New Orleans home, sending her into an emotional tailspin. Enter a scrappy cast of feathered characters-first a cardinal, urban parrots, and sparrows, then a catbird, owls, a bittern, and a woodcock-that cheered her up and showed her a new path. Inspired, O'Kane moved to Madison, Wisconsin, to pursue an environmental studies PhD. There she became a full-on bird obsessive-logging hours in a stunningly biodiverse urban park, filling field notebooks with bird doings and dramas, and teaching ornithology to college students and middle-school kids. When Warner Park-her daily birdwatching haven-was threatened with development, O'Kane and her neighbors mustered a mighty murmuration of nature lovers, young and old, to save the birds' homes. Through their efforts, she learned that once you get outside and look around, you're likely to fall in love with a furred or feathered creature-and find a flock of your own. In&nbsp;Birding to Change the World, O'Kane details the astonishing science of bird life, from migration and parenting to the territorial defense strategies that influenced her own activism. A warm and compelling weave of science and social engagement, this is the story of an improbably band of bird lovers who saved their park. And it is a blueprint for muscular citizenship, powered by joy.

A Memoir

Birding to Change the World

Shattered

It's Never Too Late

Unti Nonfiction

The Search for Black Mecca

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

Devout

Being Latino and Indispensable in America

Essential

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

Shut Up and Read

Unti9780063417410

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