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Anon9780063417410: Unti9780063417410

Unti9780063417410

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family."As necessary and powerful as it is captivating." –&nbsp;Michael Harriot,&nbsp;New York Times&nbsp;bestselling author of&nbsp;Black AF History"Searing and urgent." – Bakari Sellers, New York Times&nbsp;bestselling author of&nbsp;My Vanishing Country&nbsp;and&nbsp;The MomentBefore police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Philadelphia's Notorious Bombing and a Native Son's Lifelong Battle for Justice

On a Move

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

"Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women's rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately."-Yasmeen Hassan, Global Executive Director, Equality Now"This courageous and terrifying book charts the author's descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how-even as an educated, sophisticated, liberal feminist-she was enthralled by her lover's fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption."-Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions-Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya's life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya-who was born in Sri Lanka and grew up in Southern California-his "brown slave." He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya's relationship devolved into abuse, how she found the strength to leave-risking her career, reputation, and life-and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

A Story of Intimate Violence

Assume Nothing

The Life of a Death Doula and the Art of a Peaceful End

Never Can Say Goodbye

Unti Nonfiction

A Memoir About Taking Up Space

Big Girls Don't Cry

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

The celebrated and beloved New York Times bestselling author of the modern classic Fun Home presents a laugh-out-loud, brilliant, and passionately political work of autofiction.In Alison Bechdel’s hilariously skewering and gloriously cast new comic novel confection, a cartoonist named Alison Bechdel, running a pygmy goat sanctuary in Vermont, is existentially irked by a climate-challenged world and a citizenry on the brink of civil war. She wonders: Can she pull humanity out of its death spiral by writing a scathingly self-critical memoir about her own greed and privilege?Meanwhile, Alison’s first graphic memoir about growing up with her father, a taxidermist who specialized in replicas of Victorian animal displays, has been adapted into a highly successful TV series. It’s a phenomenon that makes Alison, formerly on the cultural margins, the envy of her friend group (recognizable as characters, now middle-aged and living communally in Vermont, from Bechdel’s beloved comic strip Dykes to Watch Out For).As the TV show&nbsp;Death and Taxidermy&nbsp;racks up Emmy after Emmy—and when Alison’s Pauline Bunyanesque partner Holly posts an instructional wood-chopping video that goes viral—Alison’s own envy spirals.&nbsp;Why couldn’t she be the writer for a critically lauded and wildly popular reality TV show…like&nbsp;Queer Eye...showing people how to free themselves from consumer capitalism and live a more ethical life?!!Spent’s rollicking and masterful denouement—making the case for seizing what’s true about life in the world at this moment, before it’s too late—once again proves that “nobody does it better” (New York Times Book Review) than the real Alison Bechdel.

A Comic Novel

Spent

BEST READS OF 2023: New York Times Book Review • USA Today • The Skimm • Bookpage • St Louis Post-Dispatch / BEST HOLIDAY GIFTS 2023: Publishers Weekly / MOST ANTICIPATED READS OF 2023: ELLE • The Millions • Essence “Aisha Harris is one of our smartest, most entertaining modern cultural critics (…) which might as well be parlance for, “Read me immediately.”—ELLEAisha Harris has made a name for herself as someone you can turn to for a razor-sharp take on whatever show or movie everyone is talking about. Now, she turns her talents inward, mining the benchmarks of her nineties childhood and beyond to analyze the tropes that are shaping all of us, and our ability to shape them right back.In the opening essay, an interaction with Chance the Rapper prompts an investigation into the origin myth of her name. Elsewhere, Aisha traces the evolution of the “Black Friend” trope from its Twainian origins through to the heyday of the Spice Girls, teen comedies like Clueless, and sitcoms of the New Girl variety. And she examines the overlap of taste and identity in this era, rejecting the patriarchal ethos that you are what you like. Whatever the subject, sitting down with her book feels like hanging out with your smart, hilarious, pop culture–obsessed friend—and it’s a delight.&nbsp;

Reckonings with the Pop Culture That Shapes Me

Wannabe

From a host of The Daily Show and stand-up comic, Michael Kosta, comes a wildly funny and insightful memoir about his unlikely journey from professional tennis player (#864 in the world) to professional comedian (there’s no ranking system in comedy but he’s probably . . . top 50?). Before Michael Kosta was performing stand-up comedy specials and hosting The Daily Show, he was a professional tennis “star,” reaching the lofty heights of the #864 ranked men’s singles player in the world. Stop laughing. That’s better than your world ranking. As a tennis pro, Kosta traveled across the globe, competing in such exotic locales as the Netherlands, Tokyo, and even rural Illinois before deciding to put down his racket and pursue a more stable and predictable career: comedy.In a completely unexpected and wild journey through the backwaters of professional tennis, Kosta shows the unlikely ways life on the court prepared him for life in front of a microphone. Like comedy, tennis is brutally competitive, and most people lose at it. Unlike comedy, no one in tennis puts a gun on the table as they count out your earnings in twenty-dollar bills at the end of the night.And then there are the things that have more to do with what happens to you—and what you end up learning—as part of growing up. Topics include: how to properly&nbsp;discard an unwanted European hard-boiled egg, giving CPR to your dead grandpa, cringe-worthy&nbsp;“sex” in the Red Light District,&nbsp;crying so hard in a car that strangers call the cops, and&nbsp;also happy things like&nbsp;what it feels like when your dreams come true.&nbsp;From misadventures in tennis to the humbling setbacks of comedy, Lucky Loser is a heart-filled story of making your own luck, the universal experience of failure, and the many ways in which we all inevitably lose on the way to success.Lucky Loser includes a 16-page photo insert.

Unti9780063417410

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