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Selleck T: You Never Know

You Never Know

“A persuasive affirmation of a shocking conspiracy theory.”&nbsp;—Publishers Weekly (starred review)“Unger has pursued the story of the October surprise for more than 30 years, often to his own cost. …peppered with amazing details… Den of Spies comes out in a world where dark machinations to win power no longer seem so unthinkable as in the days of Carter, Reagan and Bush."—The GuardianThe explosive inside story of the October Surprise conspiracy, a stunning act of treason that changed American history. New York Times bestselling author Craig Unger reveals his thirty-year investigation into the secret collusion between Ronald Reagan’s 1980 presidential campaign and Iran, raising urgent questions about what happens when foreign meddling in our elections goes unpunished and what gets remembered when the political price for treason is victory.&nbsp;It was a tinderbox of an accusation. In April 1991,&nbsp;the New York Times&nbsp;ran an op-ed alleging that Ronald Reagan’s 1980 presidential campaign had conspired with the Iranian government to delay the release of 52 American hostages until after the 1980 election. The Iranian hostage crisis was President Jimmy Carter’s largest political vulnerability, and his lack of success freeing them ultimately sealed his fate at the ballot box. In return for keeping Americans in captivity until Reagan assumed the oath of office, the Republicans had secretly funneled arms to Iran. Treasonous and illegal, the operation—planned and executed by Reagan’s campaign manager Bill Casey—amounted to a shadow foreign policy run by private citizens that ensured Reagan’s victory.Investigative journalist Craig Unger was one of the first reporters covering the October Surprise—initially for&nbsp;Esquire&nbsp;and then&nbsp;Newsweek—and while attempting to unravel the mystery, he was fired, sued, and ostracized by the Washington press corps, as a counter narrative took hold: The October Surprise was a hoax. Though Unger later recovered his name and became a bestselling author on Republican abuses of power, the October Surprise remained his white whale, the project he—as well as legendary investigative journalist, the late Robert Parry—worked on late at night and between assignments.In&nbsp;Den of Spies, Unger reveals the definitive story of the October Surprise, going inside his three-decade reporting odyssey, along with Parry’s never-before-seen archives,&nbsp;and sharing startling truths about what really happened in 1980. The result is a real-life political thriller filled with double agents, CIA operatives, slippery politicians, KGB documents, wealthy Republicans, and dogged journalists. A timely and provocative history that presages our Trump-era political scandals,&nbsp;Den of Spies&nbsp;demonstrates the stakes of allowing the politics of the moment to obscure the writing of our history.

“A persuasive affirmation of a shocking conspiracy theory.”&nbsp;—Publishers Weekly (starred review)“Unger has pursued the story of the October surprise for more than 30 years, often to his own cost. …peppered with amazing details… Den of Spies comes out in a world where dark machinations to win power no longer seem so unthinkable as in the days of Carter, Reagan and Bush."—The GuardianThe explosive inside story of the October Surprise conspiracy, a stunning act of treason that changed American history. New York Times bestselling author Craig Unger reveals his thirty-year investigation into the secret collusion between Ronald Reagan’s 1980 presidential campaign and Iran, raising urgent questions about what happens when foreign meddling in our elections goes unpunished and what gets remembered when the political price for treason is victory.&nbsp;It was a tinderbox of an accusation. In April 1991,&nbsp;the New York Times&nbsp;ran an op-ed alleging that Ronald Reagan’s 1980 presidential campaign had conspired with the Iranian government to delay the release of 52 American hostages until after the 1980 election. The Iranian hostage crisis was President Jimmy Carter’s largest political vulnerability, and his lack of success freeing them ultimately sealed his fate at the ballot box. In return for keeping Americans in captivity until Reagan assumed the oath of office, the Republicans had secretly funneled arms to Iran. Treasonous and illegal, the operation—planned and executed by Reagan’s campaign manager Bill Casey—amounted to a shadow foreign policy run by private citizens that ensured Reagan’s victory.Investigative journalist Craig Unger was one of the first reporters covering the October Surprise—initially for&nbsp;Esquire&nbsp;and then&nbsp;Newsweek—and while attempting to unravel the mystery, he was fired, sued, and ostracized by the Washington press corps, as a counter narrative took hold: The October Surprise was a hoax. Though Unger later recovered his name and became a bestselling author on Republican abuses of power, the October Surprise remained his white whale, the project he—as well as legendary investigative journalist, the late Robert Parry—worked on late at night and between assignments.In&nbsp;Den of Spies, Unger reveals the definitive story of the October Surprise, going inside his three-decade reporting odyssey, along with Parry’s never-before-seen archives,&nbsp;and sharing startling truths about what really happened in 1980. The result is a real-life political thriller filled with double agents, CIA operatives, slippery politicians, KGB documents, wealthy Republicans, and dogged journalists. A timely and provocative history that presages our Trump-era political scandals,&nbsp;Den of Spies&nbsp;demonstrates the stakes of allowing the politics of the moment to obscure the writing of our history.

Reagan, Carter, and the Secret History of the Treason That Stole the White House

Den of Spies

A deaf writer’s exploration of language, communication, and what it means to be articulate—and her journey to reclaim her voiceRachel Kolb was born profoundly deaf the same year that the Americans with Disabilities Act (ADA) was passed, and she grew up as part of the first generation of deaf people with legal rights to accessibility services. Still, from a young age, she contorted herself to expectations set by a world that prioritizes hearing people. So she learned to speak through speech therapy and to piece together missing sounds through lipreading and an eventual cochlear implant, all while finding clarity and meaning in American Sign Language (ASL) and written literature.Now in Articulate, Kolb blends personal narrative with cultural commentary to explore the different layers of deafness, language, and voice. She deconstructs multisensory experiences of language, examining the cultural importance hearing people attach to sound, the inner labyrinths of speech therapy, the murkiness of lipreading, and her lifelong intimacy with written English. And she uses her own experiences to illuminate the complexities of disability access, partnerships with ASL interpreters, Deaf culture and d/Deaf identity, and the perception versus reality of deafness.Part memoir, part cultural exploration, Kolb details a life lived among words in varied sensory forms and considers why and how those words matter. Told through rich storytelling, analysis, and humor, Articulate is a linguistic coming-of-age in both deaf and hearing worlds, challenging us to consider how language expresses our humanity—and offering more ways we might exist together.

A Deaf Memoir of Voice

Articulate

A devastating personal testimony and a searing indictment of persistent misogyny.In January 2017, Chimene Suleyman was on her way to an abortion clinic in Queens, New York with her boyfriend, the father of her nascent child. It was the last day they would spend together. In an extraordinary sequence of events, Chimene was to discover the truth of her boyfriend's life: that the man she’d loved had gaslit, lied to, stolen from, and painfully betrayed her and many others.In this spellbinding memoir, Suleyman exposes one man's control over many women and the trauma he left behind and celebrates the sisterhood that formed in his wake despite—and in spite of—him. With radiant prose and incisive observation, Suleyman questions society’s complicity in allowing those who would do women harm to flourish and contemplates why others remain silent witnesses by accepting and normalizing shameless behavior towards women. She demonstrates how women themselves are acculturated to perform prescribed roles of giver and nurturer, to be self-sacrificing and subordinate, and to bolster the egos of others by remaining silent and ignoring their own protective instincts.A soul-baring story, brilliant cultural critique, and celebration of the healing power of sisterhood, The Chain is a book for any woman who has questioned her relationship and buried her doubts, for any woman who can't quite identify the source of her unease and for any woman who has been sheltered by the fierce protection of her female friends.&nbsp;&nbsp;&nbsp;

Love, Betrayal, and the Sisterhood That Heals Us

The Chain

"On January 16, 1983, Aubrey LaHaye's body was found floating in the Bayou Nezpique. His kidnapping ten days before sparked "the biggest manhunt in the history of Evangeline Parish." But his descendants would hear the story as lore, in whispers of the dreadful day the FBI landed a helicopter in the family's rice field and set out on horseback to search for the seventy-year-old banker. Decades later, Aubrey's great-granddaughter Jordan LaHaye Fontenot asked her father, the parish urologist, to tell the full story. He revealed that to this day, every few months, one of his patients will bring up his grandfather's murder, and the man accused of killing him, John Brady Balfa, who remains at Angola Prison serving a life sentence. They'll say, in so many words: "Dr. Marcel, I really don't think that Balfa boy killed your granddaddy." For readers of Maggie Nelson's THE RED PARTS and Emma Copley Eisenberg's THE THIRD RAINBOW GIRL, HOME OF THE HAPPY unravels the layers of suffering borne of this brutal crime-and investigates the mysteries that linger beneath generations of silence. Is it possible that an innocent man languishes in prison, still, wrongly convicted of murdering the author's great-grandfather?"--

NATIONAL BESTSELLER"Riveting and atmospheric,&nbsp;Home of the Happy&nbsp;is also a heartfelt grappling with a trauma in the author’s family and her attempts to unravel its secrets once and for all. LaHaye Fontenot’s writing is urgent, fueled not just by a desire for justice but by love for her ancestors and the Cajun community of south Louisiana. A must-read for true crime and mystery fans."—&nbsp;Ana Reyes,&nbsp;New York Times&nbsp;bestselling author of&nbsp;The House in the PinesOn January 16, 1983, Aubrey LaHaye’s body was found floating in the Bayou Nezpique. His kidnapping ten days before sparked “the biggest manhunt in the history of Evangeline Parish.” But his descendants would hear the story as lore, in whispers of the dreadful day the FBI landed a helicopter in the family’s front lawn and set out on horseback to search for the seventy-year-old banker.Decades later, Aubrey’s great-granddaughter Jordan LaHaye Fontenot asked her father, the parish urologist, to tell the full story. He revealed that to this day, every few months, one of his patients will bring up his grandfather’s murder, and the man accused of killing him, John Brady Balfa, who remains at the Louisiana State Penitentiary at Angola serving a life sentence. They’ll say, in so many words: “Dr. Marcel, I really don’t think that Balfa boy killed your granddaddy.”&nbsp;For readers of Maggie Nelson’s The Red Parts and Emma Copley Eisenberg's The Third Rainbow Girl,&nbsp;Home of the Happy&nbsp;unravels the layers of suffering borne of this brutal crime—and investigates the mysteries that linger beneath generations of silence. Is it possible that an innocent man languishes in prison, still, wrongly convicted of murdering the author’s great-grandfather?&nbsp;

A Murder on the Cajun Prairie

Home of the Happy

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

"From her childhood in Pennsylvania, dreaming of a future in music, to the icon she has become, covering her struggle to be taken seriously in the music industry, the rewards of success, and the intense pressure of expectations, Taylor Swift: The Complete Story is an account of Taylor's extraordinary journey that has led her to break all records, while remaining true to herself and her music. This gripping book is packed with fascinating details that reveal the real Taylor: what drives, motivates and excites her, how she overcame the challenges that awaited her on her road to fame, how authentic she comes across as a person of integrity and who she really talks about in her songs, plus the truth about her relationships with Harry Styles, Jake Gyllenhaal, Conor Kennedy and Travis Kelce. For the first time in Spanish, this is the complete portrait of a girl who could have easily faded behind the scenes, but blossomed into a stylish, inspiring and down-to-earth woman"--

Bestseller #1 del&nbsp;New York Times y la biografía más completa y actualizada de Taylor Swift en español.¿Por qué Taylor Swift es tan famosa? ¿Cuándo ganó su primer Grammy? ¿Cómo ha logrado reinventarse una y otra vez? ¿Qué la llevó a regrabar toda su música? ¿Y por qué su vida amorosa es tan importante? Aquí encontrarás todas las respuestas.Aunque estaba destinada a ser corredora de bolsa, desde pequeña Taylor Swift tuvo un solo sueño: la música. Con enorme determinación, hizo que toda su familia se mudara de Pensilvania a Nashville, donde conquistó la industria musical. Esta es la historia definitiva de su increíble evolución, desde sus inicios como promesa del country hasta convertirse en un fenómeno global sin precedentes.En estas páginas descubrirás:<ul><li>Su ascenso meteórico, desde sus primeros éxitos hasta el impacto de Taylor’s Version y el récord histórico del Eras Tour.</li><li>Su lucha por la independencia artística, enfrentando contratos injustos y construyendo su propio imperio en una industria dominada por hombres.</li><li>Los amores que inspiraron sus canciones, incluyendo sus relaciones con Harry Styles, Jake Gyllenhaal, Conor Kennedy y Travis Kelce.</li><li>Su impacto en la cultura pop y el feminismo, redefiniendo el fandom, cambiando las reglas del negocio musical y empoderando a millones de mujeres.</li></ul>El regalo perfecto para Swifties y para curiosos que quieren entender el mayor fenómeno cultural de nuestros tiempos.«Taylor Swift no tiene competencia... Es la reina de su propio imperio».

La historia completa

Taylor Swift \ (Spanish edition)

From the New York Times bestselling author Everything All at Once comes a beautiful poetry collection exploring motherhood, grief, the unending road to healing, and the redeeming power of love.The word radicle is defined as the root of a plant embryo, the first organ to appear when a seed germinates.&nbsp;It grows downward into the soil, anchoring the seedling, a symbol of growth and grounding.Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once.Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face. Radicle, or When the World Lived Inside Us explores universal themes of motherhood, our relationship to the natural world, the nature of suffering, the circular process of healing, and what it means to stay present in the midst of it all. Loving myself has been like&nbsp;watching starlings nest:&nbsp;braving the elements for a chance&nbsp;to witness some part of me live on,&nbsp;gathering twigs and twine for&nbsp;the promise of future, to&nbsp;reach for my own hand,&nbsp;fire and all, and say&nbsp;good girl, good girl&nbsp;it's time to come home.&nbsp;

From the New York Times bestselling author Everything All at Once comes a beautiful poetry collection exploring motherhood, grief, the unending road to healing, and the redeeming power of love.The word radicle is defined as the root of a plant embryo, the first organ to appear when a seed germinates.&nbsp;It grows downward into the soil, anchoring the seedling, a symbol of growth and grounding.Steph Catudal is beloved for her poignant meditations on loss, uncertainty, and illness, and the raw, wise reflections of her “brilliant, unflinching, lyrical” (Matt Haig) New York Times bestselling memoir Everything All At Once.Now, Catudal brings her trademark wisdom and strong lyrical voice to bear in her first collection of verse, delving into the challenging yet often rich parts of life people often lack the courage to face. Radicle, or When the World Lived Inside Us explores universal themes of motherhood, our relationship to the natural world, the nature of suffering, the circular process of healing, and what it means to stay present in the midst of it all. Loving myself has been like&nbsp;watching starlings nest:&nbsp;braving the elements for a chance&nbsp;to witness some part of me live on,&nbsp;gathering twigs and twine for&nbsp;the promise of future, to&nbsp;reach for my own hand,&nbsp;fire and all, and say&nbsp;good girl, good girl&nbsp;it's time to come home.&nbsp;

Poems

Radicle, or When the World Lived Inside Us

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

Three Wild Dogs (and the truth)

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Five Extraordinary Black Men and the Worlds That Made Them

The Strangers

From world traveler, entrepreneur, and content creator @DearAlyne, a vulnerable and hilarious memoir of how she escaped the restrictive expectations of her family and faith and found herself in the process. Alyne Tamir was raised to live her life for others: for her husband, her family, and the Mormon church. For twenty-five years, she put them ahead of herself, repressing things that didn't fit the neat, traditional story that had been written for her. On the surface, her life seemed picture-perfect. But in reality, Alyne was miserable, struggling to reconcile her flawless image with the pain and humiliation of abuse, an eating disorder, infidelity, and depression. Until Alyne reached a breaking point: the day her husband asked for a divorce-over email. Thank God! Or, not God. Finally free from the expectations of her family and faith, Alyne had to start a new life, which meant rediscovering herself and what she secretly wanted all along: the liberating life of a digital nomad. In a singular voice brimming with honesty and humor, Alyne invites us on a journey of strength and self-discovery-with a little bit of irreverence along the way. Dear Alyne is a one-of-a-kind, coming-of-age story and a testament to the limitless possibilities that await those brave enough to defy convention.

From world traveler, entrepreneur, and content creator @DearAlyne, a vulnerable and hilarious memoir of how she escaped the restrictive expectations of her family and faith and found herself in the process.Alyne Tamir was raised to live her life for others: for her husband, her family, and the Mormon church. For twenty-five years, she put them ahead of herself, repressing things that didn’t fit the neat, traditional story that had been written for her. On the surface, her life seemed picture-perfect. But in reality, Alyne was miserable, struggling to reconcile her flawless image with the pain and humiliation of abuse, an eating disorder, infidelity, and depression.Until Alyne reached a breaking point: the day her husband asked for a divorce—over email. Thank God! Or, not God. Finally free from the expectations of her family and faith, Alyne had to start a new life, which meant rediscovering herself and what she secretly wanted all along: the liberating life of a digital nomad.In a singular voice brimming with honesty and humor, Alyne invites us on a journey of strength and self-discovery—with a little bit of irreverence along the way. Dear Alyne is a one-of-a-kind, coming-of-age story and a testament to the limitless possibilities that await those brave enough to defy convention.

My Years as a Married Virgin

Dear Alyne

Notes on Heartbreak

You Never Know

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Bibliografische Angaben

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