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Lord A: Notes on Heartbreak / LF

Notes on Heartbreak

An urgent exploration of how antisemitism has shaped Jewish identity and how Jews can reclaim their tradition, by the celebrated White House speechwriter and author of the critically acclaimed&nbsp;Here All Along.At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life.Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn’t she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she’d endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I’m Jewish, but not that Jewish . . . I’m just a cultural Jew . . . I’m just like everyone else but with a fun ethnic twist—a dash of neurosis, a touch of gallows humor—a little different, but not in a way that would make anyone uncomfortable.Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world’s psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she’d thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe.In&nbsp;As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz’s defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary.

An urgent exploration of how antisemitism has shaped Jewish identity and how Jews can reclaim their tradition, by the celebrated White House speechwriter and author of the critically acclaimed&nbsp;Here All Along.At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life.Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn’t she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she’d endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I’m Jewish, but not that Jewish . . . I’m just a cultural Jew . . . I’m just like everyone else but with a fun ethnic twist—a dash of neurosis, a touch of gallows humor—a little different, but not in a way that would make anyone uncomfortable.Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world’s psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she’d thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe.In&nbsp;As a Jew, Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz’s defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary.

Reclaiming Our Story from Those Who Blame, Shame, and Try to Erase Us

As a Jew

Three Wild Dogs (and the truth)

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political leftAt the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be self-evident: that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life.Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized.With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political leftAt the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be self-evident: that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life.Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized.With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.

I Want to Burn This Place Down

Confessions of a paperboy, lawnmower, busboy, dishwasher, caddy, usher, waiter, bank teller, assembly-line worker, corporate tool, and priest

Work in Progress

From a host of The Daily Show and stand-up comic, Michael Kosta, comes a wildly funny and insightful memoir about his unlikely journey from professional tennis player (#864 in the world) to professional comedian (there’s no ranking system in comedy but he’s probably . . . top 50?). Before Michael Kosta was performing stand-up comedy specials and hosting The Daily Show, he was a professional tennis “star,” reaching the lofty heights of the #864 ranked men’s singles player in the world. Stop laughing. That’s better than your world ranking. As a tennis pro, Kosta traveled across the globe, competing in such exotic locales as the Netherlands, Tokyo, and even rural Illinois before deciding to put down his racket and pursue a more stable and predictable career: comedy.In a completely unexpected and wild journey through the backwaters of professional tennis, Kosta shows the unlikely ways life on the court prepared him for life in front of a microphone. Like comedy, tennis is brutally competitive, and most people lose at it. Unlike comedy, no one in tennis puts a gun on the table as they count out your earnings in twenty-dollar bills at the end of the night.And then there are the things that have more to do with what happens to you—and what you end up learning—as part of growing up. Topics include: how to properly&nbsp;discard an unwanted European hard-boiled egg, giving CPR to your dead grandpa, cringe-worthy&nbsp;“sex” in the Red Light District,&nbsp;crying so hard in a car that strangers call the cops, and&nbsp;also happy things like&nbsp;what it feels like when your dreams come true.&nbsp;From misadventures in tennis to the humbling setbacks of comedy, Lucky Loser is a heart-filled story of making your own luck, the universal experience of failure, and the many ways in which we all inevitably lose on the way to success.Lucky Loser includes a 16-page photo insert.

From a host of The Daily Show and stand-up comic, Michael Kosta, comes a wildly funny and insightful memoir about his unlikely journey from professional tennis player (#864 in the world) to professional comedian (there’s no ranking system in comedy but he’s probably . . . top 50?). Before Michael Kosta was performing stand-up comedy specials and hosting The Daily Show, he was a professional tennis “star,” reaching the lofty heights of the #864 ranked men’s singles player in the world. Stop laughing. That’s better than your world ranking. As a tennis pro, Kosta traveled across the globe, competing in such exotic locales as the Netherlands, Tokyo, and even rural Illinois before deciding to put down his racket and pursue a more stable and predictable career: comedy.In a completely unexpected and wild journey through the backwaters of professional tennis, Kosta shows the unlikely ways life on the court prepared him for life in front of a microphone. Like comedy, tennis is brutally competitive, and most people lose at it. Unlike comedy, no one in tennis puts a gun on the table as they count out your earnings in twenty-dollar bills at the end of the night.And then there are the things that have more to do with what happens to you—and what you end up learning—as part of growing up. Topics include: how to properly&nbsp;discard an unwanted European hard-boiled egg, giving CPR to your dead grandpa, cringe-worthy&nbsp;“sex” in the Red Light District,&nbsp;crying so hard in a car that strangers call the cops, and&nbsp;also happy things like&nbsp;what it feels like when your dreams come true.&nbsp;From misadventures in tennis to the humbling setbacks of comedy, Lucky Loser is a heart-filled story of making your own luck, the universal experience of failure, and the many ways in which we all inevitably lose on the way to success.Lucky Loser includes a 16-page photo insert.

Adventures in Tennis and Comedy

Lucky Loser

**INDIE BESTSELLER**A MOST ANTICIPATED BOOK OF 2023 by The Millions • B&amp;N Best Books of 2023 • “Shaped by intellectual rigor and artistic grace … McDonnell’s portrait is vibrant, fluent, sensitive, and clarifying.” — Booklist, starred reviewAn intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion’s work, is attuned to interpret Didion’s vision for readers today. Inspired by Didion’s own words—from her works both published and unpublished—and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer’s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.

**INDIE BESTSELLER**A MOST ANTICIPATED BOOK OF 2023 by The Millions • B&amp;N Best Books of 2023 • “Shaped by intellectual rigor and artistic grace … McDonnell’s portrait is vibrant, fluent, sensitive, and clarifying.” — Booklist, starred reviewAn intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion’s work, is attuned to interpret Didion’s vision for readers today. Inspired by Didion’s own words—from her works both published and unpublished—and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer’s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.

The World According to Joan Didion

"Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women's rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately."-Yasmeen Hassan, Global Executive Director, Equality Now"This courageous and terrifying book charts the author's descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how-even as an educated, sophisticated, liberal feminist-she was enthralled by her lover's fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption."-Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America. When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions-Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya's life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya-who was born in Sri Lanka and grew up in Southern California-his "brown slave." He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya's relationship devolved into abuse, how she found the strength to leave-risking her career, reputation, and life-and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

“Selvaratnam very bravely and compellingly uses her personal experience to shine a light on the global crisis of violence against women. An important book for the women’s rights movement, Assume Nothing demonstrates that violence against women exists across race, class, economic status and education levels, and may be perpetrated by those we think of as allies! It dispels the myth that there are certain types of victims and perpetrators. It will help a lot of people, and particularly those who hesitate to identify as a victim/survivor for fear of losing their grounding both publicly and privately.”—Yasmeen Hassan, Global Executive Director, Equality Now“This courageous and terrifying book charts the author’s descent into an abusive relationship and also her emergence from it in taut, seductive prose. Selvaratnam explains how—even as an educated, sophisticated, liberal feminist—she was enthralled by her lover’s fame and tolerated escalating personal violence. Her narrative is vivid and bracingly frank, a tour-de-force of self-revelation and, ultimately, of redemption.”—Andrew Solomon, National Book Award-winning author of&nbsp;Far from the Tree&nbsp;and&nbsp;The Noonday DemonAward-winning filmmaker Tanya Selvaratnam bravely recounts the intimate abuse she suffered from former New York State Attorney General Eric Schneiderman, using her story as a prism to examine the domestic violence crisis plaguing America.When Tanya Selvaratnam met then New York State Attorney General Eric Schneiderman at the Democratic National Convention in July 2016, they seemed like the perfect match. Both were Harvard alumni; both studied Chinese; both were interested in spirituality and meditation, both were well-connected rising stars in their professions—Selvaratnam in entertainment and the art world; Schneiderman in law and politics.&nbsp;Behind closed doors, however, Tanya’s life was anything but ideal. Schneiderman became controlling, mean, and manipulative. He drank heavily and used sedatives. Sex turned violent, and he called Tanya—who was born in Sri Lanka and grew up in Southern California—his “brown slave.” He isolated and manipulated her, even threatening to kill her if she tried to leave.&nbsp;Twenty-five percent of women in America are victims of domestic abuse. Tanya never thought she would be a part of this statistic. Growing up, she witnessed her father physically and emotionally abuse her mother. Tanya knew the patterns and signs of domestic violence, and did not see herself as remotely vulnerable. Yet what seemed impossible was suddenly a terrifying reality: she was trapped in a violent relationship with one of the most powerful men in New York.&nbsp;Sensitive and nuanced, written with the gripping power of a dark psychological thriller, Assume Nothing details how Tanya’s relationship devolved into abuse, how she found the strength to leave—risking her career, reputation, and life—and how she reclaimed her freedom and her voice. In sharing her story, Tanya analyzes the insidious way women from all walks of life learn to accept abuse, and redefines what it means to be a victim of intimate violence.

A Story of Intimate Violence

Assume Nothing

Paulina Susana Rubio Dosamantes (Paulina Rubio) is a Mexican singer, songwriter, actress, model and businesswoman. Referred to as the "Queen of Latin Pop" and "The Latina Madonna", Rubio has sold over 15 million records making her one of the best-selling Latin music artists of all-time. She has over 1.5 million Instagram followers, 5.4 million Facebook followers and over 11 million Twitter followers, making her the third most popular Mexican on Twitter. Her North America tours sell out in a matter of hours in cities such as Miami, Los Angeles, Chicago and NYC. The story behind one of Latin America's brightest singer/artist/actress and businesswoman, this is the official autobiography from the beloved Mexican-American singer..A no hold barred account of Paulina's incredible high (sold out tours worldwide) to soul-shattering lows (two divorces, both on account of cheating husbands ), Paulina, for the first time, opens her heart and soul in these pages for her millions of fans and recounts the crucial moments in her past, revealing her experiences with body image issues, making her way in a male-dominated industry, raising her children as a single mother, and learning that she could depend only on herself.Growing up as the daughter of Mexican media royalty (Paulina's mother is a well-known actress and father is a Spanish-born lawyer), Paulina knew early on she was destined for greatness. As a teenager, she joined the wildly popular Mexican girl group Timbiriche and later as a solo artist and actress reached the pinnacle of her the music industry, and she is often referred to as the Latin Madonna, For their part, many journalists and critics have assured that Rubio's great success has also been influenced by the events of her personal life. Since she began her career, the public had a great interest in exploring her personal life. El País journalist Elena Reina says that her success has been thanks to a "brilliant marketing strategy based on her private life."Rubio's shows are also known to be expensive. Her performance at the Santa Cruz de Tenerife gala in Spain in February 2020 became the most expensive performance ever paid by an artist at the event. The carnival owner disclosed that "the Mexican singer was offered 103,000 euros for an 8-minute performance."

Paulina Susana Rubio Dosamantes (Paulina Rubio) es una cantante, compositora, actriz, modelo y mujer de negocios mexicana. Conocida como la “Reina del pop latino” y la “Madonna Latina”, Rubio ha vendido más de 15 millones de récords, lo que la convierte en uno de los artistas de música latina más vendidos de todos lo tiempos. Tiene más de 1.5 millones de seguidores en Instagram, 5.4 millones en Facebook y más de 11 millones en Twitter (que la colocan como la tercera mexicana más popular en Twitter). Sus giras por Norteamérica agotan sus entradas en cuestión de horas en ciudades como Miami, Los Ángeles, Chicago y Nueva York. Ésta es la autobiografía oficial de la adorada cantante mexicoestadounidense, la historia detrás de una de las más prominentes cantantes/artistas/actrices/ mujeres de negocios de Latinoamérica. Un recuento sin límites desde las alturas (giras mundiales con entradas agotadas) hasta las desgarradoras caídas (dos divorcios, ambos debidos a la infidelidad de los esposos). Por primera vez, Paulina abre su corazón y su alma en estas páginas para sus millones de seguidores y cuenta los momentos cruciales de su pasado, revela sus experiencias con los problemas sobre su apariencia física, cómo se abrió paso en una industria dominada por hombres, la crianza de sus hijos como madre soltera y cómo aprendió que sólo puede depender de ella misma. Porque creció como hija de la realeza mexicana de los medios de comunicación (la madre de Paulina es una actriz muy conocida y su padre, un abogado nacido en España), Paulina supo desde temprana edad que estaba destinada a la grandeza. Como adolescente, se unió al popular grupo mexicano de chicas, Timbiriche, y más tarde, como artista individual y actriz, alcanzó la cima de la industrial musical, y con frecuencia recibe el nombre de la Madonna Latina. Por su parte, muchos periodistas y críticos han asegurado que el gran éxito de Paulina también se ha visto influido por acontecimientos de su vida personal. Desde que comenzó su carrera, el publico tuvo mucho interés en explorar su vida personal. Elena Reina, periodista de El País, asegura que su éxito se ha debido a la “brillante estrategia de mercado basada en su vida privada”. También se sabe que los conciertos de Rubio son caros. Su presentación en la gala de Santa Cruz de Tenerife en España en febrero de 2020 se convirtió en la presentación más cara jamás pagada a un artista en ese evento. El propietario del carnaval reveló que “la cantante mexicana recibió una oferta de 103.000 euros por una actuación de ocho minutos”.&nbsp; Paulina Susana Rubio Dosamantes (Paulina Rubio) is a Mexican singer, songwriter, actress, model and businesswoman.&nbsp;Referred to as the "Queen of Latin Pop"&nbsp;and "The Latina Madonna", Rubio has sold over 15 million records&nbsp;making her one of the&nbsp;best-selling Latin music artists of all-time.&nbsp;She has over 1.5 million Instagram followers, 5.4 million Facebook followers and over 11 million Twitter followers, making her the third most popular Mexican on Twitter. Her North America tours sell out in a matter of hours in cities such as Miami, Los Angeles, Chicago and NYC.The story behind one of Latin America's brightest singer/artist/actress and businesswoman, this is the official autobiography from the beloved Mexican-American singer..A no hold barred account of Paulina's incredible high (sold out tours worldwide) to soul-shattering lows (two divorces, both on account of cheating husbands ), Paulina, for the first time, opens her heart and soul in these pages for her millions of fans and&nbsp;recounts the crucial moments in her past, revealing her experiences with body image issues, making her way in a male-dominated industry, raising her children as a single mother, and learning that she could depend only on herself.Growing up as the daughter of Mexican media royalty (Paulina's mother is a well-known actress and father is a Spanish-born lawyer), Paulina knew early on she was destined for greatness.&nbsp;As a teenager, she joined the wildly popular Mexican girl group Timbiriche and later as a solo artist and actress reached the pinnacle of her the music industry, and she is often referred to as the Latin Madonna,&nbsp;For their part, many journalists and critics have assured that Rubio's great success has also been influenced by the events of her personal life. Since she began her career, the public had a great interest in exploring her personal life.&nbsp;El País&nbsp;journalist Elena Reina says that her success has been thanks to a "brilliant marketing strategy based on her private life."Rubio's shows are also known to be expensive. Her performance at the&nbsp;Santa Cruz de Tenerife&nbsp;gala in Spain in February 2020 became the most expensive performance ever paid by an artist at the event. The carnival owner disclosed that "the Mexican singer was offered 103,000 euros for an 8-minute performance."

A Little More of Me \ Un poco más de mí (Spanish edition)

A devastating personal testimony and a searing indictment of persistent misogyny.In January 2017, Chimene Suleyman was on her way to an abortion clinic in Queens, New York with her boyfriend, the father of her nascent child. It was the last day they would spend together. In an extraordinary sequence of events, Chimene was to discover the truth of her boyfriend's life: that the man she’d loved had gaslit, lied to, stolen from, and painfully betrayed her and many others.In this spellbinding memoir, Suleyman exposes one man's control over many women and the trauma he left behind and celebrates the sisterhood that formed in his wake despite—and in spite of—him. With radiant prose and incisive observation, Suleyman questions society’s complicity in allowing those who would do women harm to flourish and contemplates why others remain silent witnesses by accepting and normalizing shameless behavior towards women. She demonstrates how women themselves are acculturated to perform prescribed roles of giver and nurturer, to be self-sacrificing and subordinate, and to bolster the egos of others by remaining silent and ignoring their own protective instincts.A soul-baring story, brilliant cultural critique, and celebration of the healing power of sisterhood, The Chain is a book for any woman who has questioned her relationship and buried her doubts, for any woman who can't quite identify the source of her unease and for any woman who has been sheltered by the fierce protection of her female friends.&nbsp;&nbsp;&nbsp;

Love, Betrayal, and the Sisterhood That Heals Us

The Chain

"A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman's Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone's favorites--and least favorites--are carefully considered, including Snickers and Trader Joe's Peanut Butter Cups, as well as the beloved Good n' Plenty and Werther's Originals"--

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

“Moving, thoughtful, redemptive. The Strangers is an important book. It will become a Black classic.”— Ben Okri, author of The Famished Road“Thrilling and ingenious, propulsive and genre-defying: The Strangers is an outstanding book. Compelling and imaginatively expansive, this is something very special—creative nonfiction that inspires, stirs and challenges.”—Bernardine Evaristo, Booker Prize-winning author of Girl, Woman, OtherA richly imaginative, powerfully empathetic, and intimate portrait of five remarkable Black men that is also a moving meditation on race, estrangement, and the search for home.In the western imagination, a Black man is always a stranger, outsider, foreigner, intruder, alien; one who remains associated with their origins irrespective of how far they have travelled from them. One who is not an individual in his own right, but the representative of a type.What kind of performance is required for a person to survive this condition? What happens beneath the mask—what is the cost to the mind and body, to one’s relationships and one’s sense of self?Searching for answers, Ekow Eshun channels the voices of five very different individuals. Each man a renowned trailblazer in his field. Each man haunted by a sense of isolation and exile. Each man a stranger in his own world:<ul><li>Ira Aldridge, nineteenth century British actor and playwright;</li><li>Matthew Henson, the first Black man to reach the North Pole;</li><li>Frantz Fanon, French-Martinican psychiatrist and political philosopher;</li><li>Malcolm X, civil rights activist and leader;</li><li>Justin Fashanu, Britain’s first openly gay professional footballer.</li></ul>Telling their stories, Eshun pushes the boundaries of genre to capture them in all their complexity, interweaving biography, fiction, historical record, and memoir, sharing his own experiences living as a Black Briton in the art world. The Strangers illuminates both the hostility and the beauty each man encountered in the world, positioning them all within a wider landscape of Black art, culture, history, and politics throughout the diaspora.

Five Extraordinary Black Men and the Worlds That Made Them

The Strangers

Notes on Heartbreak

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