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Hana K: Two Women Living Together

Two Women Living Together

Miraculous Stories of the Healing Power of Prayer

Faith Still Moves Mountains

A Reckoning

Good Woman

In this humorous memoir, New York Times bestselling author Father James Martin, SJ shares summer by summer, job by job, how a former paperboy, lawnmower, busboy, dishwasher, caddy, usher, waiter, bank teller, assembly-line worker, corporate tool became a Jesuit priest.Work in Progress is a snapshot of several years--from a boy, then a teenager, and finally a young adult--of being thrown into a series of jobs that Father Martin had zero training. He never once set foot in a restaurant kitchen before working as a busboy; never stepped onto a golf course before working as a caddy; and never once seen a factory floor before working as an assembly-line worker. He almost always felt uncomfortable, unsettled, and uneasy. But, we've all done jobs we didn't love because we needed the money.This is a come of age in the 1960s and 1970s story but not all aspects. It is a lighthearted tale for readers that enjoy personal narratives and is unlike anything Father Martin has written before. As he puts it, "This is a spiritual memoir from a different angle, then told "slant" as Emily Dickson might say."Each chapter features treasured photos of memories and milestones throughout Father Martin's life. If you're an aficionado of snafus, you won't be disappointed. He's not the hero in these stories, more a hapless teenager who learns in each job, even the ones he loathes, something about the value of work, about what it means to be an adult, about people, and about life overall.Work in Progress teaches us small lessons that we should all practice: work hard, be on time, don't be mean, apologize when you need to, forgive frequently, ask if you don't know something, don't misuse power, pay attention to those struggling, be kind, and listen.

In this humorous memoir, New York Times bestselling author Father James Martin, the humorous memoir of how a former busboy, dishwasher, caddy, usher, bank teller, factory worker, corporate tool, became a Jesuit priest.Work in Progress is a snapshot of several years--from a boy, then a teenager, and finally a young adult--of being thrown into a series of jobs that Father Martin had zero training. He never once set foot in a restaurant kitchen before working as a busboy; never stepped onto a golf course before working as a caddy; and never once seen a factory floor before working as a factory worker. He almost always felt uncomfortable, unsettled, and uneasy. But, we've all done jobs we didn't love because we needed the money.This is a come of age in the 1960s and 1970s story but not all aspects. It is a lighthearted tale for readers that enjoy personal narratives and is unlike anything Father Martin has written before. As he puts it, "This is a spiritual memoir from a different angle, then told "slant" as Emily Dickinson might say."Each chapter features treasured photos of memories and milestones throughout Father Martin's life. If you're an aficionado of snafus, you won't be disappointed. He's not the hero in these stories, more a hapless teenager who learns in each job, even the ones he loathes, something about the value of work, about what it means to be an adult, about people, and about life overall.Work in Progress teaches us small lessons that we should all practice: work hard, be on time, don't be mean, apologize when you need to, forgive frequently, ask if you don't know something, don't misuse power, pay attention to those struggling, be kind, and listen.

Confessions of a busboy, dishwasher, caddy, usher, bank teller, factory worker, corporate tool, and priest

Work in Progress

"An award-winning journalist, TV political analyst, and creator of TheGrio documentary, Afro-Latinx Revolution: Puerto Rico, recounts her experiences as an African American and Puerto Rican woman, reflecting on her improbable journey from Syracuse to Harvard, hedge fund boardrooms to newsrooms, and beyond in pursuit of America's infinite opportunities. Part inspiring memoir, part cultural analysis, with remarkable self-determination, Natasha S. Alford shows why the movement to recognize Afro-Latin identity illuminates shared struggles across the Black diaspora and often overlooked history"--

American Negra

Notes on Heartbreak

Lucky Loser

It's Never Too Late

The Search for Black Mecca

A No-BS Journey to Mindfulness and Meditation

Sit with Me

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

The vivid and masterful story of&nbsp;Isabella Stewart Gardner—creator of one of America’s most stunning museums—an American original&nbsp;whose own life was remade by art. Includes archival photos of Isabella’s world, museum,&nbsp;and the art&nbsp;she collected.Isabella Stewart Gardner’s museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston’s Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.An extraordinary achievement of storytelling and scholarship, Chasing Beauty illuminates the fascinating ways the museum and its holdings can be seen as a kind of memoir, dazzling and haunting, created with objects instead of words and displayed per Isabella’s wishes in the exact placements she initially curated.Born in 1840 to a privileged New York family, Isabella Stewart married Boston Brahmin Jack Gardner as she turned twenty. She was misunderstood by Boston’s insular society and suffered the death of her only child, a beloved boy, not yet two years old.But in time came friendships, glittering and bohemian; awe-inspiring world travels; and collecting beautiful things with a keen eye and competitive pace—all these were balm for loss.&nbsp;Henry James and John Singer Sargent—whose portrait of Isabella was a masterpiece and a scandal—came to recognize her originality. Bernard Berenson, leading connoisseur of the Italian Renaissance, was her art dealer.From award-winning author Natalie Dykstra,&nbsp;Chasing Beauty&nbsp;is the story of the complex and singular woman behind one of the most fascinating museums in the nation and the world—a tale of beauty and loss, grit and American self-invention.&nbsp;

The Life of Isabella Stewart Gardner

Chasing Beauty

The Body, Pain, and Faith

This Is the Door

Two Women Living Together

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