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Nolan S: Good Woman

Good Woman

A Reckoning

How to Feel God has descriptive copy which is not yet available from the Publisher.

The Essential Essays

Braving the Truth

MOST ANTICIPATED READ and MUST READ OF 2024: The Millions, LitHub, Esquire, BookRiot, Bustle, Vulture, Boston Globe, Brit &amp; Co, Southern Living“Woman of Interest is a memoir wrapped in a mystery—an inward examination of family, identity, and self, but also an actual gumshoe detective story. Each extraordinary, prickly sentence is conjured with clarity and conflict. Funny, moving, mean—an exceptional book from an extraordinary writer.” —Kevin Nguyen, author of New Waves“Dark, deeply funny. . . . Dashiell Hammett meets Fleabag.”—The New YorkerA National Book Foundation’s 5 Under 35 honoree&nbsp;delivers her first work of nonfiction: a compulsively readable, genre-bending story of finding her missing birth mother and, along the way, learning the priceless power of self-knowledge.In 2020, Tracy O’Neill began to rethink her ideas of comfort and safety. Just out of a ten-year relationship and thirtysomething, she was driven by an acute awareness that the mysterious mother she’d never met might be dying somewhere in South Korea.After contacting a grizzled private investigator, O’Neill took his suggested homework to heart when he disappeared before the job was done, picking up the trail of clues and becoming her own hell-bent detective. Despite COVID-19, the promise of what she might discover—the possibility that her biological mother was her kind of outlaw, whose life could inspire her own—was too tempting.Written like a mystery novel, Woman of Interest is a tale of self-discovery and fugitivity from convention that features a femme fatale of unique proportions, a former CIA operative with a criminal record, and a dogged investigator of radical connections outside the nuclear family. O’Neill gorgeously bends the detective genre to her own will as a writer, stepping out of the shadows of her own self-conception to illuminate the hopes of the woman of interest she is both chasing and becoming.

MOST ANTICIPATED READ and MUST READ OF 2024: The Millions, LitHub, Esquire, BookRiot, Bustle, Vulture, Boston Globe, Brit &amp; Co, Southern Living“Woman of Interest is a memoir wrapped in a mystery—an inward examination of family, identity, and self, but also an actual gumshoe detective story. Each extraordinary, prickly sentence is conjured with clarity and conflict. Funny, moving, mean—an exceptional book from an extraordinary writer.” —Kevin Nguyen, author of New Waves“Dark, deeply funny. . . . Dashiell Hammett meets Fleabag.”—The New YorkerA National Book Foundation’s 5 Under 35 honoree&nbsp;delivers her first work of nonfiction: a compulsively readable, genre-bending story of finding her missing birth mother and, along the way, learning the priceless power of self-knowledge.In 2020, Tracy O’Neill began to rethink her ideas of comfort and safety. Just out of a ten-year relationship and thirtysomething, she was driven by an acute awareness that the mysterious mother she’d never met might be dying somewhere in South Korea.After contacting a grizzled private investigator, O’Neill took his suggested homework to heart when he disappeared before the job was done, picking up the trail of clues and becoming her own hell-bent detective. Despite COVID-19, the promise of what she might discover—the possibility that her biological mother was her kind of outlaw, whose life could inspire her own—was too tempting.Written like a mystery novel, Woman of Interest is a tale of self-discovery and fugitivity from convention that features a femme fatale of unique proportions, a former CIA operative with a criminal record, and a dogged investigator of radical connections outside the nuclear family. O’Neill gorgeously bends the detective genre to her own will as a writer, stepping out of the shadows of her own self-conception to illuminate the hopes of the woman of interest she is both chasing and becoming.

Woman of Interest

Essays and Outtakes

Songs on Endless Repeat

Tiffany Haddish is back with her highly anticipated new essay collection, I Curse You With Joy. In more than a dozen stories Tiffany is candid about her highs, lows, and everything in between. If you thought you knew Tiffany Haddish, oh you had no idea. I Curse You With Joy is the equivalent of being six months into a relationship, where you're all in?the wig is off now, no makeup, no false lashes, no heels either! Stories run the gamut from Tiffany's viral head-shaving video on Instagram where she found personal blessings right down to her scalp, her journey as a female stand-up comedian and auditioning for SNL to being the first Black women comedian to host it, and a bittersweet story of reconnecting with her estranged father after 20 years.

Stories run the gamut from Tiffany's viral head-shaving video on Instagram where she found personal blessings right down to her scalp, her journey as a female stand-up comedian and auditioning for SNL to being the first Black women comedian to host it, and a bittersweet story of reconnecting with her estranged father after 20 years.

I Curse You With Joy

"Expertly choreographed and long overdue, this is the nuanced reckoning ballet needs, ballerinas deserve, and all feminists should note." -Oprah DailyAn incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot.Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today.

"Expertly choreographed and long overdue, this is the nuanced reckoning ballet needs, ballerinas deserve, and all feminists should note." -Oprah DailyAn incisive exploration of ballet’s role in the modern world, told through the experience of the author and her classmates at the most elite ballet school in the country: the School of American Ballet.Growing up, Alice Robb dreamed of becoming a ballet dancer. But by age fifteen, she had to face the reality that she would never meet the impossibly high standards of the hyper-competitive ballet world. After she quit, she tried to avoid ballet—only to realize, years later, that she was still haunted by the lessons she had absorbed in the mirror-lined studios of Lincoln Center, and that they had served her well in the wider world. The traits ballet takes to an extreme—stoicism, silence, submission—are valued in girls and women everywhere.Profound, nuanced, and passionately researched, Don’t Think, Dear is Robb’s excavation of her adolescent years as a dancer and an exploration of how those days informed her life for years to come.As she grapples with the pressure she faced as a student at the School of American Ballet, she investigates the fates of her former classmates as well. From sweet and innocent Emily, whose body was deemed thin enough only when she was too ill to eat, to precocious and talented Meiying, who was thrilled to be cast as the young star of the Nutcracker but dismayed to see Asians stereotyped onstage, and Lily, who won the carrot they had all been chasing—an apprenticeship with the New York City Ballet—only to spend her first season dancing eight shows a week on a broken foot.Theirs are stories of heartbreak and resilience, of reinvention and regret. Along the way, Robb weaves in the myths of famous ballet personalities past and present, from the groundbreaking Misty Copeland, who rose from poverty to become an icon of American ballet, to the blind diva Alicia Alonso, who used the heat of the spotlights and the vibrations of the music to navigate space onstage. By examining the psyche of a dancer, Don’t Think, Dear grapples with the contradictions and challenges of being a woman today.

On Loving and Leaving Ballet

Don't Think, Dear

"A surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page."—New York TimesCombining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen’s Gambit, a renowned puzzle creator’s compulsively readable memoir and history of the crossword puzzle as an unexpected site of women’s work and feminist protest.The indisputable “queen of crosswords,” Anna Shechtman published her first New York Times puzzle at age nineteen, and later, helped to spearhead the The New Yorker’s popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.In this fascinating work—part memoir, part cultural analysis—she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the “Crossword Craze” of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they’ve been allowed to fill, and the ways that they’ve used puzzles to negotiate the constraints and play of desire under patriarchy.The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.

Inheriting the Feminist History of the Crossword Puzzle

The Riddles of the Sphinx

Unti Memoir

“Full of heart and wisdom, Daughters of Latin America sheds a brilliant light on Latine and Caribbean women writers across time, space, languages, and genres.”—World Literature TodaySpanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational literary voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 sections representing the 13 holy moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón; lyric essays from New York Times bestselling author Elizabeth Acevedo, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.&nbsp;In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

“Full of heart and wisdom, Daughters of Latin America sheds a brilliant light on Latine and Caribbean women writers across time, space, languages, and genres.”—World Literature TodaySpanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational literary voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 sections representing the 13 holy moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón; lyric essays from New York Times bestselling author Elizabeth Acevedo, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.&nbsp;In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

An International Anthology of Writing by Latine Women

Daughters of Latin America

Miraculous Stories of the Healing Power of Prayer

Faith Still Moves Mountains

“Arresting, deeply reported. . . . a patient reporter who embeds with her subjects long enough to write about their inner worlds with authority and nuance. . . . The Furies is deeply respectful of its subjects’ autonomy, including their self-justifications and mistakes. Flock largely withholds judgment, and her work is richer and more troubling because of it.” —Washington PostRenowned journalist and author of The Heart is a Shifting Sea Elizabeth Flock investigates what few dare to confront, or even imagine: the role and necessity of female-led violence in response to systems built against women.In The Furies, Elizabeth Flock examines how three real-life women have used violence to fight back, and how views of women who defend their lives are often distorted by their depictions in media and pop culture. These three immersive narratives follow Brittany Smith, a young woman from Stevenson, Alabama, who killed a man she said raped her but was denied the protection of the Stand-Your-Ground law; Angoori Dahariya, leader of a gang in Uttar Pradesh, India, dedicated to avenging victims of domestic abuse; and Cicek Mustafa Zibo, a fighter in a thousands-strong all-female militia that battled ISIS in Syria. Each woman chose to use lethal force to gain power, safety, and freedom when the institutions meant to protect them—government, police, courts—utterly failed to do so. Each woman has been criticized for their actions by those who believe that violence is never the answer.Through Flock’s propulsive prose and remarkable research on the ground—embedded with families, communities, and organizations in America, India, and Syria—The Furies examines, with exquisite nuance, whether the fight for women’s safety is fully possible without force. Do these women’s acts of vengeance help or hurt them, and ultimately, all women? Did they create lasting change in entrenched misogynistic and paternalistic systems? And ultimately, what would societies in which women have real power look like?Across mythologies and throughout history, the stories of women’s lives frequently end with their bodies as sites of violence. But there are also celebrated tales of women, real and fictional, who have fought back. The novelistic accounts of these three women provoke questions about how to achieve true gender equality, and offer profound insights in the quest for answers.

Women, Vengeance, and Justice

The Furies

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

A riveting and stylish saga set in Paris during World War II, The Art Spy uncovers how an unlikely heroine infiltrated the Nazi leadership to save the world's most treasured masterpieces.On August 25, 1944, Rose Valland, a woman of quiet daring, found herself in a desperate position. From the windows of her beloved Jeu de Paume museum, where she had worked and ultimately spied, she could see the battle to liberate Paris thundering around her. The Jeu de Paume, co-opted by Nazi leadership, was now the Germans’ final line of defense. Would the museum curator be killed before she could tell the truth—a story that would mean nothing less than saving humanity’s cultural inheritance?Based on troves of previously undiscovered documents, The Art Spy chronicles the brave actions of the key Resistance spy in the heart of the Nazi’s art looting headquarters in the French capital. A veritable female Monuments Man, Valland has, until now, been written out of the annals, despite bearing witness to history’s largest art theft. While Hitler was amassing stolen art for his future Führermuseum, Valland, his undercover adversary, secretly worked to stop him.At every stage of World War II, Valland was front and center. She came face to face with Reichsmarschall Hermann Göring, passed crucial information to the Resistance network, put herself deliberately in harm’s way to protect the museum and her staff, and faced death during the last hours of Liberation Day.At the same time, a young Free French soldier, Alexandre Rosenberg , was fighting his way to Paris with the Allied forces battling to liberate France. Alexandre's father was the exclusive art dealer for Picasso, Matisse, George Braque, and Fernand Léger. The Nazis had taken everything from their family—their art collection, their nationality, their gallery, and their home in Paris.&nbsp;Vivid and atmospheric, The Art Spy moves from the glittering days of pre-War Paris, home to geniuses of modern culture, including Picasso, Josephine Baker, Coco Chanel, Le Corbusier, and Frida Kahlo, through the tension-riddled cities and resorts of Europe on the eve of war, to the harrowing years of the Nazi occupation of France when brave people such as Valland and Rosenberg risked everything to fight monstrous evil.In the spirit of Hidden Figures, with the sweeping narrative of The Rape of Europa and the depth of The Resistance Quartet, The Art Spy is an extraordinary tale of a female hero whose courage and tenacity in a time of violence and terror is an inspiration for us all.

A riveting and stylish saga set in Paris during World War II, The Art Spy uncovers how an unlikely heroine infiltrated the Nazi leadership to save the world's most treasured masterpieces.On August 25, 1944, Rose Valland, a woman of quiet daring, found herself in a desperate position. From the windows of her beloved Jeu de Paume museum, where she had worked and ultimately spied, she could see the battle to liberate Paris thundering around her. The Jeu de Paume, co-opted by Nazi leadership, was now the Germans’ final line of defense. Would the museum curator be killed before she could tell the truth—a story that would mean nothing less than saving humanity’s cultural inheritance?Based on troves of previously undiscovered documents, The Art Spy chronicles the brave actions of the key Resistance spy in the heart of the Nazi’s art looting headquarters in the French capital. A veritable female Monuments Man, Valland has, until now, been written out of the annals, despite bearing witness to history’s largest art theft. While Hitler was amassing stolen art for his future Führermuseum, Valland, his undercover adversary, secretly worked to stop him.At every stage of World War II, Valland was front and center. She came face to face with Reichsmarschall Hermann Göring, passed crucial information to the Resistance network, put herself deliberately in harm’s way to protect the museum and her staff, and faced death during the last hours of Liberation Day.At the same time, a young Free French soldier, Alexandre Rosenberg , was fighting his way to Paris with the Allied forces battling to liberate France. Alexandre's father was the exclusive art dealer for Picasso, Matisse, George Braque, and Fernand Léger. The Nazis had taken everything from their family—their art collection, their nationality, their gallery, and their home in Paris.&nbsp;Vivid and atmospheric, The Art Spy moves from the glittering days of pre-War Paris, home to geniuses of modern culture, including Picasso, Josephine Baker, Coco Chanel, Le Corbusier, and Frida Kahlo, through the tension-riddled cities and resorts of Europe on the eve of war, to the harrowing years of the Nazi occupation of France when brave people such as Valland and Rosenberg risked everything to fight monstrous evil.In the spirit of Hidden Figures, with the sweeping narrative of The Rape of Europa and the depth of The Resistance Quartet, The Art Spy is an extraordinary tale of a female hero whose courage and tenacity in a time of violence and terror is an inspiration for us all.

The Extraordinary Untold Tale of WWII Resistance Hero Rose Valland

The Art Spy

Good Woman

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