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Kanneh-Mason K: To Be Young, Gifted and
Black

To Be Young, Gifted and Black

Music is what makes us alive, mindful and connected to each other. Music is what makes us human. This is the power of music. Cellist Sheku Kanneh-Mason knows and feels the transformative power of music as much as any musician alive. From winning the prestigious BBC Young Musician Award to performing at Harry and Meghan's wedding; from Bach's solo suites to Bob Marley's reggae; his ferocious passion shines through in every single performance, whether in a packed-out concert hall or on record. But how was it that someone like him - a person of colour, from a state school in Nottingham - rose to the upper echelons of the classical music world? What were the obstacles that he had to overcome, what did he learn along the way, and how could a young person follow in his footsteps today?In The Power of Music, Sheku explores the experiences and values that led him here, from his childhood of football practice and family music sessions, to his work today in the world's finest concert halls and in the less privileged communities that surround them. As his star continues to rise, he shows us the darker side of an industry ruled by exclusivity and stubborn adherence to tradition. With its power to transform our mental and physical health, to effect social change, and to make a house a home, Sheku shows us that classical music is for everyone, not just an elite few. The Power of Music is a paean to music of all sorts, a celebration of those who make it, and a rallying call to change.

The Power of Music

A timely critique of 'wokeness' by one of the most exciting thinkers and writers of her generation

A timely critique of 'wokeness' by one of the most exciting thinkers and writers of her generation

Clarity, Culture and Identity in the Web of Chaos

The Awokening

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city’s nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

Routledge Contemporary China Series

Through the lens of an original, detailed qualitative study with 27 girls involved in compensated dating and a quantitative study involving around 1,000 parents, social workers, police officers, and community leaders, this book offers readers both insiders' voices and outsiders' views of compensated dating.

Through the lens of an original, detailed qualitative study with 27 girls involved in compensated dating and a quantitative study involving around 1,000 parents, social workers, police officers, and community leaders, this book offers readers both insiders’ voices and outsiders’ views of compensated dating.

Scripts, Voices and Views

Compensated Dating Girls in Hong Kong

A powerful exploration of race and swimming by a writer who "see[s] the world whole, allowing daily intimacies against a backdrop of social injustice" (New York Times). Michael Kleber-Diggs and his twin brother, Martin, grew up in Kansas City, their family part of a prosperous community of Black medical professionals. Their father had never learned to swim, so when he wanted to buy a boat, their mother, a former lifeguard, agreed on the condition that her sons take swimming lessons. Then their father was murdered in an act of random violence, and everyone's lives changed--but for Michael, in the years and moves that followed, swimming remained a constant. My Weight in Water is the intimate memoir of a swimmer. It is a story of race and recreation in America--of segregation, desegregation, and justice--told through one family and their lives in the Midwest. It is a reckoning with the concept of self-care and a plea for joy. Most of all, it is a book about what it means to love an activity that leaves you vulnerable--your mostly unclothed body in close proximity to other mostly unclothed bodies, moving through the same water--when you are marked as an outsider by both your race and your size. Transparently and gloriously written, My Weight in Water is a definitively American work about what it costs one swimmer to enter the pool and why he does it anyway--imagining a future where all people have access to an activity that renders us weightless.

Notes of a Fat Black Swimmer

My Weight in Water

Music Theory in Britain, 1500–1700: Critical Editions

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Exploring Class Consciousness in Heavy Metal Music

Stained Class

Bloomsbury Studies in Black Religion and Cultures

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, 'one-size-fits-all' historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. This book is structured around three main themes-context, culture and conservation-and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, ‘one-size-fits-all’ historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. 

This book is structured around three main themes—context, culture and conservation—and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

Reclaiming its African Caribbean Pentecostal Roots

Black Gospel Music in Britain

Race and Ethnicity in Psychology

This volume shares innovative methods to treat inequities. Many of these utilize the strengths of culturally grounded approaches to care, including radical healing, training young people of color in civic engagement, and embracing the power of spirituality and creativity.

Written by psychologists, mental health care providers, and researchers, the contributions in this volume challenge inequities from myriad personal and professional perspectives. Many of the contemporary and novel methods used to confront inequities discussed in this book capitalize on the strengths of culturally grounded approaches to help and treatment. These include radical healing, training young people of color in civic engagement, and embracing how spirituality and creativity can help people and communities solve problems and thrive in adverse circumstances. From reconsidering the #MeToo movement to proposing powerful ways to prevent the further legal and cultural prosecution of immigrants in the United States, this book proposes solutions to the most harmful and visible inequity problems across the country. As the only book that addresses the psychology of inequity at the personal and national levels and across different cultural contexts, this volume is a must-read for those looking to solve inequity problems and help victims heal from their insidious effects.

Social Actions and Movements

The Psychology of Inequity

Where slaves became drag queens - and changed the world

The House of Swann

To Be Young, Gifted and Black

Bibliografische Angaben

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Bibliografische Angaben

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