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THE INSTANT SUNDAY TIMESAND IRISH TIMESNUMBER ONE BESTSELLER.THE NEW YORK TIMES BESTSELLER._Hope taught me the meaning of life, Tina taught me the meaning of love.

Harbison Niall: Tina

Tina

The Dog Who Changed the World

A Memoir of Hope

Saving Five

You Don't Need a Dick to DJ

Becoming a Voice for Young People

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

335876 TBA

A Memoir

One Day at a Time

This is a personal account of the being a lifeboat volunteer and an insight into the crews who keep it afloat.

Lifeboat at the End of the World

The astonishing and often heart-breaking story of two sisters who were aristocrats from a long and ancient line until a family secret comes to light that changed their lives forever...

A troubled aristocratic family and an inheritance of lies

The Baronesses

Out of the cocaine-fuelled, rock'n'roll debauchery of the 1970s came an iconic collaboration between an influential rocker and a visionary filmmaker. From The Last Waltz to The Wolf of Wall Street and The Irishman, the creative legacy of Robbie Robertson and Martin Scorcese has spanned decades. Filled with high octane exploits, bacchanalian parties and untold amounts of debauchery, this is the intimate and unvarnished behind-the-scenes story of a partnership that has shaped American culture like no other. PRAISE FOR TESTIMONY 'A book of memories and wonders, a personal testament of a magical time in American music from someone who was there, at the center of it all . . . Robbie brings you along with him, keeps you right by his side first to last, just the way his songs do, drawing you close, spellbound by his easy sorcery. You can feel the music in every word' Martin Scorsese 'Robust, wry, gritty and wise' Wall Street Journal 'Confident and well oiled. At times it has the mythic sweep of an early Terrence Malick movie' New York Times 'Captivating... this is essential reading' Rolling Stone 'Robertson is an immensely capable storyteller and a keen observer' New Yorker

Insomnia

An eye-opening, personal account of female homelessness - from one of Britain's most exciting filmmakers

'You have to read this book' MICK JAGGER

BARE

Fake News, True Story

W&N Essentials

A New York Times Notable Book 'It is impossible to read Autobiography of a Face without having your consciousness raised forever' Mirabella 'Both book and life are unforgettable' New York Times At age nine, Lucy Grealy was diagnosed with a potentially terminal cancer. When she returned to school with a third of her jaw removed, she faced the cruel taunts of classmates. It took her twenty years of living with a distorted self-image and more than thirty years of reconstructive procedures before she could come to terms with her appearance. In this lyrical and strikingly candid memoir, Grealy tells her story of great suffering and remarkable strength without sentimentality and with considerable wit. She captures what it is like as a child and a young adult to be torn between two warring impulses: to feel that more than anything else we want to be loved for who we are, while wishing desperately and secretly to be perfect.

Autobiography of a Face

A Time of Loss

Tina

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