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Burgess T: The Singing and Acting
Handbook

The Singing and Acting Handbook

Games and Exercises for the Performer

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. 

Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment.

The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

The British musical in its formative years has appeared in strikingly different guises: from the lasting hits of Oliver!, and Me and My Girl, to the successes of The Dancing Years, Bless the Bride and Expresso Bongo.
 
This authoritative study traces what made these shows successes in the West End and how their qualities define a uniquely British interpretation of the genre. Cultural, sociological and political influences entwine with close reading of the dramatic and musical elements of this repertory to reveal a fascinating web of connections and contrasts between the times, the shows and the people who made them.

 Through detailed case studies, such as of The Boy Friend and Bitter Sweet, the rich individuality of each West End work is spotlighted, posing vital questions and intriguing answers as to what a British musical can be. Interdisciplinary in nature, this study brings together all the core materials to discover this period in the story of the British musical. Reviewing the Situation is insightful and lively, an invaluable resource for students and scholars of musical theatre and all those theatregoers drawn to the power of these classic British shows.

The British Musical from Noël Coward to Lionel Bart

Reviewing the Situation

"An examination of the actor, and the non-actor, in post-war Italian cinema-a crucial moment for the Italian film industry-when cinema became an important vector of national identity and of individual identification with figures on the big screen"--

Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking. 

Italian post-war cinema has been widely celebrated by critics and scholars: films such as Bicycle Thieves (De Sica, 1948) and Paisan (Rossellini, 1946) remain globally influential, particularly for their use of non-professional actors. This period of regeneration of Italian cinema initiated the boom in cinemagoing that made cinema an important vector of national and gender identity for audiences.

The book addresses the casting, performance, and labour of non-professional actors, particularly children, their cultural and economic value to cinema, and how their use brought ideas of the ordinary into the discourse of stars as extraordinary. Relatedly, O'Rawe discusses critical and press discourses around acting, performance, and stardom, often focused on the ‘crisis’ of acting connected to the rise of non-professionals and the girls (like Sophia Loren) who found sudden cinematic fame via beauty contests.

Italian Neorealist Cinema and Beyond

The Non-Professional Actor

Get Set! Piano

A Get Set! Piano Book for Adult and Teen Beginners

Couch to Concert: Beginner Piano Course

Forms of Drama

Drawing on more than 4 decades of experience working in Nautanki as a writer, director, singer, and actor, Sharma’s book is the first major study to analyse Nautanki not only through its literary bases, but also through live performances, considering it both in a historical vein and as contemporary theatre on the ground.
 
 What entertained India’s masses and elites before the arrival of cinema in India? When did “modern” theatre begin in India and how did Nautanki contribute to its rise?
 
 In this book, renowned theatre scholar and 7th-generation Nautanki artist Devendra Sharma examines the theatrical form of Nautanki—its history, organisational structure, narratives, poetics, musical structures, artists, and performance spaces—which flourished in North India in the 19th and the 20th centuries, and is still popular now.
 
 In a concise format, Sharma explores how this socially and politically relevant theatre, full of beautiful music, swashbuckling heroes, magic, romance, and contemporary themes, once charmed audiences throughout India’s cities and countryside towns and served as the continuation of elements of ancient Indian theatre. This book unravels a critical shift in the history of Indian theatre, the move from unbounded performance spaces to proscenium stages in big cities, and how this changed the meaning of theatre in India. It examines how forces of globalization and modernization have profoundly changed India’s theatrical landscape, arguably side-lining one of its most robust theatre forms of the 19th and 20th centuries. It also discusses the future of Nautanki, and how it is now being performed globally. Nautanki is essential reading for anybody interested in Indian theatre, world theatre, musical theatre, opera, and Bollywood.

The Musical Theatre of North India

Nautanki

Abracadabra Woodwind

Learn to play the saxophone with popular pieces - lessons and sheet music for beginners

The Way to Learn Through Songs and Tunes

Abracadabra Saxophone

A spare, heartbreaking memoir and tribute to Maria Schneider, the 1970s movie starlet who catapulted to fame in the controversial film Last Tango in Paris-only to live the rest of her life plagued by scandal-as told from the perspective of her adoring younger cousin.

A spare, heartbreaking memoir and tribute to Maria Schneider, the 1970s movie starlet who catapulted to fame in the controversial film Last Tango in Paris-only to live the rest of her life plagued by scandal-as told from the perspective of her adoring younger cousin.

My Cousin Maria Schneider

This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art. 

Written by a scholar-practitioner of the form, this study is structured in three parts and begins by introducing readers to the technical, aesthetic, and theoretical components of pansori, as well as the synthesis of vocal and percussive elements that stage the narrative. It moves on to reflect on the historical contexts of pansori, alongside Korea’s transformation from Joseon monarchy to modern statehood. It argues that with colonial annexation came modernist influences that Korean dramatists and audiences used to create new genres of performance, using the common thread of pansori.
 
 The book’s third part explores the interplay of preservation and innovation, beginning in the post-war period and continuing with developments in the 20th and 21st centuries that coincide with Korea’s imprint on cultural globalization. Along with Korea’s growth as a world economic center, a growing enthusiasm for Korean culture around the world has increased the transmission and visibility of pansori. This study argues that tradition and innovation are not as divergent as they are sometimes imagined to be and that tradition is the force that enables innovation. Drawing on Chan E. Park’s ethnographic work and performance practice, this book interweaves expert knowledge of both the textual and performative aspects of pansori, rendering legible this dramatic tradition.

History, Theory, Practice

Korean Pansori as Voice Theatre

Walker Clark did not set out to be an acting coach, life coach, business coach, or any other type of coach for that matter. He discovered what being an actor could do for individuals. Not the acting you already know about; Walker's way of being an actor has given him and others permission to create new ways of being and acting in life-unencumbered by the past. Permission to act is the freedom and the possibility to be someone new: to be an actor-one who lives as the possibility of being anything. This discovery has left him free to be and free to engage and interact with life in the present, which allows for enormous power and impact with the people he coaches.&nbsp;Permission to Act is a memoir of sorts. It started out as a means of answering a seemingly simple question posed by his father. You may be entertained. Coaches may discover coaching, parents may discover parenting, and athletes may discover their sport. As you take this journey with Walker you may discover what permission to act is for you...or maybe you'll just laugh.&nbsp;&nbsp;

Walker Clark did not set out to be an acting coach, life coach, business coach, or any other type of coach for that matter. He discovered what being an actor could do for individuals. Not the acting you already know about; Walker’s way of being an actor has given him and others permission to create new ways of being and acting in life—unencumbered by the past. Permission to act is the freedom and the possibility to be someone new: to be an actor—one who lives as the possibility of being anything. This discovery has left him free to be and free to engage and interact with life in the present, which allows for enormous power and impact with the people he coaches.&nbsp; Permission to Act is a memoir of sorts. It started out as a means of answering a seemingly simple question posed by his father. You may be entertained. Coaches may discover coaching, parents may discover parenting, and athletes may discover their sport. As you take this journey with Walker you may discover what permission to act is for you…or maybe you’ll just laugh.&nbsp;&nbsp;

Permission to Act

How to Teach Music

Secondary Music Leader's Handbook

Perspectives on Performer Training

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Solo Performer Training as Critical Pedagogy

Practicing Archetype

Abracadabra Brass

Learn to play the trumpet with popular pieces - lessons and sheet music for beginners

Abracadabra Trumpet

The Singing and Acting Handbook

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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