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Burgess T: The Singing and Acting
Handbook

The Singing and Acting Handbook

Games and Exercises for the Performer

Stanislavsky And...

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender

New Cultural History of Music

Visions of the Village offers a new look at the cultural, social, and political context of operas by some of the most famous Czech composers in history. Beginning the study in the works of the 1860s, author Christopher Campo-Bowen analyzes the work of Bed%rich Smetana, Antonín Dvo%rák, and Leoš Janá¿ek, among others, demonstrating how Czech identity was constructed through reference to operatic representations of idealized village life.

Visions of the Village offers a nuanced account of the cultural history, political salience, and social resonances of Czech village operas, especially those by composers Bed%rich Smetana, Antonín Dvo%rák, and Leoš Janáček. By examining music-critical writings, institutional and government records, letters, and other archival sources, Christopher Campo-Bowen examines how musical representations of the idealized village acquired and provided meaning for Czech audiences, serving as the basis for understandings of a wide range of sociocultural and political issues, including gender, class, nationalism, imperialism, ethnicity, and race.
 
 This book explores how operas like Smetana's The Bartered Bride, Dvo%rák's The Devil and Kate, and Janáček's Jenůfa served as focal points for the articulation of an essentialist sense of Czech identity. In addition to composers and their operas, Campo-Bowen investigates the output of critics, administrators, and other urban intellectuals like Otakar Hostinský, František Adolf %Subert, and Zdeněk Nejedlý to understand the impact of village operas on public discourse. Through this in-depth analysis, this book uncovers how music functions at the nexus of the desire for politically resonant ethnoracial identities and the representation of ruralness, from the nineteenth century to the present.

Ruralness, Identity, and Czech Opera

Visions of the Village

An Integrated Approach

Voice Training Through Acting and Movement

Mixing in Flow is a focused guide for mix engineers who are familiar with the basics of mixing and now seek greater consistency and refinement in their work. This book picks up where many mixers experience a plateau -when they know the mechanics but struggle with inconsistent or lacklustre results.

A Critical Approach to Mixing Sound

Mixing in Flow

Elements in Musical Theatre

This Element discusses Budapest from the 1920s until 1968. The field of entertainment began to be considered a cultural product that had to adhere to new political requirements. By 1968, the revue's cultural relevance had become almost insignificant with the appearance of new genres of entertainment.

From Cosmopolitan Night-Clubs to Stalinist Dogma

The Revue in Twentieth-Century Budapest

Elements in Music since 1945

Sonic Ghosts

Cage, Nono and 1960s Hauntology

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

Combining a grounding in music notation and theory concepts with a foundation in essential technologies, The Craft of Contemporary Commercial Music offers an innovative approach that addresses the needs of students preparing for music careers.

The Craft of Contemporary Commercial Music

The Glasgow Improvisers Orchestra and the Theater of Home

New Directions in Musical Collaborative Creativity

The Singing and Acting Handbook

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Schlagworte

Bibliografische Angaben

Schlagworte

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