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Palmer Chris: Voice Training Through
Acting and Movement

Voice Training Through Acting and Movement

An Integrated Approach

A Memoir

Fearless and Free

Shakespeare in the Theatre

The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.

Shakespeare in the Theatre: Reduced Shakespeare Company

Routledge Library Editions: Medieval Culture, Society, & Religion

1400–1500

English Medieval Theatre

Larry David and the Unlikely Rise of a Bald, Bespectacled Social Assassin

Emperor of Nothing

"Renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood. With new stories from major stars and fresh exercises she's incorporated to upgrade her time-tested program, this revised edition is a must-have for anyone looking to hone their craft"--

In this completely updated edition of her bestselling book, renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood Let the instructor who taught Halle Berry, Brad Pitt, Charlize Theron, Jim Carrey, Aubrey Plaza, Travis Fimmel, Gal Gadot, Beyoncé Knowles, Judith Light, Sylvester Stallone, Eva Mendes, Morris Chestnut, Shia LaBeouf, and Jake Gyllenhaal guide you to dynamic and effective results. With new stories from notable stars she’s worked with since the first edition of The Power of the Actor and fresh exercises she’s incorporated to upgrade her time-tested 12 step program, this revised edition, is a must-have for anyone looking to hone their craft. The Chubbuck Technique, takes the theories of acting masters such as Stanislavski, Strasberg, and Hagen to the next level by utilizing inner pain and emotions, not as an end in itself, but as a way to empower and fuel one’s ability to overcome and win and therefore drive a unique and powerful performance. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how actors, writers, and directors have mastered their craft and accomplished success in such a difficult and competitive field.

The Chubbuck Technique--The 12-Step Acting Method for Creating Dynamic Characters

The Power of the Actor, Revised and Updated

Games and Exercises for the Performer

The Singing and Acting Handbook

And Not Screwing It Up

The Essential Guide to Doing the School Play

The Politics of Form in Contemporary British Performance

Proper Theatre

Patricia Zipprodt, (1925-1999), one of Broadway's pioneering costume designers, recounts with wit and candor the highs and lows of working with legendary directors, like Bob Fosse, on iconic musicals like Chicago.

Iconic Broadway costume designer Patricia Zipprodt (1925-99) tells her own colorful story from a tumultuous childhood in Depression-era Chicago to Bohemian New York in the 1950s, becoming one of the 20th century's most celebrated designers. 

Told with Zipprodt's acerbic humor and delicious wit, If the Song Doesn't Work, Change the Dress charts her journey to 1950s Greenwich Village, America's literary and artistic Bohemia. Tracking her career as it plunges into the developing Off-Broadway movement, and charting her personal and professional failures and successes collaborating with the biggest artists of the day - Jerome Robbins, Hal Prince, and Bob Fosse - making her one of the most recognizable, and award-winning, designers of 20th-century theatre. 

Published in full color, this illustrated memoir includes pictures from Zipprodt's own archive including sketches, drawings, and photographs of her work from some of the most significant shows of the 20th century, including Cabaret, Fiddler on the Roof, Chicago, and Pippin, and her work with such American theatre giants as Jo Mielziner, Irene Sharaff, José Quintero, Boris Aronson, Tony Walton, and Joel Grey, who provides a personal foreword to the memoir. Zipprodt’s posthumous collaborator, theatre design historian Arnold Wengrow provides a vivid epilogue about her final battle with cancer. Drawing from her archive at the New York Public Library and Museum of the Performing Arts, he amplifies her recollections with letters, oral histories, and interviews she gave over the years to offer a portrait of an artist consistently working against the grain.

If the Song Doesn’t Work, Change the Dress will delight readers interested in Broadway, ballet, opera, and the history of costume design. Her lively anecdotes about New York theatre and working in Hollywood provide a rich insight into the life and work of a celebrated female creative giant of American theatre.

The Illustrated Memoirs of Broadway Costume Designer Patricia Zipprodt

If the Song Doesn't Work, Change the Dress

This new and updated edition of Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Revised with the contemporary actor in mind, the fourth edition empowers actors wishing to master their voice as performers.

Voice: Onstage and Off

Acting and Performance in Hitchcock

"An examination of the actor, and the non-actor, in post-war Italian cinema-a crucial moment for the Italian film industry-when cinema became an important vector of national identity and of individual identification with figures on the big screen"--

Provides the first critical overview of acting, stardom, and performance in post-war Italian film (1945-54), with special attention to the figure of the non-professional actor, who looms large in neorealist filmmaking. 

Italian post-war cinema has been widely celebrated by critics and scholars: films such as Bicycle Thieves (De Sica, 1948) and Paisan (Rossellini, 1946) remain globally influential, particularly for their use of non-professional actors. This period of regeneration of Italian cinema initiated the boom in cinemagoing that made cinema an important vector of national and gender identity for audiences.

The book addresses the casting, performance, and labour of non-professional actors, particularly children, their cultural and economic value to cinema, and how their use brought ideas of the ordinary into the discourse of stars as extraordinary. Relatedly, O'Rawe discusses critical and press discourses around acting, performance, and stardom, often focused on the ‘crisis’ of acting connected to the rise of non-professionals and the girls (like Sophia Loren) who found sudden cinematic fame via beauty contests.

Italian Neorealist Cinema and Beyond

The Non-Professional Actor

Voice Training Through Acting and Movement

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