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Palmer Chris: Voice Training Through
Acting and Movement

Voice Training Through Acting and Movement

An Integrated Approach

Theatre Makers

"This first and now largely forgotten work was handwritten in German and in it Michael Chekhov lays the groundwork for the canon of exercises and practices that, a century later, actors generally know as the Michael Chekhov Technique. Although never completed, the text affords a rare fly-on-the-wall insight into the raw material of Chekhov's vision. This extensively revised and abridged text is presented with an introduction and a series of contemporary short essays, which offer practical suggestions to have come out of exploring Michael Chekhov Technique in the studio"--

In the early 1930s, during his first years of exile and 20 years before the publication of his seminal work To the Actor, Michael Chekhov made his first incursion into the challenging task of writing about an actor’s experience and his vision of the craft. 
 
 This important, though largely forgotten, work (the so-called ‘Paris Manuscript’) was handwritten in German and in it we find Chekhov laying the groundwork for the canon of exercises and practices that, nearly a century later, has widely become known as the Michael Chekhov Technique. Although never completed, the manuscript affords a privileged fly-on-the-wall glimpse of the dawning of an artistic genius’s creative vision.
 
This manuscript was the result of Chekhov’s rich collaboration with Swiss theatre director, painter and illustrator Georgette Boner, and the text itself is supplemented with facsimile scans of manuscript pages, photographs, correspondence and other material from Boner’s personal archive.

As the popularity of the Michael Chekhov Technique continues to spread globally, the ‘Paris Manuscript’ offers a timely invitation for actors to take a step back and (re)discover for themselves the structural foundations of Michael Chekhov's vision.
 
Chekhov’s text has been translated, edited and abridged by Hugo Moss, co-founder and director of Michael Chekhov Brasil, who has written an introduction and a series of short essays, ‘Reflections From the Studio’, which build on a few key elements emerging from the manuscript and over a decade of exploring Chekhov's artistic legacy in the studio environment and in performance.

The Early Draft Rediscovered

The Paris Manuscript

Games and Exercises for the Performer

The Singing and Acting Handbook

The Costumes of Hollywood details the design, creation, and influence of over 100 ensembles from some of the most iconic designers, films, and roles in Hollywood history, spanning the 1920s through the early 21st century.

Highlights from The Collection of Motion Picture Costume Design

The Costumes of Hollywood

How the world's best actors communicate with gravitas - and how you can, too. 'The theatre stars' voice guru' Daily MailActing is all about charisma. Whether you're an A-list star or an extra, when you're on stage you need to perform in a way that makes your audience listen. That stage presence is something we can all learn from. Every time you speak up in a meeting, recount an anecdote, or tell a joke, it's essential to communicate with gravitas. Jeannette Nelson knows a thing or two about gravitas. As Head of Voice at the National Theatre, she has spent three decades working with the world's leading actors - from Al Pacino to Benedict Cumberbatch to Juliette Binoche - teaching them to speak clearly and move confidently. Now, Nelson pulls back the curtain on the tricks that professional performers use to own the room. Starting with clear speech and good posture, before moving on to the art of rhetoric and overcoming stage fright, she outlines a holistic three-stage method to communicating with authority, authenticity and eloquence. Throughout, she peppers the book with stories of how world-renowned actors learnt to make themselves heard - and how you can, too. The result is a fascinating and eminently practical guide to the art of performance. If all the world's a stage, then this book will turn you into its lead actor.

Lessons from Actors on the Art of Charisma

Centre Stage

Perspectives on Performer Training

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Solo Performer Training as Critical Pedagogy

Practicing Archetype

Imagination, Body, Breath, Voice

The Integrated Actor

What goes on in the body and mind of an endurance athlete at the limits of performance? How do they relate to the world around and prepare for the task ahead? Offering a refreshing perspective on training in the cross-lighting of aesthetic and athletic processes, this book focuses on the learning, mastery and creative adaptation of technique in performance. From traditional and physical actors to runners, boxers and other sports practitioners, it is about performers: their bodies, trainings and experiences. It interrogates what it means to prepare and train as a performer in the early 21st century. Writing from extensive experience in physical theatre and long-distance running, the author combines insights from both disciplines along with theatre history, sports science and perspectives like embodied cognition and affective science. From the kind of thoughts that go through the mind of an actor or a runner, to the economy and aesthetic of their movement and to how they feel about it, this book sheds light on the performing body and its capacities for action. Topics covered include attentional focus and distraction, affordances and equipment, 'choking' and stage fright, physiological regulation and effort perception, pacing and play, optimal flow and creative improvisation, and intentionality and automaticity in expert performance. The volume presents an informative and thought-provoking account accessible to readers interested in theatre, dance, performance, running, athletics, and sport.

Performer Training for Actors and Athletes

This new and updated edition of Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Revised with the contemporary actor in mind, the fourth edition empowers actors wishing to master their voice as performers.

Voice: Onstage and Off

From seminal actor Lucian Msamati comes a fascinating behind-the-scenes account of working on a major production of one of the most iconic plays ever written - Samuel Beckett's Waiting for Godot.

Behind the Scenes of Beckett's Play

The Godot Diaries

"Renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood. With new stories from major stars and fresh exercises she's incorporated to upgrade her time-tested program, this revised edition is a must-have for anyone looking to hone their craft"--

In this completely updated edition of her bestselling book, renowned acting coach Ivana Chubbuck shares her cutting-edge technique that has launched some of the most successful and lauded acting careers in Hollywood Let the instructor who taught Halle Berry, Brad Pitt, Charlize Theron, Jim Carrey, Aubrey Plaza, Travis Fimmel, Gal Gadot, Beyoncé Knowles, Judith Light, Sylvester Stallone, Eva Mendes, Morris Chestnut, Shia LaBeouf, and Jake Gyllenhaal guide you to dynamic and effective results. With new stories from notable stars she’s worked with since the first edition of The Power of the Actor and fresh exercises she’s incorporated to upgrade her time-tested 12 step program, this revised edition, is a must-have for anyone looking to hone their craft. The Chubbuck Technique, takes the theories of acting masters such as Stanislavski, Strasberg, and Hagen to the next level by utilizing inner pain and emotions, not as an end in itself, but as a way to empower and fuel one’s ability to overcome and win and therefore drive a unique and powerful performance. The Power of the Actor is filled with fascinating and inspiring behind-the-scenes accounts of how actors, writers, and directors have mastered their craft and accomplished success in such a difficult and competitive field.

The Chubbuck Technique--The 12-Step Acting Method for Creating Dynamic Characters

The Power of the Actor, Revised and Updated

Routledge Library Editions: Medieval Culture, Society, & Religion

1400–1500

English Medieval Theatre

Voice Training Through Acting and Movement

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