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Gesamtkatalog

Catalogue complet

Burgess T: The Singing and Acting
Handbook

The Singing and Acting Handbook

Games and Exercises for the Performer

The Politics of Form in Contemporary British Performance

Proper Theatre

Readings in Theatre Practice

Keywords and Concepts

Acting

Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role. Building on the work of established methodologies and existing research - including the Alexander Technique, Estill Voice Craft and polyvagal theory - and of major practitioners - such as Michael Langham, Niamh Dowling, Glen Park, Carolyn Serota, Sally Grace, Patsy Rodenburg, Cicely Berry, Kristin Linklater and Josephine Estill - the book offers a holistic approach to voice work and acting. In doing so, it develops or questions received ideas to offer a deeper and more accurate understanding of the way imagination, body and breath can be harnessed and integrated, in an organic way, in your acting. Each chapter includes exercises designed to enable the concepts discussed to be embodied. Through working through these concepts and exercises you can explore and reintegrate imagination, body, breath and voice in order to become more open, free and expressive, and to more fully realise your potential as an actor.

Imagination, Body, Breath, Voice

The Integrated Actor

The fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stories' describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:<ul> <li>Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others</li> <li>Inspiring content in the roundtable discussion "A Sense of Sound: An Actors' and Educators' Forum"</li> <li>Updates to paperwork and checklists to reflect modern equipment</li> <li>Revised thoroughly for advancements in technology and procedures</li> </ul>Sound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. It is essential reading for sound designers and others in the theatre who want a deeper understanding of the craft.

The Art & Technique of Design

Sound and Music for the Theatre

Acting and Performance in Hitchcock

Performing Aged Femininities

Women and Age on the UK Stage

Music Pro Guides

The Secret Language of Music for Film and Visual Media

Scoring the Screen

Have you ever sat in a darkened theatre and not been able to take your eyes off one radiant performer as they drew you into their real yet imaginary world? If so, you were experiencing synergy, also known as the 'It' factor; that magical, ephemeral energy that has defied explanation - until now. Find Your 'It' Factor is an informative handbook for anyone seeking to explore their personal light or re-ignite their inner flame, onstage or off. Explored through musical theatre performance, this guide combines original research with practical application which in turn helps you understand the essential elements that make up the 'It' factor, elevating your performance beyond the ordinary. Drawing on years of practical experience within the professional world of musical theatre in the UK and Australia, Jacqui Hall Cuny introduces and unpacks the concept of 'It' in relation to performance. Using theory and primary research, she asks: what does it mean to have 'It'?; can 'It' be learned and commanded at will?; what can advance 'It' and what shuts it down?; and how can we use 'It' in our everyday lives? Featuring a foreword by Philip Quast and interviews from 42 Australian musical theatre actors and creative directors this is a unique and engaging must-have for those entering the industry. Whether you are a professional performer seeking to grow your existing skill base or a student seeking the confidence to express yourself freely, this book unlocks secrets to ensure you succeed. This book is accompanied by a companion website with videos of techniques and exercises used in the book.

A Guide to Dynamic Musical Theatre Performance

Find Your 'It' Factor

The Performer's Guide to Managing Anxiety

Unnerved

This integrated voice training workbook focuses on voice and speech through the lens of major acting and movement practices, and is ideal for actors in training, directors and any creative seeking to train their spoken voice. Acting methodologies covered include those developed by Michael Chekhov, Sanford Meisner and Konstantin Stanislavsky, and movement practices that include Rudolf von Laban's, Viewpoints and the Suzuki method. Exploring vocal technique via these methods, we come to understand the opportunities they offer - and profound effects they can have on - the voice. With actors working harder than ever across a huge variety of media, Voice Training Through Acting and Movement captures the contemporary actor's current working reality, offering support for stage and screen. Featuring exercises for the actor, tips for teachers and online video resources, this book offers a focused and integrated outcome-oriented training of vocal techniques through acting and movement.

An Integrated Approach

Voice Training Through Acting and Movement

Physical Improvisation for Theatre-makers and Directors

The Pulse Approach

The Singing and Acting Handbook

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