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Jacqui Hall Cuny: Find Your 'It' Factor

Find Your 'It' Factor

A Guide to Dynamic Musical Theatre Performance

Stanislavsky And...

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Perspectives on Performer Training

Practicing Archetype addresses performer training, specifically the self-pedagogy of actors who train solo, on their own, as an independent learning process, an opportunity for embodied research, and a form of critical pedagogy.

Solo Performer Training as Critical Pedagogy

Practicing Archetype

Routledge Advances in Theatre & Performance Studies

Being Black and British: Before, During and After Drama School is about being Black, being British and being an actor before, during and after training.

Before, During and After Drama School

Being Black and British

Ibsen in the Decolonised South Asian Theatre

I Don't Always Tell Stories About My Life, but When I Do They're True and Amazing

Stay Interesting

This book focuses on the analysis and interpretation of the first volume of the book An Actor's Work by Konstantin Stanislavsky.

Remarks on Stanislavsky

An Actor Survives

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

What goes on in the body and mind of an endurance athlete at the limits of performance? How do they relate to the world around and prepare for the task ahead? Offering a refreshing perspective on training in the cross-lighting of aesthetic and athletic processes, this book focuses on the learning, mastery and creative adaptation of technique in performance. From traditional and physical actors to runners, boxers and other sports practitioners, it is about performers: their bodies, trainings and experiences. It interrogates what it means to prepare and train as a performer in the early 21st century. Writing from extensive experience in physical theatre and long-distance running, the author combines insights from both disciplines along with theatre history, sports science and perspectives like embodied cognition and affective science. From the kind of thoughts that go through the mind of an actor or a runner, to the economy and aesthetic of their movement and to how they feel about it, this book sheds light on the performing body and its capacities for action. Topics covered include attentional focus and distraction, affordances and equipment, 'choking' and stage fright, physiological regulation and effort perception, pacing and play, optimal flow and creative improvisation, and intentionality and automaticity in expert performance. The volume presents an informative and thought-provoking account accessible to readers interested in theatre, dance, performance, running, athletics, and sport.

Performer Training for Actors and Athletes

Theory and Practice from Garrick to Meisner and Beyond

Acting Realism

Actor Trainers on Acting is a comprehensive, diverse and forward-thinking examination of the craft of acting written by leading experts from across the world.

For the Twenty First Century

Actor Trainers on Acting

Find Your 'It' Factor

Informations bibliographiques

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Informations bibliographiques

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