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Jacqui Hall Cuny: Find Your 'It' Factor

Find Your 'It' Factor

A Guide to Dynamic Musical Theatre Performance

Shakespeare in the Theatre

The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.

Shakespeare in the Theatre: Reduced Shakespeare Company

I Don't Always Tell Stories About My Life, but When I Do They're True and Amazing

Stay Interesting

How the world's best actors communicate with gravitas - and how you can, too. 'The theatre stars' voice guru' Daily MailActing is all about charisma. Whether you're an A-list star or an extra, when you're on stage you need to perform in a way that makes your audience listen. That stage presence is something we can all learn from. Every time you speak up in a meeting, recount an anecdote, or tell a joke, it's essential to communicate with gravitas. Jeannette Nelson knows a thing or two about gravitas. As Head of Voice at the National Theatre, she has spent three decades working with the world's leading actors - from Al Pacino to Benedict Cumberbatch to Juliette Binoche - teaching them to speak clearly and move confidently. Now, Nelson pulls back the curtain on the tricks that professional performers use to own the room. Starting with clear speech and good posture, before moving on to the art of rhetoric and overcoming stage fright, she outlines a holistic three-stage method to communicating with authority, authenticity and eloquence. Throughout, she peppers the book with stories of how world-renowned actors learnt to make themselves heard - and how you can, too. The result is a fascinating and eminently practical guide to the art of performance. If all the world's a stage, then this book will turn you into its lead actor.

Lessons from Actors on the Art of Charisma

Centre Stage

Stanislavsky And...

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender explores the intimate and complicated relationship between the enduring influence of Konstantin Stanislavsky and the evolving phenomenon of gender. It provides new insights through historical research, unpublished and newly translated materials, and contemporary insights from diverse scholars and practitioners.

Stanislavsky and Gender

Shakespeare and Adaptation

Jean-François Ducis and the First European Adaptations

Classicizing Shakespeare

From seminal actor Lucian Msamati comes a fascinating behind-the-scenes account of working on a major production of one of the most iconic plays ever written - Samuel Beckett's Waiting for Godot.

Behind the Scenes of Beckett's Play

The Godot Diaries

Moira Shearer

Crafting Short Screenplays That Connect, Sixth Edition, stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This ground-breaking book remains an absolute must-have resource for students of screenwriting.

Crafting Short Screenplays That Connect, Sixth Edition, stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This ground-breaking book remains an absolute must-have resource for students of screenwriting.

Crafting Short Screenplays That Connect

Games and Exercises for the Performer

The Singing and Acting Handbook

The Politics of Form in Contemporary British Performance

Proper Theatre

Forms of Drama

This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art. 

Written by a scholar-practitioner of the form, this study is structured in three parts and begins by introducing readers to the technical, aesthetic, and theoretical components of pansori, as well as the synthesis of vocal and percussive elements that stage the narrative. It moves on to reflect on the historical contexts of pansori, alongside Korea’s transformation from Joseon monarchy to modern statehood. It argues that with colonial annexation came modernist influences that Korean dramatists and audiences used to create new genres of performance, using the common thread of pansori.
 
 The book’s third part explores the interplay of preservation and innovation, beginning in the post-war period and continuing with developments in the 20th and 21st centuries that coincide with Korea’s imprint on cultural globalization. Along with Korea’s growth as a world economic center, a growing enthusiasm for Korean culture around the world has increased the transmission and visibility of pansori. This study argues that tradition and innovation are not as divergent as they are sometimes imagined to be and that tradition is the force that enables innovation. Drawing on Chan E. Park’s ethnographic work and performance practice, this book interweaves expert knowledge of both the textual and performative aspects of pansori, rendering legible this dramatic tradition.

History, Theory, Practice

Korean Pansori as Voice Theatre

Find Your 'It' Factor

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Bibliografische Angaben

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