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Sellers R: The Cambridge Footlights

The Cambridge Footlights

A Very British Comedy Institution

List of Illustrations Acknowledgements Introduction Chapter 1: Beyond the Fringe Chapter 2: The Early Years Chapter 3: Cabbages and Kings Chapter 4: The Last Laugh Chapter 5: I Thought I Saw It Move Chapter 6: A Clump of Plinths Chapter 7: Stuff What Dreams Are Made Of Chapter 8: Supernatural Gas Chapter 9: Norman Ruins Chapter 10: A Kick in The Stalls Chapter 11: The Cellar Tapes Chapter 12: Hawaiian Cheese Party Chapter 13: Another Fine Mess Chapter 14: Back and Beyond Chapter 15: Barracuda Jazz Option Chapter 16: Emotional Baggage Chapter 17: Far Too Happy Chapter 18: Devils Chapter 19: Are We There Yet? Chapter 20: Gone With the Clappers Notes Bibliography Index

The epic and compelling second novel in 'The Glorious Years' series

The Silence and the Rage

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

An expert companion to the political and legal issues that led to Brexit, the challenges the UK now faces, possible outcomes of the negotiations, and the implications for the future of the UK and EU.

On 23 June 2016 voters in the United Kingdom voted unexpectedly in favour of departure from the European Union. The United Kingdom left the European Union on 31 January 2020. This book explains these two events, how led to the other, and what may now follow.

Brexit was not inevitable. There may well have not been a referendum in 2016 or at all. The result of the referendum could have gone the other way. The government may have made the exit notification on another date. The European Union and the United Kingdom could have approached the negotiations and withdrawal agreement in other ways. The departure may have been without a deal as early as March 2019 or postponed indefinitely. There was even, at times, the prospect of a further referendum where the Brexit mandate could have perhaps been reversed. It all could have been very different.

The way Brexit did happen was the result of a sequence of events and non-events, any of which could have gone differently. It also took place at a time of significant changes in media and social media, and also in domestic and international politics, all of which shaped the course and manner of the departure. Brexit may not have been inevitable but if Brexit had not happened between 2016 and 2020, it is possible the question of the United Kingdom's place in the European Union could have been forced in other ways.

Brexit also happened against the background of longer-term trends in politics and constitutional arrangements in the UK. Support for membership among mainstream politicians had been wide for fifty years but that consensus turned out to be shallow. The structural changes brought by the Good Friday Agreement of 1998 confined the actions of politicians twenty years later.

On Brexit sets out, in a sequence of interlinked essays, why and how Brexit turned out the way it did and not otherwise, and the text emphasises matters of law, policy and process as much as the course of political events. Brexit cannot be explained by structural and procedural matters but it cannot be fully explained just by politics either. On Brexit also sets out the political, media and constitutional contexts in which Brexit can be better understood.

By understanding how Brexit has so far taken the form it has, one is in a better position for understanding what will happen next, as the United Kingdom and the European negotiate their longer-term relationship.

This book was originally to be published as Brexit: what everyone needs to know

On Brexit

Routledge Studies in Employment and Work Relations in Context

This book addresses the key debates on public services reform in the last decade, providing a critical analysis of the restructuring of the public services, the emergence of a more managerially-organized public service and the trade union response.

This book addresses the key debates on public services reform in the last decade, providing a critical analysis of the restructuring of the public services, the emergence of a more managerially-organized public service and the trade union response.

The State at Work

Managerialism, Public Sector Reform and Industrial Relations

'Spain's finest contemporary novelist' Guardian

Last Evenings with Teresa

British Irrigation in Mandate Palestine

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

A compendium of ideas about process and performance

Theatreness

Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility. Resisting dogma, the authors cast a critical eye on past and present practices as they argue for the feminist dramaturg's role in shaping a theatre company's sense of its production potential.

In their lively invocation of a feminist dramaturgy that can lead to innovative and challenging directions in modern theatre-making, Laura Hope and Philippa Kelly make use of first-hand interviews with directors, actors, designers, and critics, as well as their own experiences in the theatre, to open up feminist dramaturgy as a field of enquiry and performance possibility.   The authors begin by discussing what happens when a dramaturg's performance strategies are vastly different from what a director envisions. This discussion moves naturally to Hope and Kelly's analysis of canonical plays they hope to re-think in terms of gender at the same time that they resist the implication that a feminist perspective is a prescription for a political and social agenda. Casting a critical eye on "mainstream" approaches to classical plays, the authors revisit casting practices, editing philosophies, and directorial concepts that provide thin, stereotypical depictions of male and female characters, arguing for closer textual and cultural analyses of misguided ventures such as the Lysistrata Project. Their commentary on appeals to audience involvement highlights the difficulty of challenging audience preconceptions and the possibilities for expanding audience reception, while the counterproductive rigidity with which organizations like the Beckett estate resist new  approaches to theatrical production are exposed in a discussion of feminist dramaturgy's potential to reinvigorate a play like Waiting for Godot. Adventures in Dramaturgy concludes with the authors' personal journey to forge new directions within a specific theatre company and in the professional world at large.

The Road Less Traveled

Adventures in Feminist Dramaturgy

Karl Lagerfeld, Chanel's iconic Creative Director for thirty-five years, was a cultural luminary like no other. Larger than life, Lagerfeld was legendary not only for reinventing Chanel but also for his idiosyncratic personal style and captivating life, which featured a cast of the world's most famous, fabulous and fascinating people. Not least his cat, Choupette, who herself became a fashion icon. Journalist and author William Middleton spent years working in Paris for Women's Wear Daily, W, and Harper's Bazaar. During his time there, he interviewed and socialized with Lagerfeld, coming to to see a side the elusive designer kept private from the world. In this deliciously entertaining book, Middleton takes us inside the most exclusive rooms in the fashion industry, behind the catwalk, and into a world of brilliantly talented artists, stylish socialites, and famous stars-some of the most elusive and unforgettable figures of fashion's inner circle for the past four decades.

The Extraordinary Life of Karl Lagerfeld

Paradise Now

Topics in Musical Theatre

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre examines adaptation as inherent to musical theatre, an art form with an established history of recycling existing texts, through a concise overview of the concept and several contemporary case studies that illustrate this relationship. 

Adaptations are everywhere in popular culture, wherein most texts have been experienced elsewhere in some form. Adaptation in Musical Theatre focuses on the inherent relationship between adaptation and musical theatre, an art form in which most musicals are adaptations of existing texts. Despite a shift in production model in recent decades, where many musicals are now based on internationally known texts from conglomerates like Disney, adding song and dance to an existing work is a long-established trend has provided a plethora of different structural and stylistic choices across the musical theatre canon. 

Through multiple contemporary case studies, this book examines the various forms of adaptation in musical theatre, with each case study offering a different approach to adapting existing work. From Les Misérables to Wicked, by way of Legally Blonde and Fun Home, this book proposes that despite adaptations often being denigrated by critics as lazy and safe-bet choices for producers, the resulting musicals are incredibly diverse and crafted in a multitude of ways. Adaptations are not bland and unchallenging for audiences, as some detractors have described them, but the lifeblood of musical theatre past and present.

Published in Methuen Drama's Topics in Musical Theatre series, this book offers students a concise and readable study of a key form within musical theatre studies using relevant and contemporary case studies.

Adaptation in Musical Theatre

A pioneering, eye-opening investigation into the world of online gambling, its explosive growth and the transformational impact it is having on sport, tech, individuals and society. A little flutter. All part of the game. Get closer to the action. A familiar voice, inviting you to join the real fans and get involved. It has never been easier to place a bet. Wall to wall adverts on repeat surround every sporting event. The smartphone in your pocket all you need to unlock a dizzying array of bets on almost any aspect of any sport. Since its origins as a provincial cottage industry almost twenty-five years ago, UK online gambling has become a globe-straddling behemoth worth more than £10 billion a year. It can sometimes feel as if the point of sport is to bet on it. But it didn't have to be this way. In Imitation Games, academic and BBC New Generation Thinker Darragh McGee travels the world to tell the incredible story of the individuals and companies who brought this brave new world of betting into being (and got very rich doing so). And he traces the devastation and destruction that gambling leaves behind it. The inadequate safeguards and the broken lives that mark the fun stopping. And proffers a series of solutions for how we can create a different future.

How the Gambling Industry Hijacked Sport

Imitation Games

The Cambridge Footlights

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

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