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Philosophy and Religion (R0)

Joseph J. Tinguely

The Palgrave Handbook of Philosophy and Money

Volume 1: Ancient and Medieval Thought

&lt;p&gt;Chapter 1. Introduction.- Chapter 2.&amp;nbsp;Philosophy and Money: The Ancient Near East.- Chapter 3.&amp;nbsp;Philosophy and Money in Ancient Egypt.- Chapter 4.&amp;nbsp;Premodern Indian Philosophical Commitments and “Money”.- Chapter 5.&amp;nbsp;Classical Chinese Monetary Theory.- Chapter 6.&amp;nbsp;The Philosophy of Money in Early Judaism (500 BCE–100 CE).- Chapter 7.&amp;nbsp;Yorùbá Philosophy and Changing Views of Money.- Chapter 8.&amp;nbsp;Money and Metaphysics Among the Maya and Nahua.- Chapter 9.&amp;nbsp;Money and Presocratic Philosophy.- Chapter 10.&amp;nbsp;Sophists and Money.- Chapter 11.&amp;nbsp;The Oligarch, the Philosopher, and Hoarding in Plato.- Chapter 12.&amp;nbsp;Xenophon on Money and its Right Use.- Chapter 13.&amp;nbsp;The Cynics and Money.- Chapter 14.&amp;nbsp;Aristotle: Slavery, Inequality, and Money.- Chapter 15.&amp;nbsp;Roman Mythical Thought and the Origins of Coinage.- Chapter 16.&amp;nbsp;Cicero on Money and Property.- Chapter 17.&amp;nbsp;Seneca and the Uses of Money.- Chapter 18.&amp;nbsp;Pliny the Elder on Money.- Chapter 19.&amp;nbsp;Coinage and Money in the Roman Jurists’ Thought.- Chapter 20.&amp;nbsp;Money in Imperial Roman Law.- Chapter 21.&amp;nbsp;Rabbis, Money, and Jewish Solidarity in the Roman Empire.- Chapter 22.&amp;nbsp;God, Money, and the 99%: Contextualizing the New Testament.- Chapter 23.&amp;nbsp;&amp;nbsp;A Perilous Concept: Philosophies of Money in Early Christian Thought.- Chapter 24.&amp;nbsp;Islamic Thought on Interest and Usury.- Chapter 25.&amp;nbsp;Usury in Medieval Jewish Thought.- Chapter 26.&amp;nbsp;“Ipsius consumptio sive distractio”: Money, Interest, and Capital in Thomas Aquinas.- Chapter 27.&amp;nbsp;Usury in Medieval Christianity.- Chapter 28.&amp;nbsp;Exchanging Money for Money: Late-Scholastic Thought in Early Modern Spain.- Chapter 29.&amp;nbsp;Money as Metaphor and Symbol: From the Patristic Era to the Twelfth Century.- Chapter 30.&amp;nbsp;Money, Debt, and Morals in Anselm of Canterbury.- Chapter 31.&amp;nbsp;Money and Muslim Philosophers.- Chapter 32.&amp;nbsp;Philosophy of Money in Islam.- Chapter 33.&amp;nbsp;Mensurantur enim omnia nummismate: The Impact of Money and Monetization on Vital New Directions in Scholastic Philosophy, ca. 1250–1350.- Chapter 34.&amp;nbsp;The Vision of Money in the Writings of Christine de Pizan.- Chapter 35.&amp;nbsp;Philosophy of Money in Renaissance France.&lt;/p&gt;


Strategic lessons for monetary policy from the last two tumultuous decades based on insights from Sun Tzu, the Chinese philosopher and author of The Art of War. When central banks were forced to innovate and develop a multifaceted set of new weapons in response to the 2008 global financial crisis and 2020 COVID-19 pandemic, the result was a substantial expansion in their authority and reach. In The Art of Monetary Policy, Kristin Forbes draws lessons for monetary policy of the last two decades from the principles of Sun Tzu, the author of The Art of War, a Chinese philosopher and military strategist from the fifth century BC. Tzu proposed several key principles for success—tenets that apply to monetary policy and the battlefield today: (1) plan in advance for the next battle; (2) accept and adapt to the inevitability of powerful, external shocks outside your control; (3) establish a strong tactical position; (4) develop a variety of weapons that can be combined for different maneuvers and situations; (5) maintain flexibility so that you can quickly modify your strategy; and (6) consider the longer-term costs when evaluating the trade-offs of different approaches. These principles provide insights into what central banks did (and did not) do well over the last two decades, as well as how they should deploy interest rates, balance sheets, emergency support programs, forward guidance, and macroprudential tools in the future. While the optimal strategy in both war and monetary policy is more of an “art” than a science, adopting these principles can improve our ability to battle the next crisis and build more resilient economies during peaceful periods.

Strategic lessons for monetary policy from the last two tumultuous decades based on insights from Sun Tzu, the Chinese philosopher and author of The Art of War. When central banks were forced to innovate and develop a multifaceted set of new weapons in response to the 2008 global financial crisis and 2020 COVID-19 pandemic, the result was a substantial expansion in their authority and reach. In The Art of Monetary Policy, Kristin Forbes draws lessons for monetary policy of the last two decades from the principles of Sun Tzu, the author of The Art of War, a Chinese philosopher and military strategist from the fifth century BC. Tzu proposed several key principles for success—tenets that apply to monetary policy and the battlefield today: (1) plan in advance for the next battle; (2) accept and adapt to the inevitability of powerful, external shocks outside your control; (3) establish a strong tactical position; (4) develop a variety of weapons that can be combined for different maneuvers and situations; (5) maintain flexibility so that you can quickly modify your strategy; and (6) consider the longer-term costs when evaluating the trade-offs of different approaches. These principles provide insights into what central banks did (and did not) do well over the last two decades, as well as how they should deploy interest rates, balance sheets, emergency support programs, forward guidance, and macroprudential tools in the future. While the optimal strategy in both war and monetary policy is more of an “art” than a science, adopting these principles can improve our ability to battle the next crisis and build more resilient economies during peaceful periods.

Lessons from Sun Tzu for Central Banks

The Art of Monetary Policy

This volume examines two main topics of the Transdisciplinary Research Area (TRA) "Past Worlds and Modern Questions - Cultures across Time and Space" at the University of Bonn: cultural intangible heritage and communication. The authors focus on the interrelations of these topics by analyzing past cultural, political, social, and economic constellations from broad geographical and historical perspectives. The contributions aim to overcome the canonical timeline anchored in Eurocentric history, affecting two areas of investigation in particular: Museum studies, which has been transformed in recent decades by new ways of thinking about and doing museum work, as well as concepts of understanding communication as a historical process of transfer that occurred during the so-called premodern age.

Grasping the Transcendence of Cultural Heritage and Communication

Past Worlds across Time and Space

The Shortest History Series

When Britain's thirteen American colonies declared their independence on July 4, 1776, the United States of America was born. It became a profoundly powerful nation that, for much of its history, has been the crucible of invention and creativity, a refuge for millions, and a beacon of hope, freedom, and multiculturalism. But from the start, it was hardly united. In this insightful, evenhanded account, Don Watson highlights the key figures who fought for the country's inalienable rights and embodied its indomitable spirit-in politics and at home, on the frontiers and in its cities, in books and music and on screens. And he traces how the central conflicts of the United States-those over freedom, race, enterprise, religion, and violence-evolve through its history. As we witness a country at war with itself in the 1860s, leading the free world less than a hundred years later, and beset by wild division and turmoil in the twenty-first century, we see that this singular nation has never ceased changing-and that the American experiment continues to unfold. The Shortest History books deliver thousands of years of history in one riveting, fast-paced read.

From Revolutionary Roots to Global Superpower - The Remarkable Rise of the World's Oldest Democracy

The Shortest History of the United States

Two generations of a Muslim Indian family grapple with what parts of life we control and what we must humbly accept in pursuit of the American dream—for readers of Min Jin Lee,&nbsp;Mohsin Hamid, and&nbsp;Ayad Akhtar In suburban Miami, sixty-year-old Sakeena—co-owner of a Dunkin’ franchise along with her husband, Ramzan—has nine months to live unless she consents to an organ transplant. Thirty years ago, at Ramzan’s behest, she left her beloved Rawalpindi, India, for the United States. In the years that followed, she compromised her belief in naseeb, the Muslim notion of destiny, and acquiesced to fertility treatments. This time, she is adamant that she should live as intended—without medical intervention. As her health deteriorates, Ramzan desperately seeks to reunite their grown children with the hope of convincing Sakeena to extend her life. But there are complications. Eldest daughter Fareen is consumed by an important business deal that, if successful, will land her a highly desired (and lucrative) promotion. Meanwhile, youngest son Adnan is living abroad and unable to return to the States due to his own unscrupulous business practices, a pattern stretching back to his adolescence. If they have any hope of saving their mother’s life, the siblings must take extraordinary action to wrestle with their life choices, actions that reveal the always-present tension between ambition and fate.&nbsp; Brought to life by prose that captures the spirit of contemporary Miami as effortlessly as it conveys the challenges of running a Dunkin’ franchise, Abundance is a beautiful, moving read from an exciting new American voice.

Two generations of a Muslim Indian family grapple with what parts of life we control and what we must humbly accept in pursuit of the American dream—for readers of Min Jin Lee,&nbsp;Mohsin Hamid, and&nbsp;Ayad Akhtar In suburban Miami, sixty-year-old Sakeena—co-owner of a Dunkin’ franchise along with her husband, Ramzan—has nine months to live unless she consents to an organ transplant. Thirty years ago, at Ramzan’s behest, she left her beloved Rawalpindi, India, for the United States. In the years that followed, she compromised her belief in naseeb, the Muslim notion of destiny, and acquiesced to fertility treatments. This time, she is adamant that she should live as intended—without medical intervention. As her health deteriorates, Ramzan desperately seeks to reunite their grown children with the hope of convincing Sakeena to extend her life. But there are complications. Eldest daughter Fareen is consumed by an important business deal that, if successful, will land her a highly desired (and lucrative) promotion. Meanwhile, youngest son Adnan is living abroad and unable to return to the States due to his own unscrupulous business practices, a pattern stretching back to his adolescence. If they have any hope of saving their mother’s life, the siblings must take extraordinary action to wrestle with their life choices, actions that reveal the always-present tension between ambition and fate.&nbsp; Brought to life by prose that captures the spirit of contemporary Miami as effortlessly as it conveys the challenges of running a Dunkin’ franchise, Abundance is a beautiful, moving read from an exciting new American voice.

A Novel

Abundance

The Histories of Material Culture and Collecting, 1700-1950

The contributors to this volume examine musical instrument collectors and their reasons and means for collecting: Who were they professionally and personally? Why did they collect musical instruments? How did they acquire their objects? What were their collecting criteria and aesthetics?

The contributors to this volume examine musical instrument collectors and their reasons and means for collecting: Who were they professionally and personally? Why did they collect musical instruments? How did they acquire their objects? What were their collecting criteria and aesthetics?

European, British, and American Musical Instrument Collectors, 1850–1940

The Radical Imagination

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world's Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world’s Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Theory from the South, Revisited

'An extraordinary intervention. If you want to understand the stakes and the limitations of contemporary conflict over culture and colonial history this bold, provocative book is an indispensable resource' Paul Gilroy, founding Director of the Sarah Parker Remond Centre for the Study of Race and Racism at UCL 'Hicks' must-read book describes how it was possible for a human skull to be made into a drinking cup and used in a genteel Oxford college, well into the 21st century, as if empire were an eternal state of nature . . . Read it to learn new ways to be anti-racist, abolitionist and to tell other stories than those commemorated by the monuments that surround us, from statues, to museums and the police' Nicholas Mirzoeff, author of White Sight 'Brave and clear-sighted. Hicks opens up an extraordinary conversation between the past and the present. This is a book about falling statues, but so much more. It's about how we've been lied to, and how we can approach the past with honesty. Hicks asks whether history and archaeology should be used to justify actions we know impinge on the rights of others - or to understand ourselves better' Alice Roberts, bestselling author of Crypt 'Dan Hicks writes with grace and fierce focus about what we choose to remember and why, in our patterns of thought, our institutions and the built environment in which we live' Eyal Weizman, director of Forensic Architecture The culture war is over. If you want it to be. It wasn't even a culture war; it was a war on culture. A sustained attack, Dan Hicks argues, in the form of the weaponisation of civic museums, public art, and even universities - and one that has a deeper history than you might think. Tracing the origins of contemporary conflicts over art, heritage, memory, and colonialism, Every Monument Will Fall joins the dots between the building of statues, the founding of academic disciplines like archaeology and anthropology, and the warehousing of stolen art and human skulls in museums - including the one in which he is a curator. Part history, part biography, part excavation, the story runs from the Yorkshire wolds to the Crimean War, from southern Ireland to the frontline of the American Civil War, from the City of London to the University of Oxford - revealing enduring legacies of militarism, slavery, racism and white supremacy hardwired into the heart of our cultural institutions. Every Monument Will Fall offers an urgent reappraisal of how we think about culture, and how to find hope, remembrance and reconciliation in the fragments of an unfinished violent past. Refusing to choose between pulling down every statue, or living in a past that we can never change, the book makes the case for allowing monuments to fall once in a while, even those that are hard to see as monuments, rebuilding a memory culture that is in step with our times.

A Story of Remembering and Forgetting

Every Monument Will Fall

Mutual Aid is a radical handbook for anyone who grasps the severity of the global poly-crisis and wants a community-based means to fight back. Dean Spade — lawyer, academic, writer, and activist — highlights the bold and innovative ways ordinary people have developed to share resources and care for those in crisis. Mutual aid isn’t charity. It is a form of organizing integral to all influential and successful social movements. Spade offers practical tools and advice to help with the challenges of working in groups, forming a decision-making process, and preventing and addressing conflict.

Building Solidarity During This Crisis (and the Next)

Mutual Aid

Why unregulated free-market capitalism endangers democracy—and what to do about it. In Private Power and Democracy’s Decline, Mordecai Kurz explores the relationship between free-market capitalism and democracy. He shows that technology has made capitalism different from what was envisioned in the Age of Enlightenment. Technology creates centers of market power and monopoly concentration that result in a society in which some people are enriched immensely while many workers’ livelihoods are often destroyed. Contrary to conventional thinking, technological competition does not remove market power, which becomes a permanent fixture of free-market capitalism. Such private power creates political inequality and generates forces that cause democracy’s decline and possible destruction. Applying these ideas to the US, Kurz shows that today’s problems begin in the 1980s with the policy of unregulated free-market capitalism. Coupled with the information technology revolution, this created a techno-winner-takes-all economy—leading to a second Gilded Age of unsustainable inequality and extreme political polarization. In the last 50 years, the economy “boomed” for some while leaving the majority of America’s workers behind. Kurz concludes that only regulated capitalism can support democracy so that the benefits of technology are more equally shared and no person’s livelihood is destroyed to enable others to be enriched. To save democracy, he proposes a “restoration-of-livelihood” policy, offering firms managerial flexibility to maintain rising productivity while ensuring that technology does not destroy the livelihood of others.

Why unregulated free-market capitalism endangers democracy—and what to do about it. In Private Power and Democracy’s Decline, Mordecai Kurz explores the relationship between free-market capitalism and democracy. He shows that technology has made capitalism different from what was envisioned in the Age of Enlightenment. Technology creates centers of market power and monopoly concentration that result in a society in which some people are enriched immensely while many workers’ livelihoods are often destroyed. Contrary to conventional thinking, technological competition does not remove market power, which becomes a permanent fixture of free-market capitalism. Such private power creates political inequality and generates forces that cause democracy’s decline and possible destruction. Applying these ideas to the US, Kurz shows that today’s problems begin in the 1980s with the policy of unregulated free-market capitalism. Coupled with the information technology revolution, this created a techno-winner-takes-all economy—leading to a second Gilded Age of unsustainable inequality and extreme political polarization. In the last 50 years, the economy “boomed” for some while leaving the majority of America’s workers behind. Kurz concludes that only regulated capitalism can support democracy so that the benefits of technology are more equally shared and no person’s livelihood is destroyed to enable others to be enriched. To save democracy, he proposes a “restoration-of-livelihood” policy, offering firms managerial flexibility to maintain rising productivity while ensuring that technology does not destroy the livelihood of others.

How to Make Capitalism Support Democracy

Private Power and Democracy's Decline

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, (invented or existing) holidays and games, (puppet) theatre and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like Manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. The essays and interviews by preeminent scholars, critics, and curators, including Benjamin Buchloh, David Joselit, and Molly Nesbit, compiled in this volume trace the trajectory of Huyghe’s practice over the last three decades, from the artist’s earlier engagements with the built environment, the temporalities of cinema and television, the customs of social communities, and the volatile property relations in global media culture, to his most recent and much-discussed ecological redefinitions of the objects and sites of art. At the same time these texts and conversations ponder and gauge the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the early twenty-first century.

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, holidays (invented or existing) and games, (puppet) theater and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. Essays and interviews by preeminent scholars, critics, and curators—including Benjamin Buchloh, David Joselit, and Molly Nesbit—trace the trajectory of Huyghe’s practice over the last three decades. You’ll find writing about the artist’s early engagement with the built environment, the temporalities of cinema and television, the customs of social communities, volatile property relations in global media culture, and his most recent and much-discussed ecological redefinitions of the objects and sites of art. These texts explore the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the twenty-first century.

Pierre Huyghe

Award-winning ancient historian, archaeologist, and social media sensation Dr. Jess Venner re-creates Pompeii’s final day before Mount Vesuvius’s eruption, revealing not just how its people died but how they lived. While today the ruins of Pompeii stand silent and preserved in ash and stone, they were once home to a vibrant, bustling community made up of thousands of people whose lives were forever altered—or cut short—in the wake of the eruption of Mount Vesuvius. Through extensive research and vivid storytelling, leading expert Dr. Jess Venner goes beyond the devastation and unveils a city teeming with art, customs, and culture.The Lost Voices of Pompeii follows ordinary citizens on what should have been an ordinary day: the newly freed Petrinus grapples with how to navigate his future in a town that isn’t always welcoming; Julia Felix, a businesswoman, faces prejudice as she skirts traditional female roles; Amisusius, priest of the cult of Isis, struggles to balance politics and religion; among many other residents.Their stories weave together and apart, until they cul­minate in the fateful event. Some will survive, but others will fall victim to the natural disaster.Pompeii’s story is often reduced to the scope of its tragedy, but Dr. Venner brings the focus back to the peo­ple themselves, capturing a civilization rich in history, traditions, and aspirations. A profound and immersive experience, The Lost Voices of Pompeii revives a people often overshadowed by death and destruction and tells a poignant tale of humanity and resilience.

Life and Death on Pompeii’s Final Day

The Lost Voices of Pompeii

'A magisterial rethinking of why we collect. I loved this book' Edmund de Waal 'Magnificent . . . so compulsive and entertaining' Stephen Fry 'Give it to the collector in your life, and watch sparks fly!' Cathy Gere 'A delight to read and ponder' Jackson Lears 'A tour de force of scholarship and storytelling' Daniel Weiss A captivating history of obsessive collectors: from ancient looters and idolaters to fin de siècle decadents, Freudian psychos, and hoarders. Collectors are often praised for their taste in art or contributions to science, but there can be a darker side: their passion is sometimes driven by dangerous obsession. Roman emperors who lusted after statues; Chinese scholars obsessed with rocks and flowers; fin de siècle dandies surrounded by bibelots. History is full of stories about those who love things more than people, presenting a danger either to themselves or others. In this sweeping history from antiquity to today, James Delbourgo tells the extraordinary story of the mad collector as a cultural figure from the tyrant and idolater to the sexually repressed "psycho" of the Freudian imagination and the modern-day hoarder. His conclusion is surprising: Because they are driven by passion rather than profit, obsessive collectors also have been cultural heroes, seen as authentic and true to themselves. Some may be mad, but theirs is a noble madness.

The dark side of collecting from antiquity to now

A Noble Madness

The Palgrave Handbook of Philosophy and Money

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