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Catalogue complet

The first major work of art history to focus on women artists and their engagement with the spirit world, by one of the foremost art writers at work today

The first major work of art history to focus on women artists and their engagement with the spirit world, by one of the foremost art writers at work today

Higgie Jennifer: The Other Side / B

The Other Side

A Journey into Women, Art and the Spirit World

Untitled Book 2

A Natural History of the Studio

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Biotechne: Interthinking Art, Science and Design

From the British Bauhaus to Cybernetics

Organic Modernism

"Jodie Marley’s William Blake’s Mysticism takes us on an exuberant journey of spiritualities, ranging from Dorothy Gott, the prophetic writer he encountered in 1789, to “Fiona Macleod,” the visionary identity of W.B. Yeats’s friend, William Sharp". — David Worrall, Nottingham Trent University, UK.
This book examines William Blake as a ‘mystic’ and the movements and authors that contributed to this definition during and after his lifetime, with a particular focus on his influence on late nineteenth- and early twentieth-century Celtic Modernist writers. The author W. B. Yeats was one of the first to present this view of Blake in depth, although his concept of the mystic prioritised the lone male practitioner and the occult. This study argues that the mystic and the esoteric in a community context impacted both Blake’s, and Yeats’, critical and cultural reception. It also offers the first extended literary examination of the Romantic prophet Dorothy Gott’s work alongside Blake’s, and the first analysis of Blake’s influence on Celtic Modernist writers George Russell and Fiona Macleod. This book will be of interest to scholars interested in representations of gender and spirituality in Romantic and Modernist literature and art, and in authors so far neglected in Blake studies.
Jodie Marley is a researcher and writer whose work focuses on Romanticism, reception, mysticism, and gender. Her research bridges the Romantic and Modernist periods, with a particular focus on Irish Modernism. She is a 2025 visiting research fellow at the University of Glasgow’s Archives and Special Collections and won a British Association for Romantic Studies (BARS) Stephen Copley Award to fund her research in December 2024. She received her Ph.D. from the University of Nottingham in 2023.
She has forthcoming book chapters in The Routledge Companion to William Blake&nbsp;(ed. Freeman) and&nbsp;Seán O’Casey in Context&nbsp;(ed. Moran). She has previously been published in&nbsp;the Bulletin of the John Rylands Library,&nbsp;VALA, and&nbsp;Good Horoscope. Two of her talks for the Global Blake initiative are publicly available. In 2019 she co-curated the Romantic Facts and Fantasies exhibition at Lakeside Arts, Nottingham, and helped organise the 2019 BARS conference.

This book examines William Blake as a ‘mystic’ and the movements and authors that contributed to this definition during and after his lifetime, with a particular focus on his influence on late nineteenth- and early twentieth-century Celtic Modernist writers. The author W. B. Yeats was one of the first to present this view of Blake in depth, although his concept of the mystic prioritised the lone male practitioner and the occult. This study argues that the mystic and the esoteric in a community context impacted both Blake’s, and Yeats’, critical and cultural reception. It also offers the first extended literary examination of the Romantic prophet Dorothy Gott’s work alongside Blake’s, and the first analysis of Blake’s influence on Celtic Modernist writers George Russell and Fiona Macleod. This book will be of interest to scholars interested in representations of gender and spirituality in Romantic and Modernist literature and art, and in authors so far neglected in Blake studies.

The Legacy of Prophetic Women

William Blake’s Mysticism

A Year in Motherhood Around the World

Four Mothers

October Files

How contemporary artist Glenn Ligon’s expansive body of work mines American history and literature to ask critical questions about modern culture. OCTOBER Files: Glenn Ligon (b. 1960) presents the first compilation of critical discourse on the multimedia work of one of the most influential American artists of the late twentieth and early twenty-first centuries. Often citing or annotating past literary (e.g., James Baldwin), artistic (e.g., Andy Warhol), and musical (e.g., Steve Reich) interventions, Ligon’s practice imaginatively explores the contradictions of speech, vision, authorship, identity, blackness and belonging in works that are at once historically resonant and materially sensuous. Spanning Ligon’s emergence in the postmodern multicultural milieu of New York in the late 1980s and early ‘90s, his starring turns at Documenta, the Venice Biennale, and other international exhibitions of the 2000–10s, and his formative impact on both new and canonical art histories, this volume provides a comprehensive accounting of the questions central to his work in painting, sculpture, video, installation, and print. With texts by writers from Wayne Koestenbaum to Rizvana Bradley, this File not only plumbs the depths of Ligon’s oeuvre, but also models the various approaches to critical writing that have defined art and culture of the past 30 years.

Glenn Ligon

Coal

How Reclaiming Girlhood Can Redefine Womanhood

I'm Just a Girl

Kurdish Studies

"This book focuses on the cultural and intellectual activities of Kurdish migrant women through artistic and aesthetic forms of production in Belgium, France, Germany, Sweden and the UK. Using in-depth interviews with over 40 Kurdish women artists, Ozlem Galip examines how artistic, literary and cultural productions, incorporating the fields of film, theatre and music, are articulated within the structures of nation states, leading to the interrogation of the impact of western and local knowledge, patriarchy, the nation-state and globalisation. Galip also analyses how European policies affect the development of cultural engagement of Kurdish migrant women, and how such engagements help these women to integrate into European society"--

The Other Side

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