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Catalogue complet

The first major work of art history to focus on women artists and their engagement with the spirit world, by one of the foremost art writers at work today

Higgie Jennifer: The Other Side / B

The Other Side

A Journey into Women, Art and the Spirit World

The Orient Within

Art and Identity in Spain, 1833–1956

On What's Holding Us Back

How to Resist Guilt

Coal

The Monarch Files: A Monsterverse Manual

"Jodie Marley’s William Blake’s Mysticism takes us on an exuberant journey of spiritualities, ranging from Dorothy Gott, the prophetic writer he encountered in 1789, to “Fiona Macleod,” the visionary identity of W.B. Yeats’s friend, William Sharp". — David Worrall, Nottingham Trent University, UK.
This book examines William Blake as a ‘mystic’ and the movements and authors that contributed to this definition during and after his lifetime, with a particular focus on his influence on late nineteenth- and early twentieth-century Celtic Modernist writers. The author W. B. Yeats was one of the first to present this view of Blake in depth, although his concept of the mystic prioritised the lone male practitioner and the occult. This study argues that the mystic and the esoteric in a community context impacted both Blake’s, and Yeats’, critical and cultural reception. It also offers the first extended literary examination of the Romantic prophet Dorothy Gott’s work alongside Blake’s, and the first analysis of Blake’s influence on Celtic Modernist writers George Russell and Fiona Macleod. This book will be of interest to scholars interested in representations of gender and spirituality in Romantic and Modernist literature and art, and in authors so far neglected in Blake studies.
Jodie Marley is a researcher and writer whose work focuses on Romanticism, reception, mysticism, and gender. Her research bridges the Romantic and Modernist periods, with a particular focus on Irish Modernism. She is a 2025 visiting research fellow at the University of Glasgow’s Archives and Special Collections and won a British Association for Romantic Studies (BARS) Stephen Copley Award to fund her research in December 2024. She received her Ph.D. from the University of Nottingham in 2023.
She has forthcoming book chapters in The Routledge Companion to William Blake&nbsp;(ed. Freeman) and&nbsp;Seán O’Casey in Context&nbsp;(ed. Moran). She has previously been published in&nbsp;the Bulletin of the John Rylands Library,&nbsp;VALA, and&nbsp;Good Horoscope. Two of her talks for the Global Blake initiative are publicly available. In 2019 she co-curated the Romantic Facts and Fantasies exhibition at Lakeside Arts, Nottingham, and helped organise the 2019 BARS conference.

The Legacy of Prophetic Women

William Blake’s Mysticism

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

A Biography

Yoko

'Tackles the pervasive tide of unbridled misogyny masquerading as kindness' Julie Bindel 'Victoria Smith is a brilliant writer who every feminist should read' Sharron Davies 'This brilliant book shows how demands for compassion and generosity can be a mask for sexist ideology' Susanna Rustin (Un)kind is a coruscating account of the ways in which deeply-held beliefs about women's 'kind' nature have been repackaged for today's culture wars, in a society that remains dependent - socially, politically, economically - on female self-sacrifice. Kindness culture is sold to women and girls in a multitude of guises: from play to self-help, social justice activism to empowerment. Victoria Smith argues that the pressure on women and girls has been incorporated into the 'work' of feminism. A compelling account of the backlash against feminism, (Un)Kind is essential reading for anyone affected by the endless exhortations for women to #BeKind. 'Brilliant... compelling' Lucy Mangan, The i 'Erudite, blisteringly smart and profoundly compassionate' Dr Rachel Hewitt

The Other Side

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