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Frieze Susannah: The Artist Box: Frida
Kahlo

The Artist Box: Frida Kahlo

Munch's expressionist art is a thrilling balance between the everyday and the inner landscape. A fine new art calendar from Flame Tree. This beautiful art calendar brings together 12 amazing paintings by Edvard Munch, the Norwegian artist behind the first truly Expressionist picture The Scream. Absorbed by such motifs as love, life, death and anguish, Munch’s paintings captured the psychological feelings evoked by man. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Edvard Munch Wall Calendar 2026 (Art Calendar)

Chihuly 2026 Wall Calendar

Featuring watercolours by Paul Braddon, the Shakespeare Birthplace Trust celebrates the fundamental joy of the greatest dramatist in the English language. A fine new art calendar from Flame Tree. Produced in partnership with the Shakespeare Birthplace Trust, this lovely calendar features watercolours by Paul Braddon. The Shakespeare Birthplace Trust has almost a hundred of Braddon's watercolours in its collection, painted around 1890. These range from views of Stratford-upon-Avon and the houses associated with Shakespeare and his family, to historic scenes of Shakespeare's London reimagined from old engravings. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Shakespeare Birthplace Trust: Shakespeare Homes and Haunts Wall Calendar 2026 (Art Calendar)

Material Culture of Art and Design

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ¹5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. 

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. 

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

The Art of Mary Linwood

No home is complete without the foundational art of Monet and his waterlilies on its walls. A fine new art calendar from Flame Tree. Considered a founder of Impressionism, Claude Monet was fascinated by the changing of light, and he repeatedly painted the same scenes in order to capture these subtle changes. His waterlily paintings are some of the most famous artworks in the world, and this exquisite calendar features 12 of these stunning works. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Monet's Waterlilies Wall Calendar 2026 (Art Calendar)

A fantastic selection of Lovecraftian deities and monsters by the artist Jason Engle. A fine new art calendar by Flame Tree. Jason Engle has been creating art for the publishing and entertainment markets since 1998, working on some of the best and biggest games in the world over that time. Discover 12 of his Lovecraft-inspired artworks in this eye-catching wall calendar. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Lovecraft: Illustrated by Jason Engle Wall Calendar 2026 (Art Calendar)

Lowry's appeal has grown over the generations, encapsulating the essence of everyday life in his paintings. A fine new art calendar from Flame Tree. Renowned for his paintings of the industrial towns of North West England, Lowry had a distinctive and enchanting style. In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional wall calendar portrays a selection of 12 works ranging from urban landscapes teeming with his iconic ‘matchstick men’ to haunting unpopulated scenes. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

L.S. Lowry Wall Calendar 2026 (Art Calendar)

The Artist Box: Claude Monet

Beautiful wood engravings by Gertrude Hermes in a new calendar from Flame Tree, created with the Ashmolean Museum. The Ashmolean began when the wealthy antiquary Elias Ashmole (1617–92) gifted his collection to the University of Oxford in 1682. It was then combined with an older University collection that included Guy Fawkes’ lantern. Today, the Ashmolean Museum of Art and Archaeology houses Western Art, Eastern Art, Antiquities, Cast Gallery and the Coin Room. The beautiful wood engravings and illustrations in this calendar are by the acclaimed British printmaker Gertrude Hermes. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Ashmolean Museum: Gertrude Hermes Wall Calendar 2026 (Art Calendar)

Raw, personal and political, John Scott: Firestorm presents an artist's searing critique of modernity’s capacity for industrial warfare and the machines that enable it. John Scott (1949–2022) produced paintings, drawings, and sculptures of what he called "engines of history," the hyper-masculine military and civilian weapons of the past half-century. Surveillance aircraft, B-52 and stealth bombers, tanks, cruise missiles and rockets, as well as handguns, muscle cars, and motorcycles forcefully imprint themselves upon the viewer through Scott's fierce mark-making and large, rough sculptural gestures. Humanoid rabbits—often surrounded by numbers that fail to add up—represent those threatened by such technologies. The dichotomy between the death-dealing weaponry of the nuclear era and the vulnerability of human beings lies at the core of Scott's work. Scott deployed an idiosyncratic graphic language to represent apocalyptic machines and power imbalances, working in the tradition of Francisco Goya, Käthe Kollwitz, Nancy Spero, and others. Scott grew up in Windsor, Ontario, across the river from Detroit, Michigan. Like many Canadian artists, writers, and intellectuals of his time, Scott was a close watcher of America, with a front-row seat on a sometimes rogue nation. Stylistically, his work is close to that of his contemporaries Jean-Michel Basquiat and William Kentridge, showing a kindred ferocity of mark-making and dark urgency. John Scott: Firestorm accompanies the exhibition of the same name organized by the McMichael Canadian Art Collection, curated by Canadian art scholar John O'Brian. It is the first major exhibition of Scott's work to focus on his imagery of machines and modernity's capacity for industrial war—a body of work as meaningful today as it was when it first appeared in the 1970s. This publication features over 100 of Scott's works, a detailed biography, and new critical writings on the artist.

Firestorm

John Scott

The Documentary Poetics of Allan Sekula

Amphibious Realities

Striking Kabuki characters brought to life in images from the Ashmolean Museum's collections. A new fine art calendar from Flame Tree. The Ashmolean began when the wealthy antiquary Elias Ashmole (1617–92) gifted his collection to the University of Oxford in 1682. Today, the Ashmolean Museum of Art and Archaeology houses Western Art, Eastern Art, Antiquities, Cast Gallery and the Coin Room. The Japanese Kabuki character portraits in this wall calendar are taken from the collections and are all by the ukiyo-e artist Utagawa Kunisada. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Ashmolean Museum: Japanese Kabuki Wall Calendar 2026 (Art Calendar)

The Artist Box: Frida Kahlo

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