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Frieze Susannah: The Artist Box: Frida
Kahlo

The Artist Box: Frida Kahlo

Isms

A collection of inspiring and empowering quotations from an artist noted for her frank treatment of sex—and for her portraits of Madonna, Pamela Anderson, Lady Gaga, and Lizzo Since the 1980s, Marilyn Minter has been a pioneer of sex-positive feminism in the contemporary art world, pushing the boundaries of what kind of imagery is acceptable in fine art, especially when produced by women. In her photorealistic paintings, including of celebrities such as Madonna, Lady Gaga, and Lizzo, Minter draws on the aesthetics of fashion magazines, depicting cropped women’s faces and bodies laden with jewels and couture accessories. In some of her work, she has explored how the meaning of pornographic imagery changes when it’s appropriated and transformed by a woman artist. Gathered from interviews, articles, and other sources, Minter-isms is a compelling collection of quotations that presents Minter’s revealing thoughts on art, women, power, sexuality, pornography, politics, and more. Filled with wisdom and humor, the book offers new insights about the life, work, and mind of this groundbreaking artist. <ul><li>“I used to think I was the worst person that ever lived, and that’s pretty narcissistic of me. I wasn’t even close.”</li><li>“My whole goal was to see if it would change the meaning if women owned sexual imagery, if we actually started making imagery for our own pleasure and amusement.”</li><li>“When it comes to sexual imagery even the most enlightened people can become paralyzed.”</li><li>“I’m really glad to see mediocre women artists getting lots of attention, because the boys have been doing it for years. It’s about time we’re allowed mediocre women, too.”</li></ul>

Minter-isms

Meetings with the Dutch Masters

The Upside-Down World

The first ever comprehensive catalogue of Banksy's print editions, from 2002 to 2022. Known as Banksy, the British street artist, political activist and film director has been making art for over three decades. However, while Banksy's street art is designed to stay in the public domain, he has also been creating and selling commercial artworks since 2002. As well as making his art accessible to a wider audience, the prints often expand on themes explored in Banksy's other pieces, such as war, consumerism and the abuse of authority. At intentionally affordable prices accessible to people of all backgrounds, he initially offered both signed and unsigned versions of his print editions for just a couple of hundred pounds. It is essential to appreciate these prints in order to fully understand Banksy's artistic expression and evolution over the past two decades. Organized by release year, with insightful commentary, essential details about each edition and faithful reproductions, Banksy: The Prints will become the ultimate resource for exploring Banksy's printed works. It will allow a more complete and well-rounded understanding of Banksy's visual language, his motivations and his politics.

Banksy: The Prints

Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

Art Comes from Art

Wayne Thiebaud

A Book of Friendship, Love and Kindness

You and Me

Flame Tree Bookmarks

L.S. Lowry: Gentleman Looking at Something Bookmarks (pack of 10)

The first book to concentrate on the early ceramic work of 'Transvestite Potter', bestselling author, broadcaster and social commentator Grayson Perry. Grayson Perry is one of today's most popular artists, known for his flamboyant persona and playful pots. For the first time, this book explores Perry's artistic origins through the artworks that made his name in the years 1982-94, exploring his role as commentator on contemporary culture and the emergence of his own identity as 'the Transvestite Potter'. The book includes an essay by Grayson Perry in which he looks back on this period of his life.

Grayson Perry: The Pre-Therapy Years

An analysis of surrealist artist Leonor Fini's self-fashioning and dressing-up practices that explores broader questions of gender and identity performance, creating and styling the self and the woman artist's role.

Theatrical Self-Performances between Art and Life

Becoming Leonor Fini

Adolph Gottlieb: A Powerful Will to Art

The triennial companion to Picasso's work from the collections of his immediate familyThis book presents an innovative new reading of Picasso's long artistic career. Instead of dividing his art into discrete stylistic periods, authoritative texts and lavish illustrations demonstrate the unity of his work by showing Picasso's art as a dynamic whole united by his exploration of both his past art and invention of new artistic conceptions. As Picasso said, "my art must not be considered as an evolution," but rather a constantly shifting exchange of retrospection and innovation. Selected from the collection of the Museo Picasso Málaga and the Fundación Almine y Bernard Ruiz-Picasso para el Arte (FABA), more than 150 paintings, sculptures, drawings and engravings explore the creative pathways of his art. Extensive photographs of the installation demonstrate the unity of his art through unexpected juxtapositions of works from different decades. More than 30 essays explore the meaning of major individual works. Five "focus" chapters address specialized facets of his practice, including his responses to African sculpture, World War II and the commission to create a huge mural for UNESCO headquarters in Paris. Pablo Picasso (1881-1973) was one of the most renowned and protean artists of the 20th century, creating everything from paintings to ceramics and set designs. He is known for his mercurial shifts in style, characterized by titled periods, as well as his propagation of new techniques including collage. There are several museums and collections worldwide dedicated entirely to his work.

Pablo Picasso: Structures of Invention

From Duchamp to Bourgeois, Harrison's curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism's devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis--shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow's plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol's totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison--framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming--that critically examines the presentation and the artist's own practice and approach.

Rachel Harrison's Stage Fright

An art book about art that has a purpose, focusing on work by Quentin Blake that has been commissioned for a particular place or for a particular use. Illustration is the most accessible visual artform and one that is used in all aspects of life; as Quentin Blake says, 'it is, if you like, a vernacular; it's a language that everybody understands. They may look at it and not think that they're looking at art, but it's having the effect on them of art. It's a language that everybody can read, so to speak.' The work here shows Quentin using this vernacular to great effect and for very different purposes. In 2007 when Elizabeth II was opening the new Eurostar at St Pancras, Quentin was asked to hide an unsightly building across the road. He drew a 2-colour illustration on his drawing board showing a cast of characters that you might meet on a London Street; this was then blown up large enough to wrap a five-storey building. Since then he has found other opportunities for site specific work. Here are beautiful drawings of new-borns, mothers and fathers in a maternity hospital in France. Some images were etched, larger than life-size, on the external glass of the building as well as used in corridors and delivery suites. Most recently Quentin has done a series of drawings of everyday life for the family rooms for prisons across the UK. And charities have benefited from Quentin's enjoyment of drawing for a purpose; the Roald Dahl Marvellous Charity's logo and cards; for Comic Relief's two virtual pantomimes during lockdown, he drew the scene changes for Cinderella and Beauty and the Beast which were then auctioned; he created a rainbow for the NHS trust mug, and posters for Islington Libraries to encourage reading. All these and more are featured in this charming book, which opens with a foreword by Quentin Blake, and includes photographs of him at work.

Not for Art's Sake

The Artist Box: Frida Kahlo

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