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She Moves Me

Performance, Moving Image, and Lynne Marsh’s Lens

An intimate monograph studying John Sonsini's practice through David Pagel's thoughtful LA Times reviews about his work.When art critic David Pagel realized he had written five reviews about John Sonsini over the past thirty years, this book project was born. Even though he had been covering the work of the Los Angeles-based painter for three decades, they had never met until they began collaborating on this project. The unique, intimate compilation brings together an extensive essay by Pagel—including facsimile reproductions of the original five articles—along with illustrations, plates, and archival pieces that cover Sonsini’s artistic trajectory, from early works to his most recent watercolors and large-scale commissions. Broad Reminders provides a rambling, joyful, engaging look into the world of art and artists, critics, and creators.

John Sonsini + David Pagel: Broad Reminders

America

"The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantiések Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso"--

Harmony and Dissonance: Orphism in Paris, 1910–1930

Francis Bacon Studies

The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon.

Francis Bacon Retrieved - Lost Words / New Writing

Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

Art Comes from Art

Wayne Thiebaud

This art book presents the award-winning portrait-based series 'Slaves of Fashion' by British artists The Singh Twins. -- .

Personal Reflections on Hidden Stories of Empire, Colonialism and Their Legacies

Slaves of Fashion: Art of the Singh Twins

"Catalogue raisonnâe volume 2 on influential artist-architect Tony Smith, focusing on architecture. Released with companion book of critical commentary (Against Reason)"--

Catalogue Raisonné Volume 2

Tony Smith Architecture

Iranian artists have been producing some of the world's most thought-provoking and intellectually grounded artworks. In this landmark compendium, renowned art historian Hamid Keshmirshekan provides a thorough review of contemporary art in Iran and shows that the twentieth century was a crucial period in the country's art and culture, when the legacies of tradition and modernism where critically reassessed. Contemporary Iranian Art is an unprecedented introduction to Iran's vibrant art history over the past one hundred years. This fully revised and updated edition features more than 370 colour illustrations by the country's leading artists, including Mahmoud Bakhshi, Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, Shirin Neshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles Hossein Zenderoudi.

New Perspectives

Contemporary Iranian Art

Over 90 artists' depictions of boxing, from Vito Acconci to Carrie Mae WeemsThis book documents an expansive, traveling group exhibition centered on the sport, psychology, ethos and spectacle of boxing. Artists have often gravitated toward the "sweet science" as a subject, and have investigated the boxer as an icon and metaphor for excellence, physical power, perseverance, achievement and perhaps humanity itself, representing its wins and losses, regiment and fluidity, violence and artistry. Given the wealth of depictions of boxers throughout art history, this book explores the sport as inspiration with objects and works by more than 90 artists, ranging in time from ancient to contemporary, and spanning the media of painting, drawing, sculpture, photography, and film. The book is fully illustrated with an extensive plate section, and features new texts by artist and Founder of the Church, Eric Fischl, as well as Sara Cochran, Jonathan Rider, Arden Sherman and Robert Lipsyte. Featured artists include: Muhammad Ali, Benny Andrews, Diane Arbus, Jean-Michel Basquiat, George Bellows, Judy Chicago, Rosalyn Drexler, Fab 5 Freddy, Eric Fischl, Chase Hall, Lyle Ashton Harris, Edward Hopper, Rashid Johnson, Martin Kippenberger, Justine Kurland, Glenn Ligon, Robert Mapplethorpe, Christian Marclay, Howardena Pindell, Ed Ruscha, Alison Saar, Andres Serrano, Carrie Mae Weems. This book was published in conjunction with The FLAG Art Foundation, New York; The Church, Sag Harbor; Norton Museum of Art, West Palm Beach

Strike Fast, Dance Lightly: Artists on Boxing

A Life of Paul Gauguin

Wild Thing

Isms

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

"Art has poisoned our life", proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

She Moves Me

Informations bibliographiques

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