NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Thèmes principaux

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Kanzleien und Behörden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Infos, Tipps und Tricks

Infos, conseils et astuces

Vorankündigungen

Préavis

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Takuma Nakahira: At the Limits of the
Gaze

Takuma Nakahira: At the Limits of the Gaze

Selected writings by Takuma Nakahira

New Encounters: Arts, Cultures, Concepts

"This book considers the sculptures of Louise Bourgeois (1911-2010) in light of psychoanalyst D. W. Winnicott's (1896-1971) radical ideas regarding transitional objects, potential space, and play, offering a model for exploring the complex and psychologically evocative sculptures Bourgeois produced from 1947 to 2000. Bridging themes and concerns of modernism and postmodernism, the book reveals how Bourgeois brought a decades-long study of psychoanalysis to bear upon her sculptural production that was symbolic, metaphorical, but most importantly, useful"--

Louise Bourgeois’s Sculpture, 1947–2000

Transformative Objects and the Aesthetics of Play

Using lenses made of Arctic ice, Glacial Optics explores Tristan Duke's ongoing, innovative photographic project documenting our current moment of climate precarity. In 2022, artist Tristan Duke set sail for the remote arctic island of Svalbard, where he sought to find ancient glacier ice clear enough to make into functioning camera lenses. Since returning from the Arctic, using an array of custom-built cameras and other experimental photographic techniques, Duke has turned his ice lenses to sites of ecological destruction while documenting the efforts of climate scientists as they race to understand the big picture.This adventure has taken the artist to the aftermath of drought induced wildfires, where he discovered unexpected photographic properties of his melting ice lenses; to the National Science Foundation’s Ice Core Facility, where he created photograms of the oldest ice ever discovered (4 million years old); and to the Byrd Polar and Climate Research Center, where he handled the last remaining ice core samples from glaciers which have already completely melted.Examining climate change through innovative, alternative uses of the photographic medium, the artist casts the camera directly into our changing landscapes, lenses shifting with the environment.

Tristan Duke: Glacial Optics

An art book about art that has a purpose, focusing on work by Quentin Blake that has been commissioned for a particular place or for a particular use. Illustration is the most accessible visual artform and one that is used in all aspects of life; as Quentin Blake says, 'it is, if you like, a vernacular; it's a language that everybody understands. They may look at it and not think that they're looking at art, but it's having the effect on them of art. It's a language that everybody can read, so to speak.' The work here shows Quentin using this vernacular to great effect and for very different purposes. In 2007 when Elizabeth II was opening the new Eurostar at St Pancras, Quentin was asked to hide an unsightly building across the road. He drew a 2-colour illustration on his drawing board showing a cast of characters that you might meet on a London Street; this was then blown up large enough to wrap a five-storey building. Since then he has found other opportunities for site specific work. Here are beautiful drawings of new-borns, mothers and fathers in a maternity hospital in France. Some images were etched, larger than life-size, on the external glass of the building as well as used in corridors and delivery suites. Most recently Quentin has done a series of drawings of everyday life for the family rooms for prisons across the UK. And charities have benefited from Quentin's enjoyment of drawing for a purpose; the Roald Dahl Marvellous Charity's logo and cards; for Comic Relief's two virtual pantomimes during lockdown, he drew the scene changes for Cinderella and Beauty and the Beast which were then auctioned; he created a rainbow for the NHS trust mug, and posters for Islington Libraries to encourage reading. All these and more are featured in this charming book, which opens with a foreword by Quentin Blake, and includes photographs of him at work.

Not for Art's Sake

Documentary Photography: A Creative Guidebook guides photographers through creating well-informed and creative documentary projects.

A Creative Guidebook

Documentary Photography

A visual &amp; lyrical declaration filled with fever &amp; flight, REPRISE, Golden's second collection of poetry &amp; photography maps a personal search for safety in a U.S. that offers none. 
 
Golden's collection illuminates a path through national uprisings, anti-trans violence, family loss, and a global pandemic. These sonically playful poems and assertive, color-saturated portraits reveal a stark vulnerability that invites readers to look deeply at times of great and, possibly, liberatory uncertainty. 
 
At its heart, this collection asks: Where is home? Who is free? What makes a nation? 
 
Golden seeks portals towards self-liberation. In their pursuit, we're invited to witness and learn from their interior revolution, from which they emerge more free to declare themselves in small and large ways: Whether stating I just want to wear my orange dress to the tennis courts &amp; come back home unbothered or I am home in the arms of the armed.&nbsp; 
 
Building on their debut collection, A Dead Name That Learned How to Live and their award-winning self-portraiture series, On Learning How to Live, Golden honors the living siege &amp; sorrow, rage &amp; revival, joy &amp; creation of being Black and trans in America.

Poems and Photographs

Reprise

From Duchamp to Bourgeois, Harrison's curation of 20th-century sculpture looks at the study of the human bodyGuided by a desire to illuminate and inspire reflection on the sculptural form, Dominique Lévy of LGDR invited American artist Rachel Harrison (born 1966) to curate a presentation of 20th-century sculpture. The exhibition that emerged comprises a group of works that consider Modernism's devotion to that most fundamental of subjects: the human figure. Stage Fright features works by Louise Bourgeois, Constantin Brâncusi, Marcel Duchamp, Marisol, Alberto Giacometti and Alina Szapocznikow that represent the body in extremis--shown ruptured in pieces or pared down to the essentials. The individual pieces act as surrogates that stand in for the whole. Taken together, the works on view embody various conceptions of personhood as routed through objects, whether rendered with aching specificity, as in the clefts and folds of Szapocznikow's plaster Ventre (Belly) (1968), or invoked as a generic type, as in Marisol's totemic couple The Blacks (1962). Richly illustrated with installation views from the exhibition, Stage Fright features a new text by Harrison--framed as a dialogue between filmmaker Alfred Hitchcock and figure skater Peggy Fleming--that critically examines the presentation and the artist's own practice and approach.

Rachel Harrison's Stage Fright

This definitive monograph surveys the last fifty years of fashion photographer Paolo Roversi's distinctive output, and has been developed and designed in close collaboration with the artist.

Paolo Roversi

An omnibus edition collecting fifteen volumes of Hokusai's dedicated drawing manuals, also known as e-tehon.

Hokusai's Method

Celia Paul: Works 1975–2025

"Art has poisoned our life", proclaimed Dutch artist and De Stijl co-founder Theo van Doesburg. Reacting to the tumultuous crises of the twentieth century, especially the horrors of the First World War, avant-garde artists and writers sought to destroy art by transforming it into the substance of everyday life. Following the evolution of these revolutionary groups, How to Be Avant-Garde charts its pioneers and radical ideas.
From Paris to New York, from Zurich to Moscow and Berlin, avant-gardists challenged the confines of the definition of art along with the confines of the canvas itself. Art historian Morgan Falconer starts with the dynamic Futurist founder Filippo Tommaso Marinetti, whose manifesto extolling speed, destruction and modernity seeded avant-gardes across Europe. In turn, Dadaists Hugo Ball and Emmy Hennings sought to replace art with political cabaret and the Surrealists tried to exchange it for tools to plumb the unconscious.
He guides us through the Russian Constructivists with their adventures in advertising and utopianism and then De Stijl with the geometric abstractions of Piet Mondrian. The Bauhaus broke more boundaries, transmuting art into architecture and design. Finally, the Situationists swapped art for politics, with many of their ideas inspiring the 1968 Paris student protests.
How to Be Avant-Garde is a journey through the interlocking networks of these richly creative lives with their visions of a better world, their sometimes sympathetic but often strange and turbulent conversations and their objects and writings that defied categorisation.

Modern Artists and the Quest to End Art

How to Be Avant-Garde

A long-overdue publication by a founding member of feminist collective fierce pussy, Yamaoka's first monograph explores the artist's cross-disciplinary creative practice over several decades.Initially a student of photography and fascinated by the camera's ability to record and its inability to represent, Carrie Yamaoka has expanded her practice to explore themes of record and transformation across painting, sculpture, and installation. Her eye-catching, sometimes technically incomprehensible works examine how materiality, process, and form connect by calling to the viewer's attention the topography of surfaces, the tactility of the barely visible, and the chain of planned and chance incidents that determine the outcome of an art object.On view, Yamaoka’s artworks can both reflect and become the spaces in which they are displayed. Often revisiting her earlier works after five, ten, or twenty-five years, the artist is known for converting paintings into sculpture, texts into photograms, or the recto of a piece into the verso, ultimately questioning how the visual experience and orientation of an object defines its form for an audience.Yamaoka is an original member of fierce pussy, a collective of queer women artists founded in 1991. Launched during the AIDS epidemic and political mobilization around LGBTQ+ rights, fierce pussy used readily available materials—old typewriters, found photographs, printing supplies, and other day job equipment, for example—to bring lesbian visibility to the streets. The collective consists of Nancy Brooks Brody (1962-2023), Joy Episalla, Zoe Leonard, and Carrie Yamaoka and it continues to produce work in the present. Yamaoka's work is included in the collections of the Buffalo AKG Museum, Art Institute of Chicago, Whitney Museum, Dallas Museum of Art, Henry Art Gallery, and Centre Pompidou.

Carrie Yamaoka

52 Assignments

52 Assignments: Night Photography is a year's worth of inspiring weekly assignments to kick-start your creativity.

52 Assignments: Night Photography

Takuma Nakahira: At the Limits of the Gaze

Informations bibliographiques

Mots-clés

Informations bibliographiques

Mots-clés

Autres titres sur ce thème