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Day Gail: Amphibious Realities

Amphibious Realities

The Documentary Poetics of Allan Sekula

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

This lavishly illustrated book offers a comprehensive overview of the work of the great Malian photographer Seydou Keïta, one of the most important portraitists of the 20th century.

Seydou Keïta

The Psychology of Environmental Attunement

Alone with Nature

Freud and the Non-European

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

The Routledge Guides to the Great Books

The Routledge Guidebook to Kierkegaard’s Either/Or

By analyzing the key theories of political behavior in the context of Latin America, Orlando Pérez illustrates the impact, nature, and limits of democratization. This book is the first comprehensive attempt to analyze empirically the factors that determine citizen participation in the region using theoretically grounded and empirically sound longitudinal data.

By analyzing the key theories of political behavior in the context of Latin America, Orlando Pérez illustrates the impact, nature, and limits of democratization. This book is the first comprehensive attempt to analyze empirically the factors that determine citizen participation in the region using theoretically grounded and empirically sound longitudinal data.

The Citizen in Transition

Political Behavior in Latin America

Klassiker auslegen

Max Webers posthum publiziertes Hauptwerk Wirtschaft und Gesellschaft gilt als eine Grundlegungsschrift moderner Soziologie. Neben der Kategorienlehre einer verstehenden Soziologie¿ umfasst sie auch spezifischere Grundrisse einer Wirtschafts-, Religions-, Herrschafts-, Rechts-, Stadt- und Staatssoziologie. Fächerübergreifend rezipiert wird das Werk wegen seines Themenreichtums und seiner interdisziplinär anschlussfähigen Methodenlehre. Die historisch-kritische Erforschung des Weberschen Nachlasses im Rahmen der Max-Weber-Gesamtausgabe verlangt nach einer neuen Verständigung über die sachgerechte Interpretation des Werks. Der kooperative Kommentarband in der Reihe Klassiker Auslegen zielt auf einen interdisziplinär problembewussten Beitrag hierzu. Er versammelt auf aktuellem Forschungsstand Analysen eines internationalen Autorenteams aus renommierten und jüngeren Weberforschern zu Architektonik, Kernthesen und Hauptproblemen von Wirtschaft und Gesellschaft. Mit Beiträgen von: Catherine Colliot-Thélène, Werner Gephart, Edith Hanke, Otfried Höffe, Bernd Krehoff, Wilfried Nippel, Wolfgang Schluchter, Wolfgang M. Schröder, Mateusz Stachura, Richard Swedberg und Christiane Tietz.

Max Webers posthum publiziertes Hauptwerk Wirtschaft und Gesellschaft gilt als eine Grundlegungsschrift moderner Soziologie. Neben der Kategorienlehre einer verstehenden Soziologie umfasst sie auch spezifischere Grundrisse einer Wirtschafts-, Religions-, Herrschafts-, Rechts-, Stadt- und Staatssoziologie. Fächerübergreifend rezipiert wird das Werk wegen seines Themenreichtums und seiner interdisziplinär anschlussfähigen Methodenlehre. Die historisch-kritische Erforschung des Weberschen Nachlasses im Rahmen der Max-Weber-Gesamtausgabe verlangt nach einer neuen Verständigung über die sachgerechte Interpretation des Werks. Der kooperative Kommentarband in der Reihe Klassiker Auslegen zielt auf einen interdisziplinär problembewussten Beitrag hierzu. Er versammelt auf aktuellem Forschungsstand Analysen eines internationalen Autorenteams aus renommierten und jüngeren Weberforschern zu Architektonik, Kernthesen und Hauptproblemen von Wirtschaft und Gesellschaft.Mit Beiträgen von: Catherine Colliot-Thélène, Werner Gephart, Edith Hanke, Otfried Höffe, Bernd Krehoff, Wilfried Nippel, Wolfgang Schluchter, Wolfgang M. Schröder, Mateusz Stachura, Richard Swedberg und Christiane Tietz.

Max Weber: Wirtschaft und Gesellschaft

Object Lessons

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts-yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama's fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.

Our ability to make a fist is what distinguishes humans from every other species, including primates. The fist played a crucial role in the birth of language and appears in nearly every form of nonverbal communication, particularly haptics and kinesiology. We use our fist to protest oppression, give pleasure, knock on doors, give daps, and (inaccurately) measure our hearts—yet we see them as a sign of someone on the edge. 

This book asks what happens when we lean over the edge of what a fist can do and symbolize. Fist uses historical moments and artifacts, primary interviews, and personal narratives to explore the fist's polysemous and divisive nature. Fist examines knuckle tattoos, the Black Power salute, Obama’s fist bumps, the Fig, and fisting, the last sexual taboo. Fist uncovers what flexing our knuckles says, not just about us, but the world in which we live.

Object Lessons is published in partnership with an essay series in The Atlantic.

Fist

Is Europe a global actor? It all depends on which 'Europe', one means. There is no such thing as a European foreign, security or defence policy, in the sense of a coordinated ensemble of national, EU and NATO initiatives, only European foreign, security and defence policies, pursued by different actors, sometimes in coordination, sometimes alongside each other, sometimes in competition. National sovereignty prevails. Decisions are taken in the capitals and acting through the EU or NATO are just two options in addition to, and no more important than, the national option. The Ashgate Research Companion to the Foreign Policies of Europe starts its analysis then from the national level. Expert contributors consider the interests, policies and impact of the European states across regions, key issues and relationships and consider whether decisions made out of national interest can continue to meet the security, defence, economic and environmental challenges of Europe in the 21st century.

Is Europe a global actor? It all depends on which 'Europe', one means. There is no such thing as a European foreign, security or defence policy, in the sense of a coordinated ensemble of national, EU and NATO initiatives, only European foreign, security and defence policies, pursued by different actors, sometimes in coordination, sometimes alongside each other, sometimes in competition. National sovereignty prevails. Decisions are taken in the capitals and acting through the EU or NATO are just two options in addition to, and no more important than, the national option.   The Ashgate Research Companion to the Foreign Policies of Europe starts its analysis then from the national level. Expert contributors consider the interests, policies and impact of the European states across regions, key issues and relationships and consider whether decisions made out of national interest can continue to meet the security, defence, economic and environmental challenges of Europe in the 21st century.

The Ashgate Research Companion to the Foreign Policies of Europe

Discourses of Law

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal 'forensic' image, it is argued, is a site of conjecture.

Focusing upon the representations that take place in law, forensic medicine, criminology and culture, Crime Scenes examines the ways in which knowledge about crime, death and the dead body is produced. The formal ‘forensic’ image, it is argued, is a site of conjecture.

Forensics and Aesthetics

Crime Scenes

Amphibious Realities

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema