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South Asian Screen Studies

Allen R: Storytelling in Hindi Cinema

Storytelling in Hindi Cinema

Doubles, Deception, and Discovery

Indian Art Cinema and its Cultural Elites

This book examines the ways in which popular culture has entertained the notion of a female U.S. presidency through portrayals in film, television, and literature dating back to the 1930s.

Representations from 1932 to 2024

The Fictional Female Presidency in Film, Television, and Literature

KINO - The Russian and Soviet Cinema

Manufacturing Visions of the Indigenous Peoples of the North

A Siberian History of Soviet Film

The Tiger's Share

Digital Culture & Society

Technologies and technological futures are always socially situated, relational, and enmeshed in (dominant) narratives of societal sense-making, which have the power to bring future ideas into material existence. The issue brings together articles exploring popular techno-futures from international and interdisciplinary perspectives, including cultural and media studies, science and technology studies, and related disciplines. The contributors decenter the discussion on socio-technical futures and the role of popular culture, aesthetics and media in their (re)production by focusing on societal tech-future discourses from global popular perspectives.

Vol. 11, Issue 2/2025 – Towards Popular Techno-Futures: A Global Culture Perspective

Digital Culture & Society (DCS)

Marvel Studios proudly presents a collection of behind-the-scenes photographs from the set of the highly anticipated movie! In Marvel Studios’ THE FANTASTIC FOUR: FIRST STEPS, we are delighted to at last welcome the First Family into the Marvel Cinematic Universe! And, to celebrate, we have carefully curated many of the finest images captured by the on-set photographers into a stunning family photo album worthy of the Fantastic Four! Featuring action shots while the cameras roll and candid behind-the-scenes snaps of the movie’s stars — including Pedro Pascal (Reed Richards), Vanessa Kirby (Sue Storm), Joseph Quinn (Johnny Storm) and Ebon Moss-Bachrach (Ben Grimm) — as well as Director Matt Shakman and other creatives! Also includes special insights into the making of the film, in the tradition of MARVEL STUDIOS’ DEADPOOL &amp; WOLVERINE EXPOSED — PHOTOS FROM THE SET HC!

Marvel Studios' The Fantastic Four: First Steps - Family Portraits: Photos From The Set

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

The Insider’s Guide to Writing the Difficult Middle Section of a Screenplay

The Heart of Your Script

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

Local and Global Perspectives

Trends in Iranian Cinema

The Highs and Lows of Disabled Representation in the Movies

Popcorn Disabilities

Global East Asian Screen Cultures

The Cinema of Stephen Chow

Selected Writings 1963-2002

Arrows of Desire

Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Sonic Perspectives from the Global Souths

Storytelling in Hindi Cinema

Weitere Titel der Reihe: South Asian Screen Studies

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