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Lopez K: Popcorn Disabilities

Popcorn Disabilities

The Highs and Lows of Disabled Representation in the Movies

A New York Times bestselling author dives into a horror movie classic to examine the genre’s importance to our history, culture, and personal impact—creating a perfect blend of history, horror, and memoir for readers of Quentin Tarantino’s Cinema Speculation Daniel Kraus first saw George A. Romero’s Night of the Living Dead when he was five years old. Through watching it approximately 300 times since that moment, Kraus discovered the many ways the film is tied to his childhood filled with traumas, and that its influence has carried into his adulthood. He couldn't help but wonder: Are there other admirers of the film out there that can do the same? A kaleidoscopic cinematic memoir, Partially Devoured uses a frame-by-frame deep dive into Night of the Living Dead to examine the film’s importance to our history and culture, as well as explore how it served as a lighthouse beacon that carved through the author’s life of rural isolation, childhood trauma, and local violence. Careening from film analysis into rabbit-hole tangents, Partially Devoured will take readers from screaming laughter to the depths of grief, all while taking a beloved genre film and illustrating how its tentacles have woven themselves into so many facets of our lives.

How Night of the Living Dead Saved My Life and Changed the World

Partially Devoured

Cinema Two

Hirokazu Koreeda

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Library of Gender and Popular Culture

Sex, Censorship and the Millennial Teen Film

New Critical Humanities

This book demonstrates how cinematic treatments of blackness which offer explicit counter-narratives to society's deep-seated racist culture fail to escape the trappings of antiblackness and the basic antagonistic relationship between black people and the modern world and are instead features of it-all the while posing as anti-racist.

Blackhood At-Large

The Cinema of Social Death

Global East Asian Screen Cultures

Power, Precarity and Working Cultures

Producing Chinese Reality Television

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women’s Film History in France, 1927–1978

Archiving the Past

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

Studies in Metamodernism: Theory and Criticism across the Disciplines

The Metamodern Cinema of Taika Waititi

The Cinema of Stephen Chow

Anthem Studies in Gothic Literature

This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema.

Archival Anxiety in Documentary and Mockumentary Horror

Popcorn Disabilities

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