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Cinema Two

Jacoby Alexander: Hirokazu Koreeda

Hirokazu Koreeda

KINO - The Russian and Soviet Cinema

Manufacturing Visions of the Indigenous Peoples of the North

A Siberian History of Soviet Film

Global East Asian Screen Cultures

The Cinema of Stephen Chow

This book examines the ways in which popular culture has entertained the notion of a female U.S. presidency through portrayals in film, television, and literature dating back to the 1930s.

Representations from 1932 to 2024

The Fictional Female Presidency in Film, Television, and Literature

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

X-Men For Dummies

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

The Insider’s Guide to Writing the Difficult Middle Section of a Screenplay

The Heart of Your Script

What technothrillers—popular films that center advanced technology—can tell us about ourselves, and how they ignite our imagination in technologically supercharged times. In Technothriller, Soraya Murray reveals how popular American films after the 1960s, in which technology assumes a central role—mainly biotech, military, and computational—channel our cultural anxieties, dreams, and convictions about the power and meaning of advanced technology. Along with iconic adaptations from technothriller novels by Tom Clancy and Michael Crichton, such as The Hunt for Red October and The Andromeda Strain, Murray considers Westworld, Rollerball, Demon Seed, WarGames, Ex Machina, Tenet, M3GAN, and The Creator, as well as the Terminator and Mission: Impossible franchises. Through the details of these films and others, she traces deeply embedded popular beliefs about technology and innovation—and then asks what this tells us about the mechanics of power within our technological lives. Exploring how popular culture negotiates political and cultural attitudes toward innovation and difference, her work finds in technothrillers a new way of thinking about the troubled, sometimes catastrophic relationships between humans and their inventions.

Film and the American Imagination

Technothriller

World Cinema

An in depth consideration of sociopolitical shifts in Indian culture and their effects on, and representations in, popular Hindi cinema (Bollywood) during the reign of Narendra Modi.

Popular Hindi Cinema and Hindutva

Bollypolitics

Shakespeare and Adaptation

Shakespeare, Race and Anglophone Popular Culture

Discover the secrets of titans including Godzilla, Kong, Mothra, King Ghidorah, and many more, with this in-universe artifact!

The Monarch Files: A Monsterverse Manual

International Screen Industries

The Indian Television Industry

Hirokazu Koreeda

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