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South Asian Screen Studies

Virdi Jyotika: Indian Art Cinema and its
Cultural Elites

Indian Art Cinema and its Cultural Elites

Doubles, Deception, and Discovery

Storytelling in Hindi Cinema

The Sage Handbook of Digital Labour&nbsp;is a comprehensive exploration of the multifaceted and evolving concept of digital labour. Originally coined in Marxist analyses to explain the exploitation of user data in the digital economy, the term has since expanded to encompass a wide range of paid work influenced by digital technologies. This includes traditional jobs transformed by platforms, new roles emerging in today¿s digital society, and cultural producers like influencers and online creators. The handbook also addresses the material aspects of digital labour, highlighting its dependence on traditional manufacturing and manual labour.
This volume brings together leading scholars from diverse disciplines to examine the intersections of labour and digital technologies. It approaches digital labour as an interdisciplinary field of inquiry, exploring the material and ideological conditions of work in contemporary society. The handbook aims to chart the extensive territory of digital labour studies, covering theoretical traditions, key concepts, emblematic sites of production, normative cultures, and worker subjectivities. It also showcases the spectrum of worker organizing repertoires and tactics across the world.
The handbook is organized into seven sections. Section 1 highlights major theoretical traditions, while Section 2 focuses on the material sites along production chains. Sections 3 and 4 delve into key concepts and sites of production, and Section 5 explores normative cultures and worker subjectivities. Section 6 examines worker organizing tactics, and Section 7 introduces research methods for scholars in the field. The volume concludes with discussions on how digital labour studies can provide unique perspectives to imagine digital futures.
The Sage Handbook of Digital Labour&nbsp;is an essential resource for scholars, practitioners, and students seeking to understand the complexities of digital labour. It provides a comprehensive and nuanced exploration of the field, equipping readers to engage with the theoretical and practical aspects of digital labour in a rapidly changing world.
Part 1: Theoretical Traditions 
Part 2: Material Sites of Production 
Part 3: Key Concepts in Digital Labour 
Part 4: Emblematic Sites of Production 
Part 5: Normative Cultures and Worker Subjectivities 
Part 6: Worker Organizing Repertoires and Tactics 
Part 7: Research Methods in Digital Labour Studies

The Sage Handbook of Digital Labour

Studies in New Media

The Next Social Revolution

How Women Conquer the Metaverse

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Digital Culture & Society

Technologies and technological futures are always socially situated, relational, and enmeshed in (dominant) narratives of societal sense-making, which have the power to bring future ideas into material existence. The issue brings together articles exploring popular techno-futures from international and interdisciplinary perspectives, including cultural and media studies, science and technology studies, and related disciplines. The contributors decenter the discussion on socio-technical futures and the role of popular culture, aesthetics and media in their (re)production by focusing on societal tech-future discourses from global popular perspectives.

Vol. 11, Issue 2/2025 – Towards Popular Techno-Futures: A Global Culture Perspective

Digital Culture & Society (DCS)

Critical Perspectives in South Asian History

Hierarchy, Humanity and Equality in Indian History

Textual Lives of Caste Across the Ages

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Examines the work of feminists in India and their successful use of legislative lobbying and strategic litigation in their fight for equality and self-determination.

Examines the work of feminists in India  and their successful use of legislative lobbying and strategic litigation in their fight for equality and self-determination.

Feminist Legal Activism in India

Jonathan M. Metzl has long been the forefront of a movement advocating for American gun reform as a matter of public health but in 2018 a racially charged mass shooting in Nashville led him on a path towards recognising the limitations of biomedical frameworks for fully diagnosing or treating the complexities of American gun politics. In What We've Become, Metzl looks at the cycle in which mass shootings lead to shock, horror, calls for action, and, ultimately, political gridlock, he explores what happens when violence is normalised as an acceptable trade-off for freedom. What We've Become points to mass shootings as a symptom of America's unresolved national conflicts, and sets out a path of alliance forging, racial reckoning and political power brokering that America must take to put things right.

Living and Dying in a Country of Arms

What We've Become

Shakespeare and Adaptation

Shakespeare, Race and Anglophone Popular Culture

What technothrillers—popular films that center advanced technology—can tell us about ourselves, and how they ignite our imagination in technologically supercharged times. In Technothriller, Soraya Murray reveals how popular American films after the 1960s, in which technology assumes a central role—mainly biotech, military, and computational—channel our cultural anxieties, dreams, and convictions about the power and meaning of advanced technology. Along with iconic adaptations from technothriller novels by Tom Clancy and Michael Crichton, such as The Hunt for Red October and The Andromeda Strain, Murray considers Westworld, Rollerball, Demon Seed, WarGames, Ex Machina, Tenet, M3GAN, and The Creator, as well as the Terminator and Mission: Impossible franchises. Through the details of these films and others, she traces deeply embedded popular beliefs about technology and innovation—and then asks what this tells us about the mechanics of power within our technological lives. Exploring how popular culture negotiates political and cultural attitudes toward innovation and difference, her work finds in technothrillers a new way of thinking about the troubled, sometimes catastrophic relationships between humans and their inventions.

Film and the American Imagination

Technothriller

In eleven essays of inquiry from different scholarly traditions, the authors in Microutopias and Everyday Hope examine the potential that resides in utopian thinking on smaller scales. Basing their explorations in material ranging from music, TV-series, film, and literature to concrete sites, the reflections that result engage in a conversation that steers our attention to the details of aesthetics that are increasingly being drowned out in the polycrisis. However, our attention to detail in less spectacular venues and in the everyday is required if we are to imagine alternative futures differently, and better. Caught in late capitalism's relentless and dystopian march toward the abyss, any kind of future is predicated on utopian thinking in the present. The essay collection is therefore also an appeal to the crucial importance of the humanities as providing the glue that can withstand our contemporary's fragmentation. Ultimately, this collection highlights the crucial importance of the humanities in order to withstand and even move past the contemporary societal fragmentation being experienced globally.

Microutopias and Everyday Hope

The Impact of Race on American Infrastructure

White Care

Indian Art Cinema and its Cultural Elites

Weitere Titel der Reihe: South Asian Screen Studies

Weitere Titel zum Thema