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Trends in Iranian Cinema

Local and Global Perspectives

Contemporary Turkey

Looking Back is a compelling account of how Armenians, as migrants in Canada, remember their past lives in Turkey and make sense of their experiences in two very different landscapes. Anchored in the workings of the Turkish nation, theirs are stories about loss, denial, trauma, and discrimination on the one hand, resilience, survival, and community on the other. Bayar's in-depth examination tackles questions about memory, citizenship, and being a minority inside a nationalist landscape while revealing rich and multilayered accounts of everyday encounters with institutions, friends, and strangers. Looking Back is a timely study about the costs of nation-building and the ways minorities navigate an exclusionary landscape.

Armenian Emigrants, Nationalism and Modern Turkey

Looking Back

On Photography and Social Media

The Social Photo

Cinema Two

Hirokazu Koreeda

A Cultural History

Colonial Cyprus

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women’s Film History in France, 1927–1978

Archiving the Past

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Before there was Cher or Madonna, Iran had Googoosh. For the first time, one of the biggest pop stars of the 20th century tells her story: her rise to fame in pre-revolution Iran, her arrest and imprisonment by Revolutionary forces, her twenty-year exile, and finally, her triumphant return to the global stage.

A Sinful Voice

Googoosh

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

100 Things

Conspiracies, mysteries and unsolved crimes

100 Things They Don't Want You To Know

Defines a unique period in British youth culture and lifestyle publishing, drawing on oral history, editorial analysis and existing fashion and subcultural theory to chart the emergence of the stylist in the 1980s, an ultimately postmodern role that became key to the production of fashion image.

Subculture, Style and the Fashion Image in London 1980–1990

The Rise of the Stylist

Trends in Iranian Cinema

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