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Trends in Iranian Cinema

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Middle East Today

Gender Equality, Matrimony and Secularism in Egypt and Iran: A Comparative Exploration of Early Twentieth Century Family Law

College Campuses and American Democracy

From Higher Learning to Charlottesville

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Mediale und transkulturelle Kontexte in Leben und Werk Otfried Preußlers

Zu Hause in vielen Welten

SUNY series, Literature... in Theory

Anna Maria Ortese and Roberto Rossellini in the Underworld

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Recognition and Contestation in the Atomic Age

After Fission

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Iran and the Revolution

The Rise and Fall of Private Life

Strangers and Intimates

The targeted assassination of Major-General Qasem Soleimani on 3 January 2020 brought into sharp focus the expansion of Iran's irregular warfare capabilities and network of highly capable proxy actors. This network, overseen by the Quds Force of the Islamic Revolutionary Guards Corps (IRGC) and its mysterious and charismatic leader, has become a critical actor in shaping the Middle East. 
Painting the General fills a key gap in our knowledge of this phenomenon by exploring the role, image and framing of the Qods Force leader as a newly omnipotent and all conquering Iranian hero who has propped up the Islamic Republic's waning support internally and acted as a potent foreign policy symbol and rallying point externally. 
 
The book explores the multiple dimensions of Hajj Qasem's image, its construction, use and reception among different audiences. Bridging the gap between a traditional political biography and a work of comparative and regional politics, it places Soleimani within multiple frames of resonance, examining how his image and persona have been shaped by himself, by the regime and by outsiders to create a powerful and increasingly essential narrative which, over time, placed Soleimani as a key powerbroker in Iranian and regional politics. 
 
 Based on a newly developed analytical framework and fieldwork in Iran, Iraq and Lebanon the volume draws extensively on Persian and Arabic sources, as well as detailed exploration of the iconography used to frame Soliemani as a new, more secular Iranian hero who has resonance far beyond Iran's borders.

Qasem Soleimani, Iranian Propaganda and Shi'a Militia Politics

Painting the General

A journey of 6,518 miles, that filled 14 notebooks and encompassed all 4 countries of the United Kingdom, travelling through 42 out of its 95 counties, visiting 23 cities; requiring 75 trains, 60 maps, 26 cars, 16 buses, 9 ferries, 4 tubes, 4 uber taxis, 4 black cabs, 2 DLR, 2 vans, a canal boat, a probation service minibus, an intercontinental articulated lorry, a 1953 Morris Oxford and a pair of size 9 boots ... A tumultuous period in British politics left writer Harry Bucknall questioning whether he really knew the place he called home. Propelled by a growing desire to better understand his island nation, Harry decided to undertake a pilgrimage of sorts; he embarked on a series of four walks across Britain that would mirror the changing seasons, covering a distance of nearly 1,600 miles. From fresh and heady spring through to the gloriously crisp winter months, Harry journeyed across Britain visiting cities, towns and vast swathes of the countryside from Mull to Sunderland and Aberystwyth to Lowestoft, meeting a host of diverse and charismatic characters along the way as he strove to uncover the beating heart of the nation. Uplifting, joyous and charming, A Road for All Seasons is a vivid, social and cultural snapshot of 21st-century Britain. Focusing as much on the beauty of the fertile land as the people who inhabit it, it explores a unique culture, its folklore both past and present, as well as the wealth of the nation's history and heritage. Exquisitely written and filled with delightful people and places, this is Harry's ardent tribute to the British Isles.

From Mull to Dover

A Road for All Seasons

Contemporary Art Cinema Culture in China

This book examines a range of systems and structures that film and video artists have developed in works spanning the late 1960s to the present, often in response to the changing technologies and medium of cinema. Simon Payne considers the affinities that film and video works share with aspects of painting, sculpture and music. He argues that the evolution of methodical strategies in artists' cinema can be traced back to the first avant-garde films made a century ago between 1921-1924. Tracing the lineage of key figures and international groups that have formed part of the picture since then, he posits that the most thorough formal exploration of cinema can be credited to a generation of artists that began making films in Britain in the late 1960s and early 1970s. He goes on to analyse the work of key filmmakers including Peter Gidal, David Hall, Malcolm Le Grice, Annabel Nicolson, Lis Rhodes and Guy Sherwin. Paying close attention to their recent films and videos as well as those of diverse younger artists working in a similar tradition. Experimental Cinema, Structures and Systems traces a unique and influential lineage that has defined some of the central preoccupations of experimental film and video, which tests our expectations of cinema, television and the moving image.

Structures, Systems and Strategies

Experimental Cinema

The Art of Fairy Tales

Trends in Iranian Cinema

Informations bibliographiques

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