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Malatji O: Stolen By Contract

Stolen By Contract

The legal robbery of authors, musicians, and creators

This volume explores the various intellectual property dynamics that emerged during the Cold War, circa 1946-1980. This period brought about some of the most poignant moments in the development of twentieth-century international intellectual property rights, when competing economic systems recognised the value in innovation, human creativity, cinema, and international intellectual property norms and institutions. Examining these developments from a Cold War approach can say much more as it allows for the examination of processes and norms that cater to strong domestic intellectual property rules in Western capitalism while yielding to 'universal' or 'common' property norms in copyright in socialist states. This volume connects some of the different advances made in the international emergence of these competing developments regarding intellectual property rights and emphasises the role of intellectual property institutions, processes, and universalism that helped keep Cold War rivals on the same normative, foundational street for intellectual property rights. Contributors are: P. Sean Morris, Peter. B. Maggs, Lodewijk van Dycke, Hans Morten Haugen, Phillip Johnson, Jose Bellido, Johanna Gibson, Sarah Rajec, Hannibal Travis, Johanna Dahlin, and Jocelyn Bosse.

The Cold War Structure of International Intellectual Property Law, 1946-1980

Copyright and Human Rights in International and Domestic Law

Access Norms in Tension

You picked up a camera to shoot-not to spend your nights culling, editing, and answering emails. The shooting is the part you love: the light, the moment, the connection with a subject. It's everything around it-the culling, the editing, the client emails, the contracts, the blogging, the gallery delivery, the marketing-that quietly swallows your evenings and turns a creative calling into an admin grind. This book hands that second job to AI so you can spend more time behind the lens and less time at the desk. No jargon. No hype. No assumption that you're a tech person. And no compromising your style-the AI editing tools in this book learn your look and protect it. Just the specific tools that genuinely help a working photographer, what they cost, and exactly what to type or click to get great results. The centerpiece: 60 ready-to-use prompts, written specifically for photographers. Copy them, paste them into any free AI tool, fill in your details, and adapt. They're organized by task: - Client inquiries &amp; booking - Pre-session &amp; client prep - Editing &amp; workflow - Gallery delivery &amp; sales - Marketing, blogging &amp; social &gt;Inside you'll also find: - A plain-English guide to what AI can really do for your business - The best tools sorted into Free, Paid, and Pro tiers-with honest pricing - Workflows to cull, edit, and deliver galleries in a fraction of the time &gt;Whether you shoot weddings, portraits, families, or brands, this book gives you the exact tools-and the exact words-to deliver faster, book more, and get back to creating. The photographers thriving aren't the most tech-obsessed. They're the ones who automated the desk work. Your turn.

Tools, Workflows, and 60 Ready-to-Use Prompts That Get You Out From Behind the Desk

AI for Photographers

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Unlock the world of Marketing Communications with this accessible and engaging textbook. Combining clear theory with practical insight, it offers dedicated coverage of digital marketing and social media, helping students understand how brands communicate in today's fast-moving media landscape.
This fully updated 5th edition introduces new material on MarTech, artificial intelligence, the rise of TikTok and the ethics of influencer marketing. Fresh case studies-including examples featuring OpenAI, Google and Perrier water-bring concepts to life and connect them to real-world practice.
Concise, contemporary and comprehensive, this textbook is essential reading for students of Marketing Communications and related subjects.
John Egan is Professor of Marketing at Regent's University, London.
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Marketing Communications

For much of the past century, with the U.S. considered the world leader in innovation, its economic growth based on continued creative contributions from its citizens was a given. But this privileged position is under threat. In recent years, the U.S. has lagged behind other countries on several innovation measures, and including an ability to compete against international cities for venture-capital backed startups and creative talent. The arrival of AI only adds urgency to the questions of whether the U.S. will continue to be an innovation leader, and whether that leadership will advance human flourishing. &nbsp;&nbsp;The Creativity Tax draws on neuroscience, psychology, economics, law, and public policy to make the case that reducing poverty and inequality through a federal guaranteed income is the missing key to unlocking our collective creative potential and expanding our innovative capacity. It explains how policy inaction in addressing poverty and inequality is taxing our innovative capacities in ways that threaten our continued ability to produce high quality, socially beneficial innovation. The book also reveals how these questions of innovation leadership are deeply entwined with questions of who gets to innovate in this country and what kinds of innovation is produced—innovation for innovation's sake that benefits a few, or truly useful innovation that advances human flourishing. &nbsp;&nbsp;Synthesizing a broad range of scholarship, Stephanie Plamondon makes a novel argument for addressing poverty and inequality, not only as a matter of social welfare policy, but also for our nation's continued progress as an innovation leader.

How Poverty and Inequality Silence Innovation, and How to Fix It

The Creativity Tax

The Legal Value of Fashion’s Past

Who Owns Fashion Heritage?

The Art of Data

Intellectual Property Law in Ireland

Uncover the psychological shortcuts that shape every decision you make - and learn how to use them in business. Voted #1 in the BBH World Cup of Advertising Books Winner of the Sales and Marketing Category at the Business Book Awards Before you can influence decisions, you need to understand what drives them. The Choice Factory is an essential read for anyone who wants to learn. By observing a typical day of decision-making, from trivial food choices to significant work-place moves, behavioural science expert Richard Shotton investigates how our behaviour is shaped by psychological shortcuts. With a clear focus on the marketing potential of knowing what makes us tick, he draws on evidence from academia, real-life ad campaigns and his own original research. Entertaining and highly accessible, The Choice Factory is made up of 25 short chapters, each addressing a cognitive bias and outlining simple ways to apply it to your own marketing challenges. Shotton interviews some of the smartest and most influential thinkers in advertising, including Rory Sutherland, Lucy Jameson and Mark Earls. Covering everything from priming to the pratfall effect, charm pricing to the curse of knowledge, with The Choice Factory as your guide it has never been easier to apply the science of behavioural economics to marketing. 'Actionable, memorable and powerful' - Seth Godin, bestselling author of This is Marketing Now part of the Harriman House Essentials Collection, a series showcasing the very best of business and finance books.

Harriman House Essentials

The Choice Factory

Routledge Revivals

The Nine Magazines of Kodansha (1934) is the autobiography of the Japanese publisher Seiji Noma, owner of the Kodan Company, publishing several million-selling magazines and a daily paper. Born in 1878, Noma grew up in that period of rapid transition which joined old and new Japan - the wearing of swords by samurai had only been banned two years before his birth. Hereditary social divisions were collapsing, and the young Noma seized his opportunities to make his way in the new Japan.

The Autobiography of a Japanese Publisher

The Nine Magazines of Kodansha

Stolen By Contract

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