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Shuang Li: I'm Not

Flame Tree Notebooks

New title in the Flame Tree Notebook collection, combining beautiful art with high-quality production, and featuring lined pages, a pocket at the back, two ribbon bookmarks and a solid magnetic side flap. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper the magnetic side flap keeps everything neat and tidy. THE ARTIST. Frida Kahlo’s bold, carefully crafted visual identity is in many respects an extension of her art, celebrating her Mexican heritage and countercultural ideals while defying traditional notions of female beauty. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Frida Kahlo: Self Portrait with Thorn Necklace and Hummingbird (Foiled Journal)

The first major biography on Anni Albers traces the complex personality and influential artistic career of the groundbreaking modern artist &nbsp; Anni Albers (1899–1994) was a pioneer of twentieth-century modernism. As a textile designer, weaver, writer, and graphic artist, she inspired a reconsideration of fabrics as an art form, both in their functional roles and as wall hangings, and took the processes of printmaking into uncharted territory. This intimate biography draws on personal conversations with Albers from the 1970s as well as unprecedented archival research to tell a fresh and full story of Albers’s life and the development of her unique and influential artistic vision. &nbsp; Capturing Albers’s extraordinary perspective about the world around her, whether the milieu she was observing was the wealthy bourgeois Berlin of her childhood or the Mexican villages where she came to feel remarkably at home, Nicholas Fox Weber brings the artist’s pithy wit and imaginative mind to life. Weber presents a riveting narrative that follows Albers’s trajectory from her time at the Bauhaus and at Black Mountain College to her later years in New Haven, Connecticut; considers her relationship with her famous husband, Josef Albers; discusses her encounters with luminaries such as Walter Gropius, Wassily Kandinsky, Paul Klee, Buckminster Fuller, and John Cage; and foregrounds Albers’s perpetual curiosity, originality, and humor, as well as her novelistic sense of the world around her.

A Life

Anni Albers

Koudelka: Diaries offers insight into the mind of this iconoclastic Czech photographer renowned for projects on the Roma, the 1968 Soviet invasion of Prague, and the impact humans have had on the landscape. Over the course of fifty-plus years Josef Koudelka has kept nearly seventy journals. Distilled now into one richly illustrated volume, Koudelka: Diaries offers a look inside the mind of the iconoclastic Czech photographer renowned for his life in exile and a career that has included seminal projects on the Roma, legendary coverage of the 1968 Soviet invasion of Prague, and volumes on the often-devastating impact humans have had on the landscape. Revealed throughout the book are Koudelka's thoughts on photographers, such as Henri Cartier-Bresson, and editors, curators, and friends, including Robert Delpire and Anna Fárová, along with notes on his legendary projects. Facsimiles of actual diary pages and images by the photographer, including self-portraits, lend the volume an immediacy and authenticity. Josef Koudelka: Diaries provides a perfect companion to Josef Koudelka: Next (2023), the visual biography by Melissa Harris, editor at large at Aperture, and has been brought together by the same creative collaborators: designer Ales Najbrt and translators Derek and Marzia Paton.

Josef Koudelka: Diaries

Impressions: Heni Editions, Volume 1

Tracey Emin

Into the Beautiful Mess

Discovering the Design Process

The first retrospective on Parasol Press, a New York–based print publisher that swiftly became a critical force in both American printmaking and the contemporary art world &nbsp; Parasol Press: Breaking New Ground is the first retrospective to survey the breadth of Parasol Press’s remarkable publications between 1970 and 2014. Founded by Robert Feldman in New York, the publisher came to prominence for introducing a generation of Minimalist and Conceptual artists to printmaking. Working in the 1970s with artists such as Mel Bochner, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Edda Renouf, Dorothea Rockburne, and Robert Ryman, Parasol’s editions were among the decade’s most ambitious prints, showcasing the complex and varied ways Minimalist artists explored the materiality of printed surfaces while challenging the medium’s limits. Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps. Over the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint-like chalk on a chalkboard. This comprehensive account provides a unique and dynamic snapshot of a radically changing art world, demonstrating how a range of artists approached, explored, and experimented with the medium of print. Parasol Press reveals how the groundbreaking publisher helped forge transformative connections between dozens of artists and printers, capturing not only the innovative approaches of renowned artists but also emphasizing the significance of risk-taking, collaboration, and experimentation in pushing the boundaries of artistic expression. &nbsp; Distributed for the Addison Gallery of American Art <div> &nbsp; Exhibition Schedule: Addison Gallery of American Art, Phillips Academy, Andover, MA (January 24–July 31, 2026) Print Center New York (September 17–December 19, 2026) </div>

Breaking New Ground

Parasol Press

Margaret Calvert: Woman at Work

A reconsideration of Filippino Lippi’s transformative Roman period and the ensuing evolution of his innovative style, as reflected in his Holy Family tondo in Cleveland—a masterpiece that exemplifies this pivotal phase in his career &nbsp; Between 1488 and 1493, leading Florentine artist Filippino Lippi (ca. 1457–1504) relocated to Rome to complete his celebrated frescoes in the funerary chapel of Neapolitan cardinal Oliviero Carafa in the major Dominican church of Santa Maria Sopra Minerva. During this time, Filippino also painted a magnificent tondo for Carafa: The Holy Family with Saint John the Baptist and Saint Margaret. Focusing on this seminal work in his oeuvre, Filippino Lippi and Rome traces the arc of the painter’s artistic practice before, during, and after his Roman period, illuminating the evolution of his processes and iconographic ingenuities. This in-depth study presents new scholarship on the inspiration Filippino found in the Eternal City and how The Holy Family tondo—the only known independent work produced by Filippino in Rome—influenced artists from Raffaellino del Garbo to Jan Gossaert to Leonardo da Vinci. Moreover, the essays and catalogue entries in this volume draw on recent technical analyses that had, for the first time, revealed the tondo’s underdrawing and pentimenti, shedding new light on Filippino’s painting techniques. These texts are accompanied by a chronicle of the work’s rediscovery at the start of the nineteenth century and the dramatic turn of events that led to its acquisition by the Cleveland Museum of Art in 1932. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 30, 2025–February 22, 2026)

Filippino Lippi and Rome

On the two-hundredth anniversary of Frederic Edwin Church’s birth, leading scholars explore how his wide-ranging work continues to resonate in today’s world &nbsp; The work of Frederic Edwin Church (1826–1900), renowned American landscape painter, was indelibly shaped by global travel. Church’s art was defined by place: early trips took him to South America, across the northeastern United States, and to the Arctic; later he visited the Caribbean, Europe, and the Middle East; in his final decades, he spent long sojourns in Mexico. Intimate drawings and oil sketches executed on-site illuminate his encounters with new environments and cultures; large, extravagantly detailed paintings produced for public exhibition made him internationally famous. The designed landscapes, extensive collections, and striking architecture of his home, Olana, in the Hudson Valley, reflect the many worlds through which he traveled. &nbsp; In Frederic Church: Global Artist, original essays by scholars from across the humanities reveal Church as an artist enmeshed in the global economic and imperial ventures of the nineteenth century. Church’s works engage with questions of industrialization and environmental destruction, the rise and fall of empires, the construction of national identity, and the cataclysmic effects of slavery and civil war. This lavishly illustrated volume examines the artist in his time and demonstrates his continuing relevance in our own. &nbsp; Published in association with the Olana Partnership &nbsp; Exhibition Schedule: &nbsp; Olana NY State Historic Site (May 17–October 25, 2026)

Shuang Li: I'm Not

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