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Gayford Martin: Tracey Emin

Tracey Emin

The first retrospective on Parasol Press, a New York–based print publisher that swiftly became a critical force in both American printmaking and the contemporary art world &nbsp; Parasol Press: Breaking New Ground is the first retrospective to survey the breadth of Parasol Press’s remarkable publications between 1970 and 2014. Founded by Robert Feldman in New York, the publisher came to prominence for introducing a generation of Minimalist and Conceptual artists to printmaking. Working in the 1970s with artists such as Mel Bochner, Sol LeWitt, Robert Mangold, Brice Marden, Agnes Martin, Edda Renouf, Dorothea Rockburne, and Robert Ryman, Parasol’s editions were among the decade’s most ambitious prints, showcasing the complex and varied ways Minimalist artists explored the materiality of printed surfaces while challenging the medium’s limits. Collaborating with printers including Kathan Brown at Crown Point Press and Michael Domberger at Edition Domberger, Parasol Press took risks on technically daring feats, including Chuck Close’s creation of the largest mezzotint ever produced, Richard Estes’s intricate photorealistic screenprints consisting of hundreds of layers of color, and a multiartist portfolio made entirely from rubber stamps. Over the next decades, Parasol would go on to publish innovative editions by more than one hundred artists, including Eric Fischl, Susan Rothenberg, David Salle, Julian Schnabel, and Donald Sultan. Parasol’s final project in 2014 continued to break boundaries, inviting ten award-winning physicists and mathematicians to produce a portfolio containing what they considered to be the most beautiful equations, exquisitely rendered in aquatint-like chalk on a chalkboard. This comprehensive account provides a unique and dynamic snapshot of a radically changing art world, demonstrating how a range of artists approached, explored, and experimented with the medium of print. Parasol Press reveals how the groundbreaking publisher helped forge transformative connections between dozens of artists and printers, capturing not only the innovative approaches of renowned artists but also emphasizing the significance of risk-taking, collaboration, and experimentation in pushing the boundaries of artistic expression. &nbsp; Distributed for the Addison Gallery of American Art <div> &nbsp; Exhibition Schedule: Addison Gallery of American Art, Phillips Academy, Andover, MA (January 24–July 31, 2026) Print Center New York (September 17–December 19, 2026) </div>

Breaking New Ground

Parasol Press

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

On the two-hundredth anniversary of Frederic Edwin Church’s birth, leading scholars explore how his wide-ranging work continues to resonate in today’s world &nbsp; The work of Frederic Edwin Church (1826–1900), renowned American landscape painter, was indelibly shaped by global travel. Church’s art was defined by place: early trips took him to South America, across the northeastern United States, and to the Arctic; later he visited the Caribbean, Europe, and the Middle East; in his final decades, he spent long sojourns in Mexico. Intimate drawings and oil sketches executed on-site illuminate his encounters with new environments and cultures; large, extravagantly detailed paintings produced for public exhibition made him internationally famous. The designed landscapes, extensive collections, and striking architecture of his home, Olana, in the Hudson Valley, reflect the many worlds through which he traveled. &nbsp; In Frederic Church: Global Artist, original essays by scholars from across the humanities reveal Church as an artist enmeshed in the global economic and imperial ventures of the nineteenth century. Church’s works engage with questions of industrialization and environmental destruction, the rise and fall of empires, the construction of national identity, and the cataclysmic effects of slavery and civil war. This lavishly illustrated volume examines the artist in his time and demonstrates his continuing relevance in our own. &nbsp; Published in association with the Olana Partnership &nbsp; Exhibition Schedule: &nbsp; Olana NY State Historic Site (May 17–October 25, 2026)

Global Artist

Frederic Church

Radical Lives

Gladys Hynes

Surrealist Women Artists and Mental Illness

Moving beyond his well-known monumental installations of tables and chairs, this tribute to Robert Therrien analyzes his understudied later worksThis book presents a fresh, accessible and dynamic look at the work of American artist Robert Therrien (1947-2019), surveying over 40 years of his influential work, notably his underseen and understudied late works. Organized chronologically and thematically, emphasizing Therrien's iterative artistic practice of exploring sets of themes over time, the volume speaks to the nature of memory and how it is shaped by space, time and materials, placing his practice within the history of recent sculpture in Los Angeles and elsewhere. The book showcases Therrien's personal vocabulary of forms as they become a personal language of continuous creation for the artist over time. A single Therrien gesture can expand, contract, change materially or seamlessly transform into other images entirely. At the heart of Therrien's practice is a sense of artistic animation, by turns fun, playful and serious. This book was published in association with The Broad.

Robert Therrien: This Is a Story

Koudelka: Diaries offers insight into the mind of this iconoclastic Czech photographer renowned for projects on the Roma, the 1968 Soviet invasion of Prague, and the impact humans have had on the landscape. Over the course of fifty-plus years Josef Koudelka has kept nearly seventy journals. Distilled now into one richly illustrated volume, Koudelka: Diaries offers a look inside the mind of the iconoclastic Czech photographer renowned for his life in exile and a career that has included seminal projects on the Roma, legendary coverage of the 1968 Soviet invasion of Prague, and volumes on the often-devastating impact humans have had on the landscape. Revealed throughout the book are Koudelka's thoughts on photographers, such as Henri Cartier-Bresson, and editors, curators, and friends, including Robert Delpire and Anna Fárová, along with notes on his legendary projects. Facsimiles of actual diary pages and images by the photographer, including self-portraits, lend the volume an immediacy and authenticity. Josef Koudelka: Diaries provides a perfect companion to Josef Koudelka: Next (2023), the visual biography by Melissa Harris, editor at large at Aperture, and has been brought together by the same creative collaborators: designer Ales Najbrt and translators Derek and Marzia Paton.

Josef Koudelka: Diaries

A Life of Peter Hujar and Paul Thek

The Wonderful World that Almost Was

The lives and loves of Gwen and Augustus John

Artists, Siblings, Visionaries

Dionne Lee's first monograph is a powerful meditation on the tension between the landscape as sanctuary and site of violence for African Americans. Dionne Lee's work across photography, video, and collage spans themes of dispossession, loss, survival, and resilience. Lee's formal interventions and innovative darkroom techniques--including rephotographing found imagery from wilderness survival manuals and using graphite pencils to create inscriptions on her photographs of the landscape--create new narratives that reclaim the great outdoors. Covering a decade of her work from 2016 to the present, Dionne Lee: Currents features contributions by curator Eric Booker and award-winning poet Camille T. Dungy, offering a timely reckoning with land, memory, and identity. It stands as an essential statement on the medium's potential today.

Dionne Lee: A Monograph

A compact, easy-to-carry reference guide packed with essential tips, techniques, and practical knowledge for artists of all levels. <ul><li>Quick and clever tips together with practice projects will bring more life, soul and detail to your work</li><li>A go-to resource for the studio, the book covers everything you need: from color mixing and brush strokes to composition tips and material essentials</li><li>Crammed with quick-reference tables, practice drills, and helpful prompts, it ensures you have all the information you need right at your fingertips</li></ul> Whether you're exploring realism, abstraction, or impressionism, this book provides the concise, insightful knowledge that will enhance your watercolor painting practice and inspire your artistic journey.

A World of Practical Art in Your Pocket

The Little Book of Watercolor Secrets

world of art

Matisse

Tracey Emin

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