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Impressions: Heni Editions, Volume 1

New York in Art 2026 Wall Calendar

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

Teresita Fernández / Robert Smithson

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genresThis landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877-1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gabriele Münter

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch's star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today's audiences to Ruysch's achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch's intricate paintings, the essays touch upon Ruysch's career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch's work, which feature both native and nonnative species. Rachel Ruysch (1664-1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch’s star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today’s audiences to Ruysch’s achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch’s intricate paintings, the essays touch upon Ruysch’s career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch’s work, which feature both native and nonnative species. Rachel Ruysch (1664–1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

Rachel Ruysch: Nature into Art

The Hossein Afshar Collection

This expansive book considers twelve centuries of Persian ceramics through the lens of the extraordinary Hossein Afshar Collection

Persian Ceramics from the Hossein Afshar Collection

Constant Splendor

Routledge Research in Museum Studies

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art’s (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

The Power of the Canon

Latin American Art at The Museum of Modern Art

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses &nbsp; Successful Italian fashion houses such as Armani, Dolce &amp; Gabbana, and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural, and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. &nbsp; During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 9, 2025–February 1, 2026)

The Enduring Italian Houses

Renaissance to Runway

"The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantiések Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso"--

The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term “Orphism” to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism’s connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, František Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Harmony and Dissonance: Orphism in Paris, 1910–1930

Overexposed

Resplendent watercolors of the 19th-century world by New England native Winslow Homer"You will see," said American artist Winslow Homer, "in the future I will live by my watercolors." From his early forays into pastoral landscapes to his more mature works encompassing the maritime scenes for which he is best known, Homer's watercolors are most remarkable for their reverence of nature and the people who thrive within its conditions--sketches that are both quaint and sublime in scope. Boasting one of the most significant collections of Homer's watercolors in the United States, the Museum of Fine Arts, Boston, presents a luminous collection of nearly 50 works that demonstrate the artist's mastery of the medium. Readers will be transported to the rugged Maine coast, the rivers and streams of the Adirondacks, the weathered shores of seaside England and the bright beaches of the Caribbean. The many facets of these environments--ecological, artistic, social and economic--are reflected in Homer's thoughtful compositions that, though more than 100 years old, shine with a modern effervescence. Winslow Homer (1836-1910) was born in Boston and apprenticed to a commercial lithographer. He taught himself painting while working as a freelance illustrator for Harper's and other magazines. In 1883 he moved into his permanent home and studio in Prouts Neck, Maine, but continued to find inspiration in his travels to Canada, Cuba, the Bahamas, Key West and the Adirondacks.

Winslow Homer in Watercolor

Impressions: Heni Editions, Volume 1

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