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Impressions: Heni Editions, Volume 1

Published to coincide with an exhibition of the same name, Black Gold showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the Gold Rush in 1848 to the Reconstruction era.The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including&nbsp;Akea Brionne, Demetri Broxton, Adrian L. Burrell, the artists of Creativity Explored, Adam Davis, Cheryl Derricotte, Carla Edwards, Mildred Howard, Sir Isaac Julien CBE, Tiff Massey, Umar Rashid, Trina Michelle Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, Cosmo Whyte, and Hank Willis Thomas.Led by the FOR-SITE Foundation, Black Gold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

The vivid and masterful story of&nbsp;Isabella Stewart Gardner—creator of one of America’s most stunning museums—an American original&nbsp;whose own life was remade by art. Includes archival photos of Isabella’s world, museum,&nbsp;and the art&nbsp;she collected.Isabella Stewart Gardner’s museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston’s Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.An extraordinary achievement of storytelling and scholarship, Chasing Beauty illuminates the fascinating ways the museum and its holdings can be seen as a kind of memoir, dazzling and haunting, created with objects instead of words and displayed per Isabella’s wishes in the exact placements she initially curated.Born in 1840 to a privileged New York family, Isabella Stewart married Boston Brahmin Jack Gardner as she turned twenty. She was misunderstood by Boston’s insular society and suffered the death of her only child, a beloved boy, not yet two years old.But in time came friendships, glittering and bohemian; awe-inspiring world travels; and collecting beautiful things with a keen eye and competitive pace—all these were balm for loss.&nbsp;Henry James and John Singer Sargent—whose portrait of Isabella was a masterpiece and a scandal—came to recognize her originality. Bernard Berenson, leading connoisseur of the Italian Renaissance, was her art dealer.From award-winning author Natalie Dykstra,&nbsp;Chasing Beauty&nbsp;is the story of the complex and singular woman behind one of the most fascinating museums in the nation and the world—a tale of beauty and loss, grit and American self-invention.&nbsp;

The Life of Isabella Stewart Gardner

Chasing Beauty

A career-spanning monograph on a key member of the "first generation" of Abstract ExpressionistsAmerican artist Adolph Gottlieb (1903-74) was a central figure of the New York School of art from its very beginnings in the 1930s. The Pictograph paintings that he began making in 1941 are among the earliest examples of American artists creating work on a par with European modernists while establishing a distinct identity. His art has been the subject of 25 solo museum exhibitions, nationally and internationally, and is in the collections of over 145 museums. Adolph Gottlieb: A Powerful Will to Art is a career-spanning monograph on the artist. It contains an original essay by James Lawrence, which traces Gottlieb's career within the context of his contemporaries, as well as the traditions of Western painting, and offers new insights into this important artist's contributions to his field. The beautifully clothbound volume reproduces 200 of Gottlieb's paintings covering the range of his career, showing his evolution from a 1926 self-portrait through the beginnings of the New York School and ending with his last major paintings in 1973. The book also contains a lavishly illustrated chronology of the artist's career that draws from the archives of the Adolph and Esther Gottlieb Foundation.

Adolph Gottlieb: A Powerful Will to Art

Vancouver Art Gallery

An eclectically curated collection reveals a kaleidoscopic portrait of the many and diverse talents working in and around BC’s art scene over the past forty years. As a musician, performer, activist, collector, John David Lawrence has long held an important, if underrecognized, position in Vancouver’s creative community. After settling in the city in the mid-1980s he participated in and advocated for performance spaces and artist-run centres, building deep roots in the community, and since 2000 he has been the proprietor of DODA ANTIQUES. Over several decades, Lawrence amassed an idiosyncratic personal collection that includes ceramics, Indigenous art, jewelry, folk art, photography, and plant life. Through the stories of some of these pieces and of Lawrence himself, as well as extensive new photography of his holdings, The Place of Objects illuminates the rich cultural production that is often overlooked by Vancouver’s established artistic community. Released to coincide with a Vancouver Art Gallery exhibition of 300 ceramic works from Lawrence’s collection, The Place of Objects opens with an engrossing conversation between scholar Michael Prokopow and Lawrence that uses specific objects and the diverse areas of his collections to reveal Lawrence’s enigmatic biography and ponder the broader cultural obsession with things. The second half of the book features texts by artists, scholars, friends, and curators who highlight objects of art with historical, cultural, or personal significance. The publication also includes a visual index—a two-dimensional genogram of the objects in his collection—to map the tentacular threads that have informed Lawrence’s collecting practices over the decades. Contributors: Glenn Alteen, Grant Arnold, Daina Augaitis, Jonathon Bancroft-Snell, Nicholas R. Bell, Dave Carlin, Allan Collier, Diana Freundl, Tyler Fritz, Mandy Ginson, Donna Hagerman, Carole Itter, Jenn Jackson, Corey Larocque, Hilary Letwin, Carol Mayer, Siobhan McCracken Nixon, Edmond Melnychuk, Michael J. Prokopow, Esther Rausenberg, Stephanie Rebick, Debra Sloan, Mr. Smith, Carolyn Stockbridge, Jordan Strom, Andrea Valentine-Lewis, Jan Wade, Laura Wee Láy Láq. Artists: Hans Coper, Olea Davis, Walter Dexter, Beau Dick, Denny Dixon, Pat Dixon, Ed Drahanchuk, Axel Ebring, Gathie Falk, Ken Foster, Ken Gerberick, Kathleen Hamilton, Ben Houstie, Avery Huyghe, Tam Irving, Elsie John, Charmian Johnson, Thomas Kakinuma, Zoltan Kiss, Roy Kiyooka, Danny Kostyshin, Zeljko Kujundzic, Corey Larocque, Bernard Leach, Janet Leach, Glenn Lewis, Luke Lindoe, Brian Lynch, Mad Dog, Pat McGuire, Edmond Melnychuk, Philip Melvin, Grace Melvin, Santo Mignosa, Carel Moiseiwitsch, Ellen Neel, Wayne Ngan, Oraf, Davide Pan, Randy Pandora, John Reeve, Bill Reid, Bill Rennie, Hilda Ross, Debra Sloan, Russell Smith, Gordon Thorlaksson, Ron Tribe, Jan Wade, Jean Marie Weakland, Laura Wee Láy Láq.

The John David Lawrence Collection

The Place of Objects

Over 90 artists' depictions of boxing, from Vito Acconci to Carrie Mae WeemsThis book documents an expansive, traveling group exhibition centered on the sport, psychology, ethos and spectacle of boxing. Artists have often gravitated toward the "sweet science" as a subject, and have investigated the boxer as an icon and metaphor for excellence, physical power, perseverance, achievement and perhaps humanity itself, representing its wins and losses, regiment and fluidity, violence and artistry. Given the wealth of depictions of boxers throughout art history, this book explores the sport as inspiration with objects and works by more than 90 artists, ranging in time from ancient to contemporary, and spanning the media of painting, drawing, sculpture, photography, and film. The book is fully illustrated with an extensive plate section, and features new texts by artist and Founder of the Church, Eric Fischl, as well as Sara Cochran, Jonathan Rider, Arden Sherman and Robert Lipsyte. Featured artists include: Muhammad Ali, Benny Andrews, Diane Arbus, Jean-Michel Basquiat, George Bellows, Judy Chicago, Rosalyn Drexler, Fab 5 Freddy, Eric Fischl, Chase Hall, Lyle Ashton Harris, Edward Hopper, Rashid Johnson, Martin Kippenberger, Justine Kurland, Glenn Ligon, Robert Mapplethorpe, Christian Marclay, Howardena Pindell, Ed Ruscha, Alison Saar, Andres Serrano, Carrie Mae Weems. This book was published in conjunction with The FLAG Art Foundation, New York; The Church, Sag Harbor; Norton Museum of Art, West Palm Beach

Strike Fast, Dance Lightly: Artists on Boxing

Art21's second compendium of artist interviews explores how we use the randomness, complexity and unknowability of life to push the boundaries of art and cultureThe unknown is definitionally indefinable. It is something we encounter in ways big and small every day of our lives. It appears when we wake up and wonder what the day holds, as we watch the world around us change, develop and decay, and in our risks, dreams and curiosities. The unknown can appear unexpectedly, at any time, and with myriad forms and faces. What do we do with that information? At Art21, we look to artists. Drawn from over two decades of interviews with the leading artists of the 21st century, Artists &amp; the Unknown: Art21 Interviews with Artists captures engaging, inspiring and stimulating conversations with that explore encounters with the unknown. Featuring the works and words of 18 groundbreaking contemporary artists, this collection serves as a guide and a companion in your own encounters with unknowability. Art21 is a celebrated global leader in presenting thought-provoking and sophisticated films, educational programs and publications about contemporary art. With the mission to educate and expand access to contemporary art to inspire a more creative and inclusive world, Art21 is the go-to place to learn firsthand from the artists of our time. Interviews by: Ian Forster, Susan Sollins, Chiemi Karasawa, Lorena Alverado, Wesley Miller, Brian Redondo, Bryan Chang, Vicky Du, Jessica Kingdon, Nathan Truesdell, Malika Zouhali-Worrall. This book was published in conjunction with Gregory R. Miller &amp; Co.

Artists & the Unknown: Art21 Interviews with Artists

A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes

Wear as Witness

(Re)Dressing American Fashion

This third and final volume in the Black Artists in America series features work from the transitional moment of the late 1970s to the dawn of the twenty-first century &nbsp; In the 1980s and 1990s, Black artists in the United States who came of age during the civil rights activity of the preceding decades began experimenting with new media and innovative approaches to artmaking, often as a way of questioning long-held inequities in the art world and in American society. Artists such as Jean-Michel Basquiat, Romare Bearden, Elizabeth Catlett, Sam Gilliam, Glenn Ligon, Faith Ringgold, Kara Walker, Carrie Mae Weems, and many others created works that celebrated their racial identity and fought exclusion and prejudices in the establishment. This book considers the ways that the artists of this generation challenged cultural, environmental, political, racial, and social issues of the last decades of the twentieth century. &nbsp; Black Artists in America: From the Bicentennial to September 11 is the final volume in the three-volume series that traces how Black artists have responded to the social issues of their time. Beautifully illustrated with 150 paintings, sculptures, and works on paper, this volume completes the story of a century of artmaking. &nbsp; Published in association with the Dixon Gallery and Gardens &nbsp; Exhibition Schedule: &nbsp; Crocker Art Museum, Sacramento, CA (October 5, 2025–January 11, 2026) &nbsp; Dixon Gallery and Gardens, Memphis, TN (January 25–March 29, 2026)

From the Bicentennial to September 11

Black Artists in America

Teresita Fernández / Robert Smithson

Routledge Research in Museum Studies

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art’s (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

The Power of the Canon

Latin American Art at The Museum of Modern Art

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch's star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today's audiences to Ruysch's achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch's intricate paintings, the essays touch upon Ruysch's career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch's work, which feature both native and nonnative species. Rachel Ruysch (1664-1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

The first monograph in over 70 years on the celebrated female protagonist of Dutch floral paintingAt the end of the 17th century and beginning of the 18th, Rachel Ruysch was celebrated across Europe for her sumptuous floral still lifes, admired both for their artistry and for their accurate depictions of flowers, fruit and insects. Often placed on stone ledges and against dark backgrounds, her sumptuous bouquets seem to spill over with all manner of colorful flowers and plants, as bees and butterflies flit to and from their petals. Ruysch’s star faded after the close of the Dutch Golden Age, but late 20th- and early 21st-century interest in women artists has returned her to the forefront of the art historical canon. Nature into Art introduces today’s audiences to Ruysch’s achievements while also exploring the pioneering role of women artists and scientists in the Dutch Republic in the 17th and 18th centuries. Brilliantly illustrated with detailed reproductions of Ruysch’s intricate paintings, the essays touch upon Ruysch’s career and her immediate legacy while also widening their scope to consider the role of botany in the early modern era and the storied tradition of botanical illustration. The catalog also includes an index of the various flora and fauna depicted within Ruysch’s work, which feature both native and nonnative species. Rachel Ruysch (1664–1750) produced hundreds of the floral still lifes for which she is best known. She was an apprentice in the studio of Willem van Aelst and the daughter of famed scientist Frederick Ruysch, meaning she had access to a wider world of Dutch flower painters and botanists. From 1708 until 1716 she served as court painter to Johann Wilhelm, Elector Palatine.

Rachel Ruysch: Nature into Art

"An Endless Thread serves as a long-overdue celebration of Grant, who has long advocated for the intersection of cultural pride, style, and a maintaining of tradition.” —Vogue Part look-book, part memoir, and part history, this beautifully illustrated monument to a singular designer who helped inspire the growing Indigenous fashion movement is also a powerful demonstration of the enduring resonance and possibilities of Haida art. Inspired by a discussion with celebrated Haida artist Bill Reid, Haida designer Dorothy Grant made it her life’s mission to bring her culture’s traditional art into contemporary fashion while adhering to the principle of Yaguudang, or respect for oneself and others. The 1989 launch of her Feastwear collection, featuring modern silhouettes hand-appliquéd with Northwest Coast formline, immediately established her at the forefront of Indigenous fashion in North America, and she has since hosted runway shows and trunk sales from Paris to Vancouver to Tokyo. Her clients include Indigenous leaders, national politicians, and global celebrities, and her garments can be found in museums and galleries around the world, including the Metropolitan Museum of Art. Dorothy Grant: An Endless Thread is the first monograph to celebrate her trailblazing career. It features new photography of dozens of garments spanning the past four decades, modeled in studio and natural settings in Vancouver and Haida Gwaii, alongside sketches, traditional button robes and spruce-root weaving, and personal stories and reflections from Grant. Essays by Haida repatriation specialist and museologist Sdahl Ḵ’awaas Lucy Bell and curator India Rael Young place Grant in the long continuum of Haida fashion and trace the many innovations and accomplishments of her journey, and Haida curator and artist Kwiaahwah Jones, a longtime assistant to Grant, shares behind-the-scenes insights and memories. An associated exhibition, Dorothy Grant: Raven Comes Full Circle, opens at Haida Gwaii Museum in July 2024.

Part look-book, part memoir, and part history, this beautifully illustrated monument to a singular designer who helped inspire the growing Indigenous fashion movement is also a powerful demonstration of the enduring resonance and possibilities of Haida art. Inspired by a discussion with celebrated Haida artist Bill Reid, Haida designer Dorothy Grant made it her life’s mission to bring her culture’s traditional art into contemporary fashion while adhering to the principle of Yaguudang, or respect for oneself and others. The 1989 launch of her Feastwear collection, featuring modern silhouettes hand-appliquéd with Northwest Coast formline, immediately established her at the forefront of Indigenous fashion in North America, and she has since hosted runway shows and trunk sales from Paris to Vancouver to Tokyo. Her clients include Indigenous leaders, national politicians, and global celebrities, and her garments can be found in museums and galleries around the world, including the Metropolitan Museum of Art. 
Dorothy Grant: An Endless Thread is the first monograph to celebrate her trailblazing career. It features new photography of dozens of garments spanning the past four decades, modeled in studio and natural settings in Vancouver and Haida Gwaii, alongside sketches, traditional button robes and spruce-root weaving, and personal stories and reflections from Grant. Essays by Haida repatriation specialist and museologist Sdahl Ḵ’awaas Lucy Bell and curator India Rael Young place Grant in the long continuum of Haida fashion and trace the many innovations and accomplishments of her journey, and Haida curator and artist Kwiaahwah Jones, a longtime assistant to Grant, shares behind-the-scenes insights and memories. An associated exhibition, Dorothy Grant: Retrospect, opens at Haida Gwaii Museum in spring 2024.

An Endless Thread

Dorothy Grant

Impressions: Heni Editions, Volume 1

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