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Impressions: Heni Editions, Volume 1

Provenienzforschung am Kunstmuseum Basel

OFFENE FRAGEN. Kunstwerke – Erwerbungen – Schicksale

Contemporary Art, the Market and Internationalization

The Social World of Galleries

From the Fitzwilliam comes one of the world's great collections of ornithological paintings. A fine new art calendar from Flame Tree. John James Audubon (1785–1851) was an American ornithologist and painter. He carried out extensive studies into the natural world and documented his findings through his detailed illustrations. Drawing from the Fitzwilliam Museum's extensive collection, this calendar showcases 12 of his illustrations from Birds of America, published between 1827 and 1838, which is considered to be his most impressive accomplishment. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

Fitzwilliam Museum: Audubon Birds Wall Calendar 2026 (Art Calendar)

A beautifully illustrated catalogue of a world-class collection of arms and armour from India and the Middle East.

The Wallace Collection is home to one of the finest collections of non-European arms and armour in the world, teeming with bejewelled and enamelled dagger hilts, swords and scabbards, and with delicately gilded spears, helmets, shields and breastplates. 

The pieces within the collection provide an unusually comprehensive view of three key areas - India, Iran and the Ottoman Empire - and span the seventeenth, eighteenth and nineteenth centuries, with star objects dating from as early as the fifteenth century. At once functional weapons and prestigious luxury objects, items in this area of the collection are fascinating and awe-inspiring both for their technical achievements and artistic virtuosity. 

This lavishly illustrated catalogue is a landmark contribution to the field of Islamic art, shining a light on the previously overlooked and hidden gems of the Wallace Collection and providing detailed photographs of almost every object, accompanied by descriptions of its provenance, the materials of its construction and how it was made.

The Wallace Collection Catalogue of Arms and Armour from India, Iran and the Ottoman Empire

Art: 365 Days of Masterpieces 2026 Day-to-Day Calendar

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genresThis landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877-1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gabriele Münter

A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes

Wear as Witness

(Re)Dressing American Fashion

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

An exploration of the rich creative influence of Italian Renaissance art on the designs of contemporary Italian fashion houses &nbsp; Successful Italian fashion houses such as Armani, Dolce &amp; Gabbana, and Versace are among the most high-profile and cutting-edge on the global fashion scene. Many of the innovative designs created by these and other major Italian houses draw on imagery from Italy’s rich cultural and artistic past. Weaving together insightful texts and vivid illustrations, this book explores the creative, cultural, and social dialogues between contemporary Italian fashion houses and the enduring legacy of Renaissance Italy. &nbsp; During the Renaissance, the Italian peninsula was dominated by powerful aristocratic families or “houses,” such as the Medici in Florence and the Sforza in Milan, whose members used fashion and art to communicate their power. Through essays by scholars and fashion industry professionals, including Luca Missoni of the House of Missoni and Stefania Ricci, director of the Ferragamo Museum, this book provides an insider look at the creative connections between Italian Renaissance “houses” and contemporary Italian fashion houses, and the design innovations that celebrate the vital legacy of Italian Renaissance imagery. Art directed by Luca Stoppini, former Vogue Italia creative director, this book features an inventive, oversize design reminiscent of Vogue magazine’s storied annual “September Issue,” conveying a gripping story about contemporary Italian fashion and enlivened with runway and art images, as well as original photography inspired by nostalgic glossy editorials. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 9, 2025–February 1, 2026)

The Enduring Italian Houses

Renaissance to Runway

A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris

Modern French Tapestry from the Mobilier national, Paris

Wall Power!

New York in Art 2026 Mini Wall Calendar

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

Impressions: Heni Editions, Volume 1

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