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Research in Horror Studies

Roger Corman's Horror Movies

The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film's 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs.

As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.

The definitive 1990s blockbuster, Steven Spielberg's Jurassic Park met with almost universal critical and popular acclaim, broke new ground with its CGI recreation of dinosaurs, and started one of the most profitable of all movie franchises. To mark the film’s 30th anniversary, this exciting illustrated collection of new essays interrogates the Jurassic Park phenomenon from a diverse range of critical, historical, and theoretical angles. The primary focus is on Jurassic Park itself but there is also discussion of the franchise and its numerous spin-offs.

As well as leading international scholars of film studies and history, contributors include experts in special effects, science on screen, fan studies, and palaeontology. Comprehensive, up to date, and accessible, The Jurassic Park Book appeals not only to students and scholars of Hollywood and contemporary culture, but also to the global audience of fans of the greatest of all dinosaur movies.

New Perspectives on the Classic 1990s Blockbuster

The Jurassic Park Book

"The history of 1980s American cinema from an unconventional perspective that explores the diverse fortunes and unheralded films of globally renowned directors - Altman, Coppola, Friedkin and others - who have typically been seen as being in decline during the decade"--

Provides an analysis of Hollywood from a fresh viewpoint that shows the careers of Robert Altman, Francis Coppola, William Friedkin, and others in the 1980s as far from conforming to a monolithic pattern of decline, but rather as diverse and complex responses to political and industrial changes.

The 1980s are routinely seen as the era of the blockbuster and of ‘Reaganite entertainment,' whereas the dominant view of late 1960s and early 1970s American film history is that of a ‘Hollywood Renaissance’, a relatively brief window of artistry based around a select group of directors. Yet key directors associated with the Renaissance period remained active throughout the 1980s and their work has been obscured or dismissed by a narrow, singular model of American film history.

This book deals with industrial contexts that conditioned these directors’ ability to work creatively, but it is also very much about the analysis of individual films, bringing to light a range of unheralded work, from the visual experimentation of One from the Heart (Coppola, 1981) to the experimental production contexts of Secret Honor (Altman, 1984) and the stylistic élan of To Live and Die in L.A. (Friedkin, 1985). Behind the homogenous picture of the decline of the auteur in 1980s American cinema are films and careers that merit greater attention, and this book offers a new way to perceive individual films, American film history, and the viability of sustained authorial creativity within post-studio era Hollywood.

Altman, Coppola, Friedkin and the Hollywood Renaissance Auteur in the 1980s

The Lost Decade

The classic thrillers of Alfred Hitchcock, including Vertigo, North by Northwest and Psycho, achieved much of their power from the music of legendary Academy Award winner Bernard Herrmann (Citizen Kane, Taxi Driver). In this book, author Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Their collaboration ended in a bitter break; but today, the music from their movies is more popular than ever, heard in Quentin Tarantino blockbusters and Lady Gaga music videos. Smith takes us inside the friendship between "Benny and Hitch," and explains why Herrmann's pulse-quickening music has become the soundtrack of our own anxious times.

The Friendship and Film Scores That Changed Cinema

Hitchcock and Herrmann

"An Atonal Cinema theorises contemporary Palestinian cinema, utilizing contrapuntal dialogue as a mode of resistance with which to decentre and respond to texts from Europe, South America and Israel which have co-opted its images"--

This is a book about Palestinians elsewhere and Palestinian elsewheres. Articulating an ambiguous right to remain out-of-place as a spatialized response to the fossilized present, the films and filmmakers in this book examine Palestine, as a place and idea, from the dissonance of exile. An Atonal Cinema: Resistance, Counterpoint and Dialogue in Transnational Palestine theorizes a transnational consciousness within contemporary Palestinian cinema as one which articulates an ‘atonal’ cinema, utilizing contrapuntal dialogue as a mode of resistance with which to respond critically to the ‘place-myth’ of Palestine in films produced within Palestine but without Palestinians. Drawing on a genealogy of Edward Said’s atonal thinking of counterpoint, I argue that the films in this book display a ‘double-consciousness’, through which Palestine is simultaneously elided and re-inscribed in a contrapuntal dialogue between the ‘here’ of its contemporary reality and the ‘elsewhere’ of its historical image. 

An Atonal Cinema’s radical approach includes cinematic texts from Europe, South America and Israel in its corpus, which have both triggered and been shaped by critical responses in contemporary Palestinian Cinema. Drawing on both literature and cinema, An Atonal Cinema draws on the work of Edward Said, Mahmoud Darwish, Jean Genet and Carlo Levi. Films by Pier Paolo Pasolini, Jean-Luc Godard, Menahem Golan and Miguel Littín are read contrapuntally through contemporary responses from Ayreen Anastas, Basma Alsharif, Mohanad Yaqubi, Elia Suleiman and Kamal Aljafari.

Resistance, Counterpoint and Dialogue in Transnational Palestine

An Atonal Cinema

"Blood on Satan's Claw is widely regarded as part of the 'unholy trinity' of cult classics which gave birth to the film genre that would become known as folk horror. Along with The Wicker Man and Witchfinder General, it found new ways to terrify audiences using elements of superstition and folklore. Now, fifty years after its release, readers can experience the unearthing of this terror in the film's first official novelisation: a compelling and frightening retelling of the fate of unfortunate villagers sacrificed by their own children as devil worship infiltrates their rural existence."--Provided by publisher.

Beware the buried skull underfoot and watch out for children with fur on their backs...Blood on Satan's Claw is widely regarded as part of the ‘unholy trinity’ of cult classics which gave birth to the film genre that would become known as folk horror. Along with The Wicker Man and Witchfinder General, it found new ways to terrify audiences using elements of superstition and folklore.Now, fifty years after its release, readers can experience the unearthing of this terror in the film’s first official novelisation: a compelling and frightening retelling of the fate of unfortunate villagers sacrificed by their own children as devil worship infiltrates their rural existence.Written by the film’s original screenwriter Robert Wynne-Simmons and featuring haunting new illustrations from Richard Wells, it is an atmospheric and defining cult classic in the making.

or, The Devil's Skin

Blood on Satan's Claw

"From discussions of its impact on contemporary television and popular culture through explorations of its use of UFOlogy, conspiracy and technology, this edited collection brings together a diverse range of academics from an assortment of fields to consider the enduring cultural legacy of The X-Files on its thirtieth anniversary"--

The Legacy of The X-Files examines the content and production of the show, its reception, its use of legend and folklore, its contemporary resonance in politics and society of the 21st century, and its impact and legacy on film, television, the Internet and beyond. 

Having converged with the early widespread use of the Internet, The X-Files became a cultural touchstone of the 1990s, transforming from a cult TV show into a pop cultural phenomenon by the end of the decade. To celebrate the 30th anniversary of The X-Files, this collection examines the content and production of the show, its reception, its use of legend and folklore, its contemporary resonance in politics and society of the 21st century, and its impact and legacy on film, television, the Internet and beyond. The series' themes of government mistrust, conspiracy, folklore, UFOlogy, and faith are dissected and applied to how the show spirituality resonated with post-Cold War Western society.

Contributors to this collection discuss the wide-ranging impact of the television show in popular culture, from Mulder and Scully 'shippers' to the show's slogan entering the contemporary lexicon. The Legacy of The X-Files serves as an all-encompassing, multi-disciplinary, contemporary account of The X-Files, reflecting upon critical, historical, political, and social contexts, and featuring an in-depth and comprehensive introduction making it a vital work for researchers and students alike.

The Legacy of The X-Files

Harry Potter

Revel in the charm of Hogwarts(TM)&nbsp;with this deluxe lock and key diary that comes with a companion invisible ink pen, 192 ruled pages, and a lock with two keys to guard your enchanted thoughts and spells.

Lock & Key Diary with Invisible Ink Pen

Harry Potter: Hogwarts Lock & Key Diary

The official art book for the movie Spider-Man: Homecoming, the 15th title reissue of the 24-book Marvel Studios' The Infinity Saga series published as a resized matching set. The 15th of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. Fresh off the heels of his first adventure with the Avengers in Marvel Studios' Captain America: Civil War, Peter Parker is back in action! With a mentor like Tony Stark--a.k.a. Iron Man--it looks like Spider-Man's about to hit the big time. But New York's newest villain has other plans. Go behind the scenes in this keepsake volume continuing the Marvel Infinity Saga series! Discover exclusive concept art, production stills and commentary from cast and crew as Marvel Studios brings Spider-Man into the ever-expanding Marvel Cinematic Universe! Discover everything you need to know about the making of the movie from all the key players--including Director Jon Watts, Head of Visual Development Ryan Meinerding, Producer and Marvel Studios President Kevin Feige, and the talented cast, concept illustrators, costume designers, and other talented individuals who worked on the set and behind the scenes to create the art of Marvel Studios' Spider-Man: Homecoming.

The official art book for the movie Spider-Man: Homecoming, the 15th title reissue of the 24-book Marvel Studios' The Infinity Saga series published as a resized matching set.

Marvel Studios' The Infinity Saga - Spider-Man: Homecoming - The Art of the Movie

"Attachment Film, Emotion, and Cognition is the first empirical consideration of the biological importance of films about social bonds, such as romantic films and melodramas. Whilst romantic films and melodramas have suffered from the negative reputation of communicating non-adaptive emotions, films about relationships continue to fascinate, leaving film theory with unanswered questions related to the fascination and function of relationships films"--

Attachment Film, Emotion, and Cognition is a bold intervention that seeks to center the bodily and affective dimensions of film traditionally regarded as “feminine”.

The author uses attachment theory in an interdisciplinary framework with an emphasis on biology and a species-based understanding of pro-social behavior to approach films about attachment motivations. 

By blending affective and cognitive neuroscience research with tendencies deeply embedded in the humanities, this book makes a major contribution to the field of cognitive film theory. The focus on attachment theory also makes a meta-generic address via its focus on romance and melodrama that makes it useful for other narratives that overlap affective and generic boundaries. The book presents a model of attachment-film experiences with its inbuilt shifts in affective and cognitive regulative processes and makes an ambitious case for how engagement with attachment film viewing can be understood from both a universal and an individual perspective.

Attachment Film, Emotion, and Cognition

This collectible, hardcover journal has an eye-catching sculpted cover featuring intricate, Ravenclaw-themed artwork from the Harry Potter films.

Harry Potter Sculpted Journal: Ravenclaw

"From Victimhood to Empowerment brings the cinematographic works of Georgia's State Film Industry from the margins of Soviet film studies to the center, focusing on women's representations and exploring how the gender roles were modified throughout the decade according to the new social and political ideals through discourse analysis, postcolonial perspectives, and psychoanalytical feminist film theories. It surveys to what extent women's screen images were emancipated and what the functional meaning of this emancipation was its context, how the new ideals of New Soviet woman were inscribed in films, and how these ideals were combined with Georgian nationality"--

Representing Women in 1920s Soviet Georgian Cinema

From Victimhood to Empowerment

Iconic Directors

Ground breaker. Game changer. The King of the World. Director James Cameron went from cult sci-fi rising star to box-office dominator at faster than light speed. As much a technical innovator as he is a visionary artist, Cameron has proven himself the master of his own cinematic destiny. His methods have often been controversial, but the results are undeniably impactful. Taking in his scrappy early days, his impressive breakthrough with The Terminator, his colossal triumph with Titanic, his real-life adventures in planet Earth's most extreme environment, and his astonishing world-building success with Avatar, this is a truly essential guide to Cameron's stellar filmography.

Ground breaker. Game changer. The King of the World. Director James Cameron went from cult sci-fi rising star to box-office dominator at faster than light speed. As much a technical innovator as he is a visionary artist, Cameron has proven himself the master of his own cinematic destiny. His methods have often been controversial, but the results are undeniably impactful. Taking in his scrappy early days, his impressive breakthrough with The Terminator, his colossal triumph with Titanic, his real-life adventures in planet Earth's most extreme environment, and his astonishing world-building success with Avatar, this is a truly essential guide to Cameron's stellar filmography.

The Complete Unofficial Guide

James Cameron

Roger Corman's Horror Movies

Bibliografische Angaben

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Bibliografische Angaben

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