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An entertaining, informed, and thought-provoking survey of important and influential Black films from around the world.

Clark A: The World of Black Film

The World of Black Film

A Journey Through Cinematic Blackness in 100 Films

A groundbreaking non-fiction book about the Black elite and the new, emerging Black middle class.

A groundbreaking non-fiction book about the Black elite and the new, emerging Black middle class.

The Story of Britain's New Black Middle Class

The Good, the Black and the Bougie

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women’s Film History in France, 1927–1978

Archiving the Past

The Feminist Film Philosophy Reader

100 Notes on Theatre Directing

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Do plants have a soul? This first-ever study examines how the invisible souls of plants were depicted in French art, film, dance and science around 1900, including the way these depictions were melded with religious and biological concepts. The aesthetic and pictorial history of post-evolutionary anima vegetativa shows how plant animism questioned conceptions of nature, perception and power, and, by extension, the special status of human beings.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

IMAGINES – Classical Receptions in the Visual and Performing Arts

Employing a wide range of scholarly approaches, such as reception studies, feminist studies, racial studies and posthumanism studies, this volume examines the classical influence on the character of Wonder Woman. In particular, the contributors look at the cultural phenomenon of this female superhero across comic books and film. The result is an in-depth study that examines the influence ancient Greek mythology has on popular culture and, reversely, how modern media shapes contemporary views of the ancient Mediterranean world. Introduced to the world via Sensation Comics in 1941, Wonder Woman remains one of the most identifiable superheroes today, and her narratives that frequently involve love, inclusion and empathy continue to speak to readers and viewers around the world. Engaging with her long and complex history, the chapters examine the history of this influential character and her associates, alongside her relevance within the field of classical reception, and her gender identity. As such, this book presents Wonder Woman as the complex heroine that she is, and one who has both influenced and been influenced by our understanding of the ancient world.

The Classical Reception and Impact of Wonder Woman in Comics and Film

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

KINO - The Russian and Soviet Cinema

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

Young Trailblazers

A fun book for children that teaches them about Black trailblazers who championed diversity in art through their creativity.

A fun book for children that teaches them about Black trailblazers who championed diversity in art through their creativity.

Young Trailblazers: The Book of Black Artists

Women's Film History in France, 1927–1978

Children's Literature and Culture

This book reads Black childhood as represented in literature, social practice, political discourse, and action to argue that literary images of Black children and the construction of a radical tradition of children's literature are related strategies addressing the limitations of articulations of black personhood.

This book reads Black childhood as represented in literature, social practice, political discourse, and action to argue that literary images of Black children and the construction of a radical tradition of childrenâ€™s literature are related strategies addressing the limitations of articulations of black personhood.

The Literature and Politics of the Impossible

African American Children in American Political Life

African Ritual, Tradition and Sankofa in the Bedroom

Seeking Sexual Freedom

The World of Black Film

Inhalt

Bibliografische Angaben

Schlagworte

Inhalt

Bibliografische Angaben

Schlagworte

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