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Acting and Performance in Hitchcock

John Ford's America

Cinema Two

Hirokazu Koreeda

Anthem Studies in Gothic Literature

This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema.

Archival Anxiety in Documentary and Mockumentary Horror

A spectacular celebration of the first 50 years of Industrial Light &amp; Magic (ILM), the award-winning visual effects house behind the Star Wars saga, Indiana Jones, E.T., Terminator 2, and Jurassic ParkIndustrial Light &amp; Magic: 50 Years of Innovation is the official decade-by-decade visual retrospective of the legendary visual effects house. Founded by Star Wars creator George Lucas in 1975, ILM has won 16 Academy Awards in Best Visual Effects and pushed the boundaries of what can be visually realized in storytelling, from the big screen to emerging technologies such as streaming television, 3D immersive adventures, and more. Breaking down ILM's evolution in visual effects decade-by-decade, 50 Years of Innovation features stunning visuals and analysis of the creative and technical processes from concept to execution, and highlights 50 of their key projects that have helped shape the visual effects industry. Concluding with a look at both the future of ILM and the visual effects industry at large, the key creative forces at ILM speculate about what the next 50 years may have in store for the innovators that transformed entertainment forever.

Industrial Light & Magic: 50 Years of Innovation

BFI Film Classics

A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985).

Shoah

Depictions of the Nazi Genocide and National Identity

Holocaust Cinema Since 2000

100 Notes on Theatre Directing

KINO - The Russian and Soviet Cinema

Manufacturing Visions of the Indigenous Peoples of the North

A Siberian History of Soviet Film

An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood's Celebrated "Golden Age." Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich.

An introduction to the career of Travis Banton, one of the preeminent costume/fashion designers of Hollywood’s Celebrated “Golden Age.” Banton was responsible for creating the on-screen images of such legendary actresses as Carole Lombard, Claudette Colbert, Mae West, and most notably Marlene Dietrich.

Haute Couture in Hollywood's Golden Age

Banton of Paramount

Global East Asian Screen Cultures

The Cinema of Stephen Chow

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

This book examines a range of systems and structures that film and video artists have developed in works spanning the late 1960s to the present, often in response to the changing technologies and medium of cinema. Simon Payne considers the affinities that film and video works share with aspects of painting, sculpture and music. He argues that the evolution of methodical strategies in artists' cinema can be traced back to the first avant-garde films made a century ago between 1921-1924. Tracing the lineage of key figures and international groups that have formed part of the picture since then, he posits that the most thorough formal exploration of cinema can be credited to a generation of artists that began making films in Britain in the late 1960s and early 1970s. He goes on to analyse the work of key filmmakers including Peter Gidal, David Hall, Malcolm Le Grice, Annabel Nicolson, Lis Rhodes and Guy Sherwin. Paying close attention to their recent films and videos as well as those of diverse younger artists working in a similar tradition. Experimental Cinema, Structures and Systems traces a unique and influential lineage that has defined some of the central preoccupations of experimental film and video, which tests our expectations of cinema, television and the moving image.

Structures, Systems and Strategies

Experimental Cinema

Acting and Performance in Hitchcock

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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