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Explore the making of Us through the props, costumes, and storyboards that brought it to life!

Gaines Caseen: Pieces of Us

Pieces of Us

The Making of Jordan Peele's Modern Horror Classic

The Monarch Files: A Monsterverse Manual

Anthem Studies in Gothic Literature

This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema.

Archival Anxiety in Documentary and Mockumentary Horror

British Screen Stories

The Story of British Video Activism

White Male Stand-Up

John Ford's America

Creative Careers

Whether your skills are in design, making, styling, illustration, textile arts or supervision - Get Into Costume helps you bridge the gap from costume education into that vital first job in the industry. You'll learn from the highs and lows of some of the most influential costume professionals working today, including Sandy Powell OBE (Shakespeare in Love, Mary Poppins Returns and The Favourite), Jenny Beavan OBE (Mad Max: Fury Road, Cruella and Furiosa: A Mad Max Saga), Zaldy Goco (RuPaul's Drag Race, Cirque du Soleil and The Little Mermaid), as well as Dance Costume Maker Amanda Barrow. There's also hands-on advice about collaborating with directors and producers to help bring their vision to life as well as how to break down a script and storyline to establish not just what a character should wear but how and why they wear it. With the collective insight of costume designer Vin Burnham and her fellow international costume professionals, you'll be armed and ready to enter the industry with a full understanding of the different career paths available to you - and what it takes to succeed.

Design, Make and Manage for the Stage and Screen

Get Into Costume

Acting and Performance in Hitchcock

100 Notes on Theatre Directing

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today's film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today’s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

The Tuonela Duet

The Bear and the Nightingale meets Spinning Silver in this epic Finnish fantasy

North Is The Night

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

This collection analyzes Joshua Oppenheimer’s diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer’s use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

The Metamodern Cinema of Taika Waititi

Pieces of Us

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