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Explore the making of Us through the props, costumes, and storyboards that brought it to life!

Gaines Caseen: Pieces of Us

Pieces of Us

The Making of Jordan Peele's Modern Horror Classic

This authoritative encyclopedia examines famous and influential depictions of angels, demons, and demigods in film, television, literature, and music.

An Encyclopedia of Supernatural Beings in Story and on Screen

Angels, Demons, and Demigods

Creative Careers

Whether your skills are in design, making, styling, illustration, textile arts or supervision - Get Into Costume helps you bridge the gap from costume education into that vital first job in the industry. You'll learn from the highs and lows of some of the most influential costume professionals working today, including Sandy Powell OBE (Shakespeare in Love, Mary Poppins Returns and The Favourite), Jenny Beavan OBE (Mad Max: Fury Road, Cruella and Furiosa: A Mad Max Saga), Zaldy Goco (RuPaul's Drag Race, Cirque du Soleil and The Little Mermaid), as well as Dance Costume Maker Amanda Barrow. There's also hands-on advice about collaborating with directors and producers to help bring their vision to life as well as how to break down a script and storyline to establish not just what a character should wear but how and why they wear it. With the collective insight of costume designer Vin Burnham and her fellow international costume professionals, you'll be armed and ready to enter the industry with a full understanding of the different career paths available to you - and what it takes to succeed.

Design, Make and Manage for the Stage and Screen

Get Into Costume

100 Notes on Theatre Directing

Coppola, Lucas, Spielberg - And the Battle for the Soul of American Cinema

The Last Kings of Hollywood

The Bloomsbury Companions to Contemporary Filmmakers

Sean Redmond's work fills an important gap in the scholarship on the European-inspired auteur working within the Hollywood cinema machine, Kathryn Bigelow. Structured to meet the needs of both the student and scholar, Redmond's volume situates Bigelow within her historical and critical context, exploring key collaborative relationships and new ways of watching her films. Beginning with Bigelow's biography, Redmond surveys the evolution of Kathryn's career as a Hollywood outsider with movies such as The Set-up (1978) and Near Dark (1987) to Hollywood blockbusters like Point Break (1991), The Hurt Locker (2010) and Zero Dark Thirty (2012).One of the key determinants of this volume is to locate Bigelow as a filmmaking artist who is able to transcend the collective, industrial, and commercial constraints of the Hollywood cinema machine to individually author her films in innovative and transgressive ways. Bigelow is contextualised as a contemporary auteur, with a distinct visual style who returns to the same themes and obsessions, and as a filmmaker who pushes cinematic boundaries, both in terms of film form and the representation of gender and sexuality.

Kathryn Bigelow

Global East Asian Screen Cultures

The Cinema of Stephen Chow

This comprehensive volume dives into the making and legacy of James Cameron's legendary film Titanic, featuring new interviews, filmmaking facts, and behind-the-scenes photography.

James Cameron's Titanic

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Mother, Maiden, Cop

Female Detectives on Post-Network Television

White Male Stand-Up

Pieces of Us

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