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Salisbury Mark: F1: The Movie

F1: The Movie

The Movie

ForewordChapter 1: Start Your EnginesChapter 2: Cars and CamerasChapter 3: Driver TrainingChapter 4: Designing a TeamChapter 5: British GPChapter 6: DaytonaChapter 7: Sonny's Silverstone AuditionChapter 8: Abu Dhabi to MonzaChapter 9: Mexico-Las Vegas-Abu DhabiChapter 10: SoundscapeBaja

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Studies in Metamodernism: Theory and Criticism across the Disciplines

The Metamodern Cinema of Taika Waititi

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Apparatus, Nostalgia, Obsolescence

Theatre as Technology

Kids, Wait Till You Hear This!

South Asian Screen Studies

Doubles, Deception, and Discovery

Storytelling in Hindi Cinema

Film and the American Imagination

Technothriller

This authoritative encyclopedia examines famous and influential depictions of angels, demons, and demigods in film, television, literature, and music.

An Encyclopedia of Supernatural Beings in Story and on Screen

Angels, Demons, and Demigods

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

The Insider’s Guide to Writing the Difficult Middle Section of a Screenplay

The Heart of Your Script

Global East Asian Screen Cultures

The Cinema of Stephen Chow

F1: The Movie

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