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Salisbury Mark: F1: The Movie

F1: The Movie

The Movie

ForewordChapter 1: Start Your EnginesChapter 2: Cars and CamerasChapter 3: Driver TrainingChapter 4: Designing a TeamChapter 5: British GPChapter 6: DaytonaChapter 7: Sonny's Silverstone AuditionChapter 8: Abu Dhabi to MonzaChapter 9: Mexico-Las Vegas-Abu DhabiChapter 10: SoundscapeBaja

The Korean Cinema Book

Film and the American Imagination

Technothriller

This book examines the representation of the single woman in contemporary popular culture and places it in juxtaposition to the experience and self-narratives of single femininity in everyday life across the US, UK, and Europe.

Living in the Cultural Imaginary of Single Femininity

Fantasies of Singledom

South Asian Screen Studies

Indian Art Cinema and its Cultural Elites

Kids, Wait Till You Hear This!

Bloomsbury Studies in Digital Cultures

Digital Writing in Place

Ambient Stories in Practice and Research

In this book, Jonathan Scott Lee argues that Jean-Luc Godard is best seen as a philosopher who uses cinema and video as his media to develop provocative interventions into contemporary political situations and dilemmas, both explicitly and aesthetically.

Philosopher/Insurgent

Jean-Luc Godard

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

Wonderful Things in Literature, Film and Media

Encountering Material Culture Through Archaeological Fiction

Discover the terrifying history of horror cinema in this wickedly entertaining guide. Adapted from the acclaimed podcast, The Evolution of Horror takes a deep dive into the history of cinema's darkest genre. Covering everything from silent films to modern masterpieces, author Mike Muncer breaks down eight key horror subgenres - including vampires, slashers, zombies and ghost stories - to explore the tropes, motifs, historical context and psychology behind why certain stories scare us so much. Each chapter includes reviews of a host of major movies and cult classics, plus a guide to the hallmarks of the subgenre and the legendary filmmakers who have mastered it. Stylishly illustrated throughout with stills, posters and stunning artworks by artist Mike Lee-Graham, this is a must-read guide to the eclectic, enthralling and deliciously macabre world of horror.

A Terrifying Guide to Horror Movie History

The Evolution of Horror

Divorce, Hollywood Style shares known and lesser-known stories of Hollywood split-ups.

Divorce, Hollywood Style

Library of Gender and Popular Culture

Sex, Censorship and the Millennial Teen Film

F1: The Movie

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