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Gothic Dreams and Nightmares

A lively way into the works of beloved children's author Beatrix Potter, this book provides fresh understanding of her writing and its legacies via twenty six alphabetically arranged and interlinked essays covering her published work and private writings

An A-Z of Beatrix Potter

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Anthem Studies in Gothic Literature

Nuclear Gothic investigates the previously unexplored congruities that lie between gothic forms and modes and nuclear cultures and techno-sciences; it aims to read Western nuclear fictions in relation to their Japanese counterparts and through a cohesive critical framework that examines atomic processes, nuclear fictions and specific historical and cultural moments.

Textual and Cultural Fusions

Nuclear Gothic

The Horrors gain strength when things in our world are broken. A bone. A promise. A heart. Ever since she first encountered 'The Horrors', Alice has hidden herself safely behind the walls of her family's Whitby guest house. Only her beloved sister, Lucille, knows why: that Alice can see things - gruesome, terrible things - in the darkest corners of our world. Shadow-monsters which will do anything to satisfy their violent cravings - and seemingly nothing can stop them. Of course, no one would believe them if they told them - and so the girls stay silent. That is, until Lucille goes missing, and the boy she was in love with turns up dead. All of which coincides with the arrival of Austin - a dashing young actor from London, who claims a demon has stolen his voice, and only Alice can help him. Faced with a world and powers she never even knew existed, Alice must race against time to save her sister, herself, and perhaps the only other person who's ever cared about her. As well as send a demon or two back to where they came from . . .

Half a Dark Heart

Acting and Performance in Hitchcock

Gothic Legacies

Takes stock of the extraordinary range of book-based adaptations of Mary Shelley's Frankenstein, comprising reimaginings, sequels and coquels following the novel's original publication up to the 21st century.

Literary Adaptations

Frankenstein Retold

Bloomsbury Studies in the Humanities, Ageing and Later Life

Living Forever From the Fin de Siècle to the First World War

Fictions of Radical Life Extension

Topics and Issues in National Cinema

Focuses on the history of government subsidies for feature films in Flanders (the northern, Dutch-language region of Belgium) and its role in stimulating a Flemish identity. It provides an empirical contribution to the study of the relationship between film, national identity and governmental film policy. This book is a timely empirical contribution to the underdeveloped field of Belgian film history. By focusing on film policy, the book contributes to the long neglected but currently burgeoning international field of film policy studies. Furthermore, because of its focus on film policy, the book provides an original contribution to the international research tradition on the relationship between film and national identity by going beyond an examination of textual representations.

Film Policy and National Identity in Flanders

Constructing a Flemish Cinema

This study traces a Gothic realism in the dark, sensorial epistemologies emerging from intersections of documentary and horror cinema. From the ineffable subjects of horror documentaries and pseudo-documentaries, to the obsessive chroniclers of mockumentary, fake found-footage, and screenlife horror cinema.

Archival Anxiety in Documentary and Mockumentary Horror

From Peter Rabbit to Mrs Tiggywinkle, the Tailor of Gloucester to The Fairy Caravan, the works and characters of Beatrix Potter have bewitched children the world over for more than a century - and have never been out of print. This lively and curious book explores Potter's works via a series of short, interlinked essays that take their starting point from twenty-six key words and phrases from her children's books, her letters, journals and other writings. For students and enthusiasts alike, this engaging collection of essays offers fresh angles on familiar Potter themes and topics (A is for Animal; M is for Mycology) whilst others will cast light on uncharted corners of her imagination (D is for Dancing; U is for Uncanny; G is for Ginnet's Circus). Entries like F is for Fairy, T is for Trees, S is for Seasons and R is for Rabbit Tobacco look at topics related to race, gender and the environment as other essays use key words to open up discussion of Potter's legacies and impact (L is for Lake District; P is for Peter Rabbit; H is for The Horn Book), including global reception, TV and film adaptations, and the development of Potter's beloved lake district as a thriving tourist destination. Paying close attention to the texts while also considering the broader contexts at play, this book broaches questions that offer intriguing ways into the works readers feel they know so well: how does a youthful encounter with a circus come to shape Potter's imagination? Why does eating and food feature so extensively in her writing and how does this relate to contemporary debates on diet and environmental crisis? Providing a close-up encounter with one of the most celebrated children's authors, this book invites new recognition of the ways in which Beatrix Potter's writing explores ideas which remain deeply relevant today, including the relationship between humans and the natural environments they inhabit.

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that the popularity of typologies in France participated in the construction of a national ideal conceived as a sum of individual parts. Tholozany shows that types such as the dandy, flâneur, and grisette abounded in plot-riven literary genres and in journalistic sketches, signaling a fear of obsoleteness that continually evolving printing technologies cast on social thought, thereby inaugurating a new way of thinking about society.

Focusing on social types during the July Monarchy, Pauline de Tholozany argues that they played a role in the construction of a national ideal in France during the period. As Tholozany shows, types such as the dandy, flÃ¢neur (including the child flÃ¢neur), and  grisette abounded, both in plot-driven literary genres and in journalistic sketches. At the same time, in classifying and describing these types, writers such as Jules Janin and Honoré de Balzac in collaboration with graphic artists insisted on the impossibility of establishing a stable social taxonomy. This paradoxical gesture, Tholozany claims, has larger consequences, since the social type’s resistance to a stable classification ultimately points to the difficulty of defining national identity as the sum of its typological parts. Reminding us that character, type, and stereotype are all words borrowed from printing technologies, Tholozany suggests that the types in what Walter Benjamin called panoramic literature signal a fear of obsoleteness that continually evolving printing technologies cast on social thought, a response that inaugurated a new way of thinking about society.

The (Un)Making of National Identity in France

Social Types in Nineteenth-Century French Literature and Journalism

Witchcraft in Movies, Television, and Popular Culture

Something Wicked

Gothic Dreams and Nightmares

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