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Rock Mick: Rocky Horror

Rocky Horror

A Behind-the-Scenes Look at the Cult Classic

The Definitive Biography

Sir Lewis

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

An Intimate Portrait

Picturing Prince

When motorsport and automotive photographer Jamey Price first saw the NASCAR promotional film cameras from the 1990s show up on another photographer’s social media feed, he knew he had to have one. These cameras were never made to take outstanding photos. They were inexpensive, poorly made, and plastic. The winders break. The shutter stops working. They will just freeze in below zero temperatures. But they also capture magic.From the IMSA races to the 24 Hours of Le Mans, Formula 1 races around the world to Monterey Car Week and Lamborghini events, Racing Unfiltered chronicles Price’s year-long journey to capture the highs, lows, and candid moments of motorsport racing, all through the lens of vintage film cameras.

A Year in Motorsports Captured on Film

Racing Unfiltered

BFI Film Classics

Groundhog Day

While there are many guides to screenwriting, none of them tackle the specific difficulties of writing the tricky mid-section of the screenplay. The Heart of Your Script reveals the six key elements that are crucial for ensuring an emotionally satisfying and dramatically engaging center to any script. Using a broad range of concise case studies, including contemporary films such as Aftersun (2022), The Whale (2022), Shoplifters (2018), Talk to Me (2022), Barbie (2023) and Oppenheimer (2023), canonical texts such as Back to the Future (1985), Seven Samurai (1954) and There Will Be Blood (2007) and cult classics like Swiss Army Man, (2016), Jennifer's Body (2009) and Heathers (1988), Ted Wilkes and Phil Hughes provide helpful tips and tricks to assist writers in finding out what is at the heart of the story they want to tell and how to ensure that it is coming through in their stories. Refusing any single method for structuring this central portion, Wilkes and Hughes offer a character-centred study, which allows aspiring screenwriters to map their dramatic journey from the inside out.

The Insider’s Guide to Writing the Difficult Middle Section of a Screenplay

The Heart of Your Script

Global East Asian Screen Cultures

The Cinema of Stephen Chow

Topics and Issues in National Cinema

The Settled Screen: Landscape and National Identity in New Zealand Cinema is the first title to explore the relationship between the representation of landscape and the development of both a national cinema and a national identity. Through the early years of New Zealand's cinema, prior to any formalized governmental support, those few feature length narrative films repeated wholesale the modes of representing the landscape and its inhabitants, while the developing documentary and travelogue industries would construct the fantasy of 'Maoriland' with New Zealand becoming internationally known as a green paradise, a Pacific idyll with an exotic, tamed, indigenous population. This precursor of the now contemporary 'Brand New Zealand' - itself a modern, politically-corrected version of these earlier narratives - would be adjusted and amended over time, especially with the formation of the New Zealand Film Commission in the late 1970s, but never entirely discarded. Beginning with a discussion on films in which landscape - and particularly the colonial or settler landscapes - have been represented in other Western cinemas, like The Searchers and Thelma &amp; Louise, Wilson compares in indigenous films like Whale Rider, To Love a Maori and The Piano to exemplify the simultaneous strands of New Zealand cinema: a way of marketing the country based on the success of such spectacular films as Peter Jackson's Tolkien epics, and the simultaneous attempts by Maori, immigrant and minority filmmakers to find a way to represent other stories in this land without recourse to the tropes of a by-now dominant national industry.

Landscape and National Identity in New Zealand Cinema

The Settled Screen

Library of Gender and Popular Culture

Sex, Censorship and the Millennial Teen Film

Shakespeare in Performance

Boika Sokolova and Kirilka Stavreva's second edition of the stage history of The Merchant of Venice interweaves into the chronology of James Bulman's first edition richly contextualised chapters on Max Reinhardt, Peter Zadek, and the first production of the play in Mandatory Palestine, directed by Leopold Jessner. The main focus of the book is on post-1990s productions across Europe and the USA. The Segue provides a broad survey of the interpretative shifts in performance from the 1930s to the second decade of the twenty-first century. Informative chapters on productions of the play by major contemporary directors present the work of Trevor Nunn, Robert Sturua, Edward Hall, Rupert Goold, Daniel Sullivan and Karin Coonrod's staging in the Venetian Ghetto. An extensive section engages with the cinematic history of the play, from silent-era adaptations, like Peter Paul Felner's Der Kaufmann von Venedig (The Jew of Mestri), through Pierre Billon's talkie Le Marchand de Venise; it includes a close analysis of Don Selwyn's Te Tangata Whai Rawa or Weniti (The Maori Merchant of Venice) and Michael Radford's William Shakespeare's The Merchant of Venice. This broad picture of key theatrical and film transformations of The Merchant of Venice will prove essential to students of the history of performance, scholars interested in the general trends and local specificities of the play's staging and reception, as well as to theatre practitioners and all those who are prepared to look into the dark history of anti-Semitism and oppression, reflected in the stage fortunes of Shakespeare's play.

The Merchant of Venice

Then And Now

America Then and Now

Fall in love with cats from Japan! What do people love more? Cats or Japan? Why compromise? What could be cuter than a book that combines the two?! Neko is a finely curated collection of cute cats doing what they do best in the world's favourite tourist destination. Whether they're building their own empire on one of Japan's dedicated cat islands, roaming the streets looking for fish and scritches or reclining at temples, one thing's for sure: the cats of Japan are some of the cutest kitties out there and everyone loves them. Neko provides a glimpse into the lives of Japan's feline overlords. Neko is curated by Masayuki Oki, one of Japan's most popular cat photographers. With more than 500,000 Instagram followers, Masayuki's photographs regularly win competitions in nature photography. Masayuki travels Japan taking photos of adorable cats being playful, cheeky and cute. He frequently exhibits his work throughout Japan and has a global following on X, Facebook and Instagram as well as his own blog.

Cats of Japan

Neko

Rocky Horror

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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