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Rock Mick: Rocky Horror

Rocky Horror

A Behind-the-Scenes Look at the Cult Classic

BFI Film Classics

A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985).

Shoah

Film

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Die Geschichte des Kinos ist fundamental von der Ästhetik der Beleuchtung geprägt. In exemplarischen Einzelstudien analysiert Denis Grünemeier das faszinierende Wechselspiel von Licht und Schatten im Film. Dabei zeigt er eindrucksvoll durch die methodische Verknüpfung von Filmwissenschaft, Kunstgeschichte und Bildtheorie, dass Licht und Schatten über die Technik und Form hinaus wesentlich die Essenz und den Inhalt des Films bestimmen. Neben bekannten Regisseuren wie Kubrick, Murnau und Carlos Reygadas sind es die ausgewählten experimentellen Arbeiten Derek Jarmans und die Animationen der Quay Brothers, die den innovativen Status dieser Studie untermauern.

Zur Ästhetik der Beleuchtung

Licht im Film

Now in its ninth edition, the industry-leading Broadcast News Writing, Reporting, and Producing provides an essential introduction to broadcast journalism in the modern newsroom.Across five parts, this book covers every aspect of the "three pillars" of broadcast news-writing, reporting, and producing-in addition to considering news acquisition and the realities of transitioning into professional newsrooms. Drawing on insider perspectives and best-practice examples, the authors meld real-world advice with essential theory, from ethical considerations to key terms and strategies. This ninth edition features expanded coverage of new and social media, Artificial Intelligence, mis- and disinformation, and issues around diversity and inclusion. New sections on social media apps and the software required for producing newscasts are also introduced.Broadcast News Writing, Reporting, and Producing is key reading for undergraduate students in journalism writing, producing, newsgathering, and multimedia courses. Accompanying e-resources for students and instructors feature updated video tutorials, PowerPoints, quizzes, and a sample syllabus.

Broadcast News Writing, Reporting, and Producing

THE INSTANT SUNDAY TIMES BESTSELLER 'Chillingly addictive' - Cosmopolitan 'A perfect horror for our imperfect age' - The New York Times 'I did an evil thing to be put in here, and I'm going to have to do an evil thing to get out.' In this twisted, unforgettable horror novel, a group of young girls turn to a dark, ancient magic. From Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House and The Final Girl Support Group. They call them wayward girls. Loose girls. Girls who grew up too fast. And they're sent to the Wellwood House in St. Augustine, Florida, where unwed mothers are hidden by their families to have their babies in secret, give them up for adoption, and most important of all, to forget any of it ever happened. And where every moment of their waking day is strictly controlled by adults who claim they know what's best for them. Fifteen-year-old Fern arrives at the home in the sweltering summer of 1970, pregnant, terrified and alone. There, she meets a dozen other girls in the same predicament. There's Rose, a hippie who insists she's going to keep her baby and escape to a commune. Zinnia, a budding musician who plans to marry her baby's father. And Holly, barely fourteen, mute and pregnant by no-one-knows-who. Then Fern meets a librarian who gives her an occult book about witchcraft, and power is in the hands of the girls for the first time in their lives. But power can destroy as easily as it creates, and it's never given freely. There's always a price to be paid . . . and it's usually paid in blood. READERS LOVE WITCHCRAFT FOR WAYWARD GIRLS . . . 'I was drawn in from the very first page' 'Gave me chills' 'Tackles female rage brilliantly' 'Disturbing but brilliant' Witchcraft for Wayward Girls was a No. 5 Sunday Times bestseller the w/e 18th January 2025.

Witchcraft for Wayward Girls

One afternoon in 1976, teenagers Jean and Tom share an almost imperceptible look across the grounds of Compton Manor, a boarding school for boys with problems. Their gaze marks a secret intimacy, one defined as much by violence as by friendship and desire. As the boys' connection deepens, so too does the risk that surrounds it. Jean - son of a single mother, Jewish, on a scholarship, forever an outsider - wonders whether the relationship might offer a way out of a life marked by alienation. But what if the only true path to freedom is to disappear altogether? Spellbinding and evocative, Jean is a meditative narrative of loss and escape distilled into the heartrending story of an intense and dangerous adolescent love.

Jean

THE INSTANT SUNDAY TIMES BESTSELLER Discover the story of Marilyn Monroe and take a deep dive into the shocking circumstances of her death... 'Electrifying . . . A spellbinding new account of the star's final days by the world's greatest thriller writer' - Daily Mail __________________________________ BORN IN THE SHADOWS. LIVED FOR THE SPOTLIGHT. WAS SHE MURDERED? Before Marilyn Monroe, there was Norma Jeane. No one would have thought that the girl who spent her childhood between foster homes and orphanages would one day become a global star. The Last Days of Marilyn Monroe tells the extraordinary story of Marilyn Monroe's life - and the shocking circumstances of her death. For decades, fans have speculated about the truth of her final days. Was it suicide? A tragic accident? Murder? Drawn from rigorous research, this book seeks answers. Told in vivid, dramatic scenes, James Patterson and Imogen Edwards-Jones uncover the life and death of the remarkable woman who was Marilyn Monroe. __________________________________ 'A poignant primer on the life and death of the Hollywood star... skilfully weaves the known details into a poignant biography.' - The Times 'Meticulously researched deep dive into the glamorous life of Marilyn Monroe - and the mysterious circumstances surrounding her death in 1962.' - The i Paper __________________________________ 5-STAR READER REVIEWS 'A fascinating read!' 5-star reader review 'I couldn't put it down.' 5-star reader review 'A thoughtful, impeccably well researched and written account.' 5-star reader review 'Captivating.' 5-star reader review 'One of the best books about Marilyn Monroe I have ever read.' 5-star reader review 'Pulled me in like a whirlwind - gritty, electric, and impossible to put down.' 5-star reader review

The Last Days of Marilyn Monroe

The Evolution of Chinese Popular Cinema provides insights into the Chinese film industry and popular cinema in the past two decades (with a major focus on the films produced since the mid-2010s).The book emphasizes on the film market in mainland China since the mid- 2010s and how it has been dramatically different from the previous decades, featuring big names like Zhang Yimou and Feng Xiaogang. Witnessing an age of baokuan films - films that have renewed box office records, represented by Wolf Warrior 2, The Wandering Earth, Nezha, and Hi, Mom - this study contends that baokuan films have forged a unique category in the landscape of Chinese cinema. It further reveals how these commercially successful films interact with industrial, economic, political, and social elements, illuminating transformations in Chinese filmmaking amid the country's evolving landscape since the 2010s through the post-pandemic era.It will be an insightful resource for undergraduate students, postgraduate students, and general audiences interested in Asian Studies, Film Studies, Chinese media and cultural studies, contemporary Chinese cinema and cultural industries, and Chinese cinema studies. The book will also inspire researchers in China Studies by discussing the instability of globalization and China's changing global strategies, state and popular nationalism, and the rise of active audiences through the lens of popular films.

Baokuan Film Phenomena under Nationalism, Globalization, and Active Audiences

The Evolution of Chinese Popular Cinema

WINNER OF THE GORDON BURN PRIZE Longlisted for the Women's Prize for Non Fiction Shortlisted for Scotland's National Book Awards Non-Fiction Book of the Year 'An astonishing story of survival' Guardian 'Extraordinary and uplifting' Observer 'A triumphant tale of survival' Financial Times 'An extraordinary book' Literary Review 'To read this book is to be reminded of the importance of kindness, of beauty and of storytelling' iPaper 'A phenomenal memoir. I am in awe' Amy Liptrot 'Beautiful, deep, transfixing . . . it will burn a home in your heart' Lemn Sissay 'Essential reading, life-changing ... Beautiful, earth-shattering and unforgettable' Samantha Morton 'Mesmerising, heart-breaking. I'll never forget it' Annie Mac 'Should be required reading' Claire Fuller The government told a story about me before I was born. Jenni Fagan was property of the state before birth. She drew her first breath in care and by the age of seven, she had lived in fourteen different homes and had her name changed multiple times. Twenty years after her first attempt to write this powerful memoir, Jenni is finally ready to share her account. Ootlin is a journey through the broken UK care system - it is one of displacement and exclusion, but also of the power of storytelling. It is about the very human act of making meaning from adversity.

Ootlin

On Tuesday morning, 23rd September 1975, the corpses of three unmarried siblings, last surviving members of the ancient Luxton clan of Winkleigh, North Devon, were found on their remote farm. All three had had their heads blown off. Robbie's cheeks and neck had been stabbed; Frances had a broken leg. Strangely, each of the four doors to the house had been locked from the inside. The Luxtons' idyllic farm on a stretch of lush countryside between Exmoor and Dartmoor had been lovingly tended with outdated methods. There were rumours of a thwarted betrothal, wrangles over money and property, generational feuds in the extended family, bouts of insanity and extreme miserliness. John Cornwell's classic investigation into the violent deaths of these unhappy siblings told a story of a farming family struggling under unbearable practical and emotional pressures, their violent deaths, the police investigation and the proceedings of the inquest. The official verdict was that there had been a suicide pact, but Cornwell decided to revisit the evidence forty years after Earth to Earth was first published, and he finds that there were anomalies in the evidence suggesting alternative, criminal scenarios, and the misery that preceded these savage deaths suggested even darker elements. Were the Luxtons scapegoats of local malice, or victims of a murderous family conflict, stricken by a dire ancestral curse? This new edition of a true crime classic includes a postscript in which the author describes the extraordinary lengths that the great poet Ted Hughes, a neighbour of the Luxtons, went to try and suppress publication of the book.

Lives and Violent Deaths of a Devon Farming Family: A True Crime Classic Revisited

Earth to Earth

Routledge Library Editions: Soviet Society

Marxist Ideology and Soviet Criminal Law (1980) is about differences between theory and practice in the Soviet Union. It looks at the ways in which the theory of Marx has changed and been changed, through the lens of criminal law- the major way in which social controls are exercised by the State.

Marxist Ideology and Soviet Criminal Law

Melland Schill Perspectives on International Law

Why are constitutionalist ideals so prominent in science fiction? Does Independence Day depict self-defence as a legal concept with absolute limits? Is international law lost in space? This innovative interdisciplinary volume represents the first exploration of the relationship between international law and cinema. From Star Wars to Werner Herzog, The Godfather to The West Wing, this book uncovers a diverse range of representations of international law and its norms in film and television. Examining the wider links between international law, cinema and ideology, the contributions not only examine visual representations of international law, but they offer an essential insight into the functions fulfilled by these cinematic representations. Providing an extraordinary introduction to a variety of perspectives on core international legal questions, Cinematic perspectives on international law extends a valuable methodology by which international lawyers can critique the depiction of international law in film.

Cinematic Perspectives on International Law

Richard Schickel's study of Billy Wilder's 1944 noir classic Double Indemnity traces in fascinating detail the genesis and realisation of the film: its literary origins in James M. Cain's hard-boiled crime novel, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, and the late decision to cut the expensively filmed execution sequence from the final release. Schickel places Double Indemnity in the context of early 1940s Hollywood and the emergence of a new kind of crime thriller that later became known as film noir. The film was a cornerstone of the genre: its script creates two unforgettable criminal characters, the cynically manipulative femme fatale Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder's direction enmeshes them in dramatic chiaroscuro, as bright California sunlight casts Venetian-blind shadows across dusty rooms and harsh lamplight slices through the night. In his afterword to this new edition, James Naremore pays tribute to Schickel's analysis of Double Indemnity and its contexts, and considers debates surrounding the film's conclusion.

Double Indemnity

Rocky Horror

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