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Rock Mick: Rocky Horror

Rocky Horror

A Behind-the-Scenes Look at the Cult Classic

'Explosive, absurd...with plenty of oh la la and even more zut alors' The Times WHEN IT COMES TO REVOLUTION, EVERYONE PAYS In Paris, the Nada gang - a small cell of left-wing radicals - hatch a plan to kidnap the U.S. ambassador. They're armed, angry, and almost successful - but totally unprepared for what follows. As the crackdown begins, the group splinters, exposing cowardice, betrayal, and the thin line between radical idealism and outright nihilism. There will be no heroes - only casualties. Jean-Patrick Manchette skewers both the establishment and its would-be destroyers in this pitch-black political thriller. His most overtly radical work, Nada is a savage, stylish dissection of violence, ideology, and the wreckage left behind. PRAISE FOR JEAN-PARICK MANCHETTE 'Manchette was Le Homme... We must revere him now and rediscover him this very instant. ' James Ellroy 'A comedic genius... I read and reread him, stunned, appalled, and laughing out loud' Rachel Kushner 'Manchette is Camus on overdrive... He deserves much the same attention' James Sallis 'Manchette is legend among all of the crime writers I know, and with good reason: his novels never fail to stun and thrill from page one' Duane Swierczynski

Nada

'Vivid and compelling' - The Telegraph 'A masterful portrait of the city' - Observer 'A propulsive, gorgeously reported account of the forces that re-shaped New York in the late 1980s, The Gods of New York is brilliant historical non-fiction that doubles as a warning about the future.' - Emily Nussbaum, author of Cue the Sun 'A rip-roaring, sweeping, essential work of history... A must read.' - Jonathan Eig, Pulitzer Prize-winning author of King: A Life. 'Jonathan Mahler has pulled off a magic trick' - Wright Thompson, author of the The Barn 'Mahler will have you hooked from start to finish... as colourful and fascinating as the city it captures' - Irish Independent _____________ A Foyles Monthly Top Ten Read ____________ A rollicking, real-life Bonfire of the Vanities from bestselling author Jonathan Mahler. Gods of New York is sweeping chronicle of four years in 1980s New York that would transform the city and leave it more divided than ever. New York City, 1986: Donald Trump's real estate empire is booming, despite his constant clashes with Mayor Ed Koch. U.S. Attorney Rudy Guiliani is indicting mafia dons. Ivan Boesky is convicted of insider trading. Spike Lee releases his first feature film. The headlines scream of the Preppy Murder, the AIDS crisis, the crack epidemic and soon, Black Monday. Over the next four years the city will be transformed as the deep divisions lying beneath the soaring skyscrapers and a thriving Wall Street become chasms. Jonathan Mahler's sweeping chronicle of the late 1980s is a wonderfully exuberant, kaleidoscopic, and deeply immersive portrait of one of the world's greatest cities and its larger-than-life characters, at a time of historic upheaval and seismic change.

The Tumultuous Eighties, from Donald Trump to the Tompkins Square Riots

The Gods of New York

Land of the Buffalo is a captivating book about Yellowstone's iconic buffalo that features over 200 stunning photographic images by the author. This immersive journey redefines our understanding of these magnificent creatures, revealing that what we've long called "herds" are, in fact, intricate and vital family units - networks of mothers, daughters, sisters, and their young, where familiarity truly equals survival in the face of Yellowstone's harsh realities. The book offers a poignant perspective on the daily struggles and historical context that define the Yellowstone buffalo's existence. From the relentless harassment by tourists and the constant threat of wolves to the brutal realities of winter and the devastating impact of "management" culls and treaty hunting, the author, a lifelong observer, unearths the hidden hardships endured by these animals. Through a blend of insightful narrative and breathtaking photography, with a special emphasis on their survival during the unforgiving winter months, this book challenges readers to consider the world through the buffalo's eyes. It's a powerful reminder of the near extinction of these majestic creatures and a call to remember why the American buffalo, a symbol of strength and resilience, was pushed to its most devastating test.

Land of the Buffalo

BFI Film Classics

Richard Schickel's study of Billy Wilder's 1944 noir classic Double Indemnity traces in fascinating detail the genesis and realisation of the film: its literary origins in James M. Cain's hard-boiled crime novel, the difficult relations between Wilder and his scriptwriter Raymond Chandler, the casting of a reluctant Fred MacMurray, and the late decision to cut the expensively filmed execution sequence from the final release. Schickel places Double Indemnity in the context of early 1940s Hollywood and the emergence of a new kind of crime thriller that later became known as film noir. The film was a cornerstone of the genre: its script creates two unforgettable criminal characters, the cynically manipulative femme fatale Phyllis Dietrichson (Barbara Stanwyck) and the likeable but amoral Walter Neff (Fred MacMurray). Billy Wilder's direction enmeshes them in dramatic chiaroscuro, as bright California sunlight casts Venetian-blind shadows across dusty rooms and harsh lamplight slices through the night. In his afterword to this new edition, James Naremore pays tribute to Schickel's analysis of Double Indemnity and its contexts, and considers debates surrounding the film's conclusion.

Double Indemnity

Petula Clark's first appearance on the airwaves was in 1942, aged nine, singing on a BBC radio show that broadcast messages to the troops. It was to be the start of the longest career of any British entertainer, as she evolved from child star to music, film and theatre legend. After a string of hit records in the UK in the 50s, Petula followed her heart and future husband to France where she became the nation's most popular female vocalist, before going truly global when she topped the charts in the US with Downtown. Hollywood beckoned, then Vegas, Broadway and the West End. Petula is an artist who has always had an innate ability to create deep connections with audiences everywhere, remaining beloved and relevant across different eras. In her first and only autobiography, she brings that same personal passion and spirit to her writing, with a witty, sparkling and deeply intimate narrative. She confides in us with glorious showbiz gems, such as the time she saw Frank Sinatra at both his most charming and his most intimidating, or there's the day she attended Liza Minelli and David Gest's wedding as one of thirteen maids of honour, all dressed in black. While beneath the shiny surface, she also reflects on the people and moments that shaped her, on love and loss, on the family life she cherished away from the spotlight and, ultimately, on finding her own path to happiness and fulfilment. Find out why John Lennon, at his bed-in for peace with Yoko, asked 'Is that You, Petula?' It was. And this is Petula, a true icon of popular music, telling you her story, in her own words.

An Autobiography

Is That You, Petula?

As read on BBC Radio 4 A Sunday Times Best Book of the Year An Observer Best Debut of the Year ?Compassionate, lyrical and full of devilment' - Louise Kennedy, author of Trespasses ?A joy . . . Vivid, loving and genuinely funny' The Sunday Times ?I didn't want it to ever end' Jennie Godfrey, author of The List of Suspicious Things The Boy from the Sea is Garrett Carr's brilliantly moving tale of an abandoned baby who rocks a small Irish town, bringing together a community - and igniting lifelong rivalries. In 1973 on the west coast of Ireland, a baby is found abandoned on the beach. Who is he? Where is he from? What changes will he bring? Ambrose, a local fisherman, is far more interested in who he will become and - with a curious community looking on - takes the baby home and adopts him. But for Declan, the baby's new brother, this arrival is surely bad news. Rivalries can be decades in the making . . . Set over twenty years, Garrett Carr's The Boy from the Sea is about a restless boy trying to find his place, in a town caught in the storm of a rapidly changing world. Readers love The Boy from the Sea: ?Left me feeling warm and satisfied when I finished it and I've thought about it daily since then' ***** ?Books are meant to change you, to shape you, and to heal you, and The Boy from the Sea does all those things' ***** ?You feel like you're right there in the village' ***** ?Stunning. I found myself waking up at 5am because I was desperate to read more' ***** ?Felt like I was stepping off life's treadmill and immersing myself in another world' *****

The Boy from the Sea

A rollicking, eye-opening history of the Star Wars franchise: an unrivaled force in popular culture that changed the way Hollywood makes movies—and that is now imperiled by many of the industry forces it set in motion From the premiere of the first film in 1977, the Star Wars franchise not only captured the imaginations of billions of people—and&nbsp;billions&nbsp;of dollars of revenue—but also rewrote the rules of the entertainment industry. Game-changing special effects, must-have collectibles, and the richness of George Lucas’s ever-expanding narrative&nbsp;gave rise to a new Hollywood model in which the boundary between screen and life collapsed. Star Wars wasn’t just a movie, after all: it was&nbsp;an alternate universe, a moral code, a way of life. Over the last half-century, Wall Street Journal reporter Erich Schwartzel explains, the Star Wars franchise has relied on an anti-establishment ethos, the savvy of executives, and the devotion of moviegoers to become a new American myth. But since its fateful acquisition by Disney in 2012, Star Wars has become a cautionary tale of Hollywood excess, and its present status as a corporate holding bears little resemblance to its origins. Drawing on scores of insider interviews and surveying fifty years of American culture and commerce, Schwartzel delivers fresh perspective on the Star Wars story, bringing to life the scrappy creative spirit of Lucasfilm’s early days; the box-office frenzy that rang in Hollywood’s blockbuster era and gave rise to a new industry playbook; and the scores of fans whose lives have been shaped by this singular force. A panoramic narrative of dreams, obsession, and power, Rebels and Empires is the untold history of Hollywood’s most storied epic.

Star Wars and Fifty Years of Hollywood Mythmaking

Rebels and Empires

Melland Schill Perspectives on International Law

Why are constitutionalist ideals so prominent in science fiction? Does Independence Day depict self-defence as a legal concept with absolute limits? Is international law lost in space? This innovative interdisciplinary volume represents the first exploration of the relationship between international law and cinema. From Star Wars to Werner Herzog, The Godfather to The West Wing, this book uncovers a diverse range of representations of international law and its norms in film and television. Examining the wider links between international law, cinema and ideology, the contributions not only examine visual representations of international law, but they offer an essential insight into the functions fulfilled by these cinematic representations. Providing an extraordinary introduction to a variety of perspectives on core international legal questions, Cinematic perspectives on international law extends a valuable methodology by which international lawyers can critique the depiction of international law in film.

Cinematic Perspectives on International Law

How did a film made to capture a pop phenomenon become an enduring cinematic classic? With warmth, wit and precision, Samira Ahmed reveals how the Beatles' first film changed both the band themselves and pop music's relationship with the screen. In a vivid and personal exploration, she shows how this black-and-white gem, shot in a documentary style and brimming with youthful energy, captured Britain at a moment of social transformation, with a portrayal of celebrity, camaraderie and media frenzy that still resonates today. Drawing on her own experience of first discovering the film as a child and going on to work in the television industry, Ahmed shines a spotlight on the craft behind its enduring appeal. With insights from members of the cast and crew, including her own new interviews, Ahmed highlights A Hard Day's Night's class and sexual politics, and adds a delightfully original analysis of the women in the film. In these pages you will be transported to a time when four young men from Liverpool, via the mass medium of television, changed the way Britain saw itself and the way the world saw Britain, revealing how, and why, A Hard Day's Night has become a landmark of modern cinema.

A Hard Day's Night

A new edition of the BFI Film Classic on Claude Lanzmann's epic documentary Shoah (1985).

Shoah

Nan Goldin's deeply personal exploration of female trauma and resistance. Sisters, Saints and Sibyls is a tribute 'to all rebellious women struggling to survive in society.' Focusing on the tragic life of her sister, Barbara, Nan Goldin weaves together a tapestry out of medical records, family photographs and mythical allusions to Saint Barbara to compose a haunting meditation on the mistreatment of female mental health in the twentieth century. Barbara's story is intertwined with Goldin's own descent into, and emergence from, addiction, shining a brutal light on the realities of trauma, abuse and mental illness. One of Nan Goldin's most important series, this timely publication is set to align with a major career retrospective opening at the Grand Palais, Paris, in March 2026.

Sisters, Saints and Sibyls

When Harry Met Sally

Rocky Horror

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