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"This book traces the development of Pushkin's heroines from his youthful Southern Poems to his last published work The Captain's Daughter, placing them within the context of the author's dominant genre models and his own life circumstances"-- Provided by publisher.

Murphy A: Pushkin's Heroines and the
Life-Art Connection

Pushkin's Heroines and the Life-Art Connection

Freedom in a Female Frame

Very Short Introductions

Best known as the author of Moby-Dick (1851), Herman Melville is one of America's greatest writers. His achievements range from popular novels and experimental fiction to powerful poetry. His works are tragic and funny, impassioned and ironic, obsessed with philosophical seeking and attuned to the details of everyday life. Melville engaged the pressing issues of his day, from economic inequality and the American slavery crisis to the rise of science and the fragility of democracy. He dwelled on timeless questions about loneliness and intimacy, moral and political responsibility, the limits of our knowledge and agency, and the place of human beings within nature and the cosmos. Melville's life was dramatic, and his career improbable. He was born into privilege, fell into poverty as an adolescent, hunted whales and lived with the Tai Pi people of Polynesia, served in the United States Navy, skyrocketed to fame as a novelist, ruined his career by challenging religious, political, sexual, and artistic conventions, reinvented himself as a poet, and died in relative obscurity just as readers began to appreciate his genius. The scope and diversity of Melville's literature reflects an artist of restless ambition. Herman Melville: A Very Short Introduction helps readers explore the richness of his work.

A Very Short Introduction

Herman Melville

De Gruyter Textbook

Critical and Practical Skills for Students in Medieval Studies

Mastering Medieval Studies

"Winterson is a master of her material, a writer in whom great talent deeply abides."--Vanity FairI can change the story because I am the story."One of the most daring and inventive writers of our time" (Elle) weaves together memoir, manifesto, and a feminist reimagining of One Thousand and One Nights in this impassioned exploration of the power of readingA woman is filibustering for her life. Every night she tells a story. Every morning, she lives one more day. One Aladdin Two Lamps cracks open the legendary story of Shahrazad in One Thousand and One Nights to reveal new questions and answers we are still thinking about today. Who should we trust? Is love the most important thing in the world? Does it matter whether you are honest? What makes us happy?In her guise as Aladdin--the orphan who changes his world--Jeanette Winterson asks us to reread what we think we know. To look again. Especially to look again at how fiction works in our lives, giving us the courage to change our own narratives and alter endings we wish to subvert. As a young working-class woman, with no obvious future beyond factory work or marriage, Winterson realizes through the power of books that she can read herself as fiction as well as a fact: "I can change the story because I am the story."An alluring blend of the ancient and the contemporary, One Aladdin Two Lamps ingeniously explores stories and their vital role in our lives. Weaving together fiction, magic, and memoir, Winterson's newest is a tribute to the age-old tradition of storytelling and a radical step into the future--an invitation to look closer at our stories, and thereby ourselves, to imagine the world anew.

One Aladdin Two Lamps

Postcolonial theory and its bedfellow, decolonial theory, are the most flourishing products of academia in recent times. Transcending their origins in universities and literary criticism, and clustering around what is coming to be known as 'theory from the Global South', their guiding assumptions have leaked into the public domain and become shibboleths with which to acknowledge historically victimised communities. With this success has come a disturbing trend: political activity operates based on clumsy victimhood analogies, and much of its rhetoric is deliberately anti-rational, reproducing and perpetuating the manufactured categories of racist and sectarian imaginations. Benjamin Zachariah examines this phenomenon and its worrying affinities with&nbsp;völkisch&nbsp;thinking. A product of nineteenth-century romantic nationalism,&nbsp;völkisch&nbsp;is an adjective that indicates a community of blood, soil and race. These aspects are less explicit in its newer guises, which instead invoke a community of collective memory and victimhood. Nonetheless, Zachariah argues, that older form of collective belonging remains embedded in apparently new attitudes: a compulsory community of both inherited victimhood and organic belonging. Striking and thought-provoking, this book is a major intervention for anyone concerned by the more insidious side of postcolonialism.

The Postcolonial Volk

Osnabrücker Beiträge zu Literatur und Medienkultur

Postdigitale Ästhetik

Charlotte Brontë's Life Through Clothes

Texts and Contexts

Modernism Revisited

IMAGINES – Classical Receptions in the Visual and Performing Arts

Martha Graham's Greek Myth-Based Dances and Her Collaboration with Isamu Noguchi

Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde

This is the first systematic study of the corpus of Nordic runic manuscripts within and outside Scandinavia in the period from approx. 850 CE to the 20th century. This includes nearly 300 manuscripts. It aims for completeness, paying particular attention to the graphemic documentation. In addition, the entries are accompanied by detailed literary and cultural scientific commentary.

Pushkin's Heroines and the Life-Art Connection

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