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Zachariah B: The Postcolonial Volk

The Postcolonial Volk

The Matter of the Marbles

Materialist Romanticism

Manchester Medieval Literature and Culture

Approaches to Emotion in Middle English Literature

Yale French Studies

Patrick Chamoiseau: The Art of Words Without Borders

Yale French Studies, Number 147

A Journey Round France in the Company of Great Writers

En Route

Classical Continuum

The Narrative Performance of Anarkali

Through the Looking Glass

Osnabrücker Beiträge zu Literatur und Medienkultur

Postdigitale Ästhetik

A Rare Book Collector's Quest to Find the Women Writers Who Shaped a Legend

Jane Austen's Bookshelf

Freedom in a Female Frame

Pushkin's Heroines and the Life-Art Connection

Routledge Studies in Theology, Imagination and the Arts

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling? In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling?  In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The Future of Patrick White

Eschatology, Apocalypse and Modern Fiction

Politics, Poetics and Modernity

Occidentalism and the Egyptian Novel

Proceedings of the Harvard Celtic Colloquium

Proceedings of the Harvard Celtic Colloquium, 43

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

The Postcolonial Volk

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