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Rachels J: Problems from Philosophy

Problems from Philosophy

An Introductory Text

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Presents a universal defense of the rational moral law and a strong and uncompromising criticism of skepticism and relativism.

A Defense of Reason

The Principles of Philosophy

Digital Culture & Society

Technologies and technological futures are always socially situated, relational, and enmeshed in (dominant) narratives of societal sense-making, which have the power to bring future ideas into material existence. The issue brings together articles exploring popular techno-futures from international and interdisciplinary perspectives, including cultural and media studies, science and technology studies, and related disciplines. The contributors decenter the discussion on socio-technical futures and the role of popular culture, aesthetics and media in their (re)production by focusing on societal tech-future discourses from global popular perspectives.

Vol. 11, Issue 2/2025 – Towards Popular Techno-Futures: A Global Culture Perspective

Digital Culture & Society (DCS)

The Tonality of Thought

Given Time II

Freedom, Nature and Agency

Foucault and the History of Philosophical Transcendence

This book explores the question of what it means to live a successful life, arguing that both our commonsense and philosophical assumptions about success are misguided, for both focus on external achievements and overlook the importance of happiness to achieving success in life.

A Philosophical Examination of Happiness, Well-Being, and Meaning in Life

The Pursuit of Success

Philosophers and their Critics

A wide-ranging engagement with one of contemporary epistemology's most influential thinkers Hilary Kornblith is one of the world's leading philosophers theorizing about knowledge and related issues. A key figure in the naturalized epistemology tradition, Kornblith integrates traditional empiricism with contemporary cognitive science, rejecting inward-looking, first-person approaches in favor of a third-person, scientifically grounded perspective on mind and knowledge. Kornblith's contributions have reshaped debates about the nature and structure of knowledge, justification, and epistemic normativity; he has challenged the legitimacy of conceptual analysis and the reliability of reflection and reasoning, besides charting and defending a mature and self-consciously naturalistic philosophical methodology. By exploring this terrain, Kornblith and His Critics offers an in-depth examination of some of the most unique and innovative work in the last 40 years of anglophone epistemology. This volume brings together fifteen original essays by leading philosophers engaging with Kornblith's work, each written specifically for this collection. Organized into three main thematic sections - Knowledge and Justification, Reflection and Inference, and Naturalism and Methodology - the collection systematically traces and tests the implications of Kornblith's work across key debates. The volume also includes a substantial reply from Kornblith, offering his own response to the critical challenges raised by the incisive contributions. Kornblith and His Critics is ideal for graduate and advanced undergraduate philosophy students, especially those taking a variety of courses on epistemology and philosophical methodology. Key features include: <ul> <li>A complete and detailed overview of how Kornblith's work compares with, and contributes to, key debates in epistemology.</li> <li>Cutting-edge engagement with the foundations, nature, and future of naturalized epistemology.</li> <li>Thorough discussion of core issues in epistemology: from the nature of knowledge, justification, and inference to the epistemic value of reflection and conceptual analysis.</li> <li>A lengthy and unique reply by Hilary Kornblith, directly addressing the critical challenges raised by the incisive contributions.</li> <li>A systematic and thematic structure for easy integration into graduate and upper-level undergraduate courses.</li> </ul> Kornblith and His Critics is a vital resource for researchers and instructors within philosophy programs in both MA and PhD curricula, as well as general readers interested in post-analytic and empirically-informed philosophy.

Kornblith and His Critics

A Time of Loss

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A curious exploration of mortality, alienation, boredom, surveillance and how we regard ourselves among the animals.Animal Stories&nbsp;begins with Kate Zambreno's visit to the monkey house at the Jardin des Plantes in Paris, where one stark tree 'seems to be the stage design for a simian production of Waiting for Godot'. But who are the players and who is the audience, and can they recognise each other?What follows is a series of reports from the deep strangeness of the zoo, a space that is 'more often than not deeply sad, an odd choice for regular pilgrimages of fun'. Amid these excursions with their young children, Zambreno turns to Garry Winogrand's photographs and John Berger's writings on animals, reshaping the spectator as the subject to decipher our complex 'zoo feelings' - what we project, and what we refuse to see. In 'My Kafka System', which dovetails with these zoo studies, Zambreno thinks through the notebooks and animal stories of a writer known for playing at the threshold between species, continuing their investigation into the false divide between human and animal.In writing that is inquisitive and inventive, Zambreno renders visible the enclosures we construct and those we occupy ourselves.

Animal Stories

How Politics Has Shaped an Apolitical Philosophy

A Social History of Analytic Philosophy

Problems from Philosophy

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