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Catalogue complet

Schuringa C: A Social History of
Analytic Philosophy

A Social History of Analytic Philosophy

How Politics Has Shaped an Apolitical Philosophy

The Life of a Renaissance Prodigy and His Search for a Philosophy of Everything

The Grammar of Angels

Oxford Guides to Philosophy

Aristotle's De Anima is an extraordinarily influential text in the history of philosophy; it is also one of the earliest works in what we now call psychology. In this lively and accessible Oxford Guide, which presupposes no knowledge of Greek, José Luis Bermúdez situates the De Anima in the context of ancient Greek philosophy, and places it within Aristotle's corpus as a whole. Each chapter is organized around focus readings from the De Anima and elsewhere in Aristotle's writings (as well as from Plato's Phaedo and Theaetetus).

A Guide

Aristotle's De Anima

Daily Inspiration For Creating a Fulfilling Life the Japanese Way

A Year of Ikigai

Gao Pian's Trials of Allegiance

The Fall of the Tang

The Tonality of Thought

The social dimension of human life shapes or constitutes what perception is for us, that is, how we perceptually relate to the world. &gt;Bringing social philosophy together with philosophy of mind and taking the next step in enactivist philosophy, this theory accounts for the social aspects of everyday experience. With influences from Wittgensteinian pragmatism, phenomenology, and analytic philosophy of perception, as well as engagement with social psychology, social cognition studies, and work in neuroscience, the book synthesizes different layers at work in perception, with a particular focus on non-visual senses. It explains the role of perception in the economy of social identities and thus links the individual with the social in a constitutive way.

Perceptual Practices, Direct Perception, and A World of Aspects

A Social Enactive Theory of Perception

The Making of International Status

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Is there a right to die? Is a system of assisted death really compassionate? Are we sleepwalking into a moral disaster? In Do Not Go Gentle, acclaimed writer and philosopher Kathleen Stock tackles one of the great debates of our time: should we set up a system of assisted death? With her trademark sharp thinking and dry wit, the bestselling author of Material Girls argues that despite what some progressives might tell you, assisted death will not give a person more "freedom" or "control" over their lives. Whether you have a terminal illness, are in chronic pain, or are disabled, being able to ask your doctor to kill you fundamentally changes society's attitude towards the vulnerable - and in a sinister direction. Life is complex. For some individuals, an assisted death might be the right choice. But we should be deeply wary of introducing a system that offers death as just another option, especially when palliative care is so under-resourced. Expertly marshalling the arguments, Stock's laser polemic cuts through the wishful thinking and clouded reasoning that surrounds the issue and reaffirms life, rather than death, as what we should be fighting for. Collectively, we should rage against the dying of the light.

A Social History of Analytic Philosophy

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