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"The definitive history of the invention of D&amp;D"--

The second volume of two in a new, updated edition of the 2012 book Playing at the World, which charts the vast and complex history of role-playing games. This new edition of Playing at the World is the second of two volumes that update the 720-page original tome of the same name from 2012. This second volume is The Three Pillars of Role-Playing Games, a deep dive into the history of the setting, system, and characters of Dungeons &amp; Dragons—the three pillars indicated by the volume’s title. (The first volume of the new edition is The Invention of Dungeons &amp; Dragons, which explores the publication and reception of that iconic game.) In this second volume, Jon Peterson covers the medieval fantasy setting—the first pillar—and addresses why the first role-playing game evolved around fantasy and medieval settings as opposed to some other historical setting. In the second pillar, the author explores how the rules of wargames, from their roots in chess variants from eighteenth-century Germany, developed into those of role-playing games. Finally, the third pillar focuses on character, perhaps the most elusive of the three pillars, and investigates how precedents governed the introduction of characters to games more so than the original D&amp;D rule books. Filled with unparalleled archival research (from obscure fanzines to letters, drafts, and other ephemera), this new edition of Playing at the World is the ultimate geek’s guide to the original RPG. As such, it is an indispensable resource for academics and game fans exploring the origins of the hobby.

Peterson Jon: Playing at the World, 2E,
Volume 2

Playing at the World, 2E, Volume 2

Three Pillars of Role-Playing Games

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Routledge Contemporary Russia and Eastern Europe Series

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded "race" as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of "race" still exposed their authors' views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of "white supremacy" thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book's rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of "race" through allegedly anti-racist imageries of "blackness" and "whiteness".

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded “race” as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of “race” still exposed their authors’ views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of “white supremacy” thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book’s rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of “race” through allegedly anti-racist imageries of “blackness” and “whiteness”.

Blackness and Race in Soviet Cinema

Routledge Studies in the History of Science, Technology and Medicine

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

One Hundred Years of Pandemic Influenza

On Photography and Social Media

The Social Photo

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: HistoriansâEUR(TM) and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: Historiansâ€™ and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

An Introduction

Print Culture and Communication in the Stuart World

Perspectives in Economic and Social History

Prostitution in Los Angeles has a long history. The story of its evolution from a red-light district run by women to a corporate vice industry dominated by men tells us much about the development of urban America. Kooistra examines race and gender dynamics alongside issues of government and police corruption, commerce and larger changes in society.

Prostitution in Los Angeles has a long history. The story of its evolution from a red-light district run by women to a corporate vice industry dominated by men tells us much about the development of urban America. Kooistra examines race and gender dynamics alongside issues of government and police corruption, commerce and larger changes in society.

Gender and the Business of Prostitution in Los Angeles, 1850–1940

Routledge/Leiden Series in Modern East Asian Politics, History and Media

The May Fourth era (1915-1927) is considered a pivotal point in the history of modern China and the period is usually portrayed as a "Chinese Enlightenment". Kuo challenges the revolution-centered narrative by showing how the propositions of New Culture were questioned and revised after the initial radical phase.

The May Fourth era (1915-1927) is considered a pivotal point in the history of modern China and the period is usually portrayed as a "Chinese Enlightenment". Kuo challenges the revolution-centered narrative by showing how the propositions of New Culture were questioned and revised after the initial radical phase.

Debating Culture in Interwar China

How a Doll Remade the World

Barbieland

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty. Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London at the turn of the twentieth century. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

Working-Class Lives in Charlie Chaplin’s London, 1843-1913

Hard Streets

This edited collection explores absence, presence and remembrance in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World.

As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of 'dead generations'. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.

This edited collection explores absence, presence and  remembrance  in British political culture and memory studies. Comprehensive in its scope, it covers the entire modern period, bringing together the 19th and 20th centuries as well as Britain, Ireland and the Atlantic World.

As the first comparative and in-depth study to explore the central and contested place of memory and the invention of tradition in modern British politics, chapters include memorialisation, statue-mania, anniversaries and on the wider impact and invoking of ‘dead generations’. In doing so, this book provides a new, exciting and accessible way of engaging with the history of British political culture.

Commemoration, Tradition, Legacy

Memory and Modern British Politics

Routledge Series for Creative Teaching and Learning in Anthropology

Branding Gandhi renews attention to thinking about our relationship with stuff through Gandhi's politics, his image, his things, and the history of branding Gandhi.

Branding Gandhi renews attention to thinking about our relationship with stuff through Gandhiâ€˜s politics, his image, his things, and the history of branding Gandhi.

Branding Gandhi

Arsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be. From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation,&nbsp;Black Arsenal&nbsp;is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images,&nbsp;Black Arsenal&nbsp;examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification. With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others,&nbsp;Black Arsenal&nbsp;encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.

Arsenal is special. Its multicultural fandom reflects a changing city and a unique relationship with Black British popular culture. Thanks to its decades of fielding iconic Black players on the pitch and the storied and diverse histories of its terraces, Arsenal has emerged as a powerful symbol of what an organic and convivial multiculture can be. From the earliest hints in the late 1960s that something remarkable was happening, up to Arsenal's ascendence as a global organisation,&nbsp;Black Arsenal&nbsp;is the first dedicated exploration of the club's relationship to contemporary Black identity and culture. It sees the club's affinity with Black identity transcend football and spread across cultures: in the media, music, fashion, politics and everyday social experiences. Explored through a combination of stunning photography and rare archival images,&nbsp;Black Arsenal&nbsp;examines how a new Black iconography emerged at Arsenal at key moments in British history that became crucial to the creation of new forms of Black identification. With contributions including former legends Ian Wright and Paul Davis, critical appraisals from Paul Gilroy, Gail Lewis and Clive Chijioke Nwonka, and personal responses from Clive Palmer, Ezra Collective, Amy Lawrence and others,&nbsp;Black Arsenal&nbsp;encounter the moments, stories and experiences of how Arsenal became an important and underexamined feature of modern Black British culture and identity.

Black Arsenal

Playing at the World, 2E, Volume 2

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