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"The definitive history of the invention of D&amp;D"--

The second volume of two in a new, updated edition of the 2012 book Playing at the World, which charts the vast and complex history of role-playing games. This new edition of Playing at the World is the second of two volumes that update the 720-page original tome of the same name from 2012. This second volume is The Three Pillars of Role-Playing Games, a deep dive into the history of the setting, system, and characters of Dungeons &amp; Dragons—the three pillars indicated by the volume’s title. (The first volume of the new edition is The Invention of Dungeons &amp; Dragons, which explores the publication and reception of that iconic game.) In this second volume, Jon Peterson covers the medieval fantasy setting—the first pillar—and addresses why the first role-playing game evolved around fantasy and medieval settings as opposed to some other historical setting. In the second pillar, the author explores how the rules of wargames, from their roots in chess variants from eighteenth-century Germany, developed into those of role-playing games. Finally, the third pillar focuses on character, perhaps the most elusive of the three pillars, and investigates how precedents governed the introduction of characters to games more so than the original D&amp;D rule books. Filled with unparalleled archival research (from obscure fanzines to letters, drafts, and other ephemera), this new edition of Playing at the World is the ultimate geek’s guide to the original RPG. As such, it is an indispensable resource for academics and game fans exploring the origins of the hobby.

Peterson Jon: Playing at the World, 2E,
Volume 2

Playing at the World, 2E, Volume 2

Three Pillars of Role-Playing Games

Contents General Introduction to the Three Pillars Pillar I: Setting The Medieval Fantasy Genre Preface to the First Pillar I.1 The Evolution of Fantasy I.2 War and its Opponents I.3 The Influence of Tolkien I.4 Portal Fantasies I.5 On Dungeons and On Dragons I.6 Fantastic People and Creatures I.7 Classes I.8 Alignment and Parties I.9 Economics and Equipment I.10 Beyond Dungeons and Beyond Dragons Pillar II: System The Rules of the Game Preface to the Second Pillar II.1 A History of Wargames II.2 System in Dungeons &amp; Dragons Pillar III: Character Playing Roles Preface to the Third Pillar III.1 Coalitions at RAND and in Diplomacy III.2 From “Let’s Pretend” to Coventry III.3 Personalities by Post III.4 Improvisation and Anachronism III.5 Hyboria and the Campaign as Story III.6 The Midgard Phenomenon III.7 Characters and Role-Playing A Note on Sources Selected Bibliography Index

Untitled on Cuba

Smart Thinking

Psychological answers to life’s key questions

How To Spot A Narcissist

Where slaves became drag queens - and changed the world

The House of Swann

Studies in Design and Material Culture

Fashion as Dissent

Stiliagi and Soviet Masculinities, 1945–2010

Cultural History of Modern War

Spiritualism, Psychical Research and the Great War

Haunted Britain

International Texts in Developmental Psychology

Global Perspectives

The Development of Ethnic Identity and Attitudes

A Forest History of Russia and its Empires

The Oak and The Larch

Routledge Studies in the History of Science, Technology and Medicine

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

A century ago, the greatest pandemic since the Black Death engulfed the world. From spring 1918, a deadly form of influenza rapidly developed and struck hundreds of millions of people. By spring 1919, it had left 50 million dead. This book charts the enduring legacies of that cataclysmic year and tells the story of what happened after 1918. Not only did the pandemic haunt the individual and collective memories of survivors, it became a touchstone for generations tasked with protecting the health of nations and the international community.

One Hundred Years of Pandemic Influenza

Routledge Studies in Archaeology

This book is the first to investigate early Roman religion on the basis of archaeological evidence. Author Elizabeth Colantoni uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The religion of the people of Rome in the first centuries of the city’s history has long been a topic of interest for scholars, but it has been investigated primarily through literary evidence recorded in the first century BC and later, many centuries after an urban community first began to develop in Rome in the eighth century BC. The contemporary archaeological data from the eighth, seventh, and sixth centuries BC have been taken into account only sporadically, with the result that most scholarship supposedly focused on early Roman religion instead reproduces later Roman ideas about the origins and development of Roman religion—ideas that were often colored by the standards and principles of later Romans, supported by their own conjecture rather than by factual evidence. A standard scholarly method of dealing with the later written evidence about early Roman religious practices is to attempt to strip away any later or false information in order to isolate the genuine characteristics of early Roman religion. This teleological approach, however, causes early Roman religion to seem destined from the beginning to result in the later version of Roman religion. The only changes over time that can then be identified are those that show early Roman religion moving toward the model of the better known Roman religion of the first century BC and after. This book is the first to investigate early Roman religion on the basis of archaeological evidence.The earliest archaeological levels of Rome have been excavated in a number of areas around the city but, because of disciplinary divides between Classical studies, ancient history, religious studies, and archaeology, the archaeological evidence has not been incorporated in any significant way into discussions about the religion of the first Romans. And yet archaeological data can provide us with the baseline of factual evidence that is lacking in the later written sources and, in particular, the archaeological record allows the study of change through time in the characteristics of Roman religion in the earliest centuries of its existence. This book uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome as they can be understood through the archaeological evidence. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The Archaeology of Early Roman Religion

Manchester Medieval Sources

Lives of German Bishops, 950–1250

Lords and Pastors

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: HistoriansâEUR(TM) and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

Print Culture and Communication in the Stuart World explores the historiographical developments in the field and explains that print culture in Britain and Ireland was not an isolated phenomenon but a culture that operated within European and colonial contexts. The book is divided into five parts Communication and Print: Historiansâ€™ and Our Sources, Composition to Dissemination: The Mechanics of Communication in the Stuart World Beyond Print, Print and the State, Print and the Creation, Propagation and Elimination of Alien Cultures and British and Irish Print Culture in a European and Global Context. This book is perfect for students of early modern Britain and print culture.

An Introduction

Print Culture and Communication in the Stuart World

Routledge Contemporary Russia and Eastern Europe Series

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded "race" as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of "race" still exposed their authors' views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of "white supremacy" thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book's rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of "race" through allegedly anti-racist imageries of "blackness" and "whiteness".

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded “race” as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of “race” still exposed their authors’ views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of “white supremacy” thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book’s rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of “race” through allegedly anti-racist imageries of “blackness” and “whiteness”.

Blackness and Race in Soviet Cinema

Playing at the World, 2E, Volume 2

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