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"The definitive history of the invention of D&amp;D"--

Peterson Jon: Playing at the World, 2E,
Volume 2

Playing at the World, 2E, Volume 2

Three Pillars of Role-Playing Games

Contents General Introduction to the Three Pillars Pillar I: Setting The Medieval Fantasy Genre Preface to the First Pillar I.1 The Evolution of Fantasy I.2 War and its Opponents I.3 The Influence of Tolkien I.4 Portal Fantasies I.5 On Dungeons and On Dragons I.6 Fantastic People and Creatures I.7 Classes I.8 Alignment and Parties I.9 Economics and Equipment I.10 Beyond Dungeons and Beyond Dragons Pillar II: System The Rules of the Game Preface to the Second Pillar II.1 A History of Wargames II.2 System in Dungeons &amp; Dragons Pillar III: Character Playing Roles Preface to the Third Pillar III.1 Coalitions at RAND and in Diplomacy III.2 From “Let’s Pretend” to Coventry III.3 Personalities by Post III.4 Improvisation and Anachronism III.5 Hyboria and the Campaign as Story III.6 The Midgard Phenomenon III.7 Characters and Role-Playing A Note on Sources Selected Bibliography Index

Charlie Chaplin rose from the hard streets of Edwardian London to worldwide fame. But his work and outlook were always shaped by the world he came from, a place of cheap entertainments and the threat of the workhouse, radical politics and desperate poverty. Framed through the life of this iconic success story, acclaimed historian Jacqueline Riding reveals working-class London at the turn of the twentieth century. Breathing life into forgotten stories of mothers and sons, labourers and actors, vagrants and sex workers, of suffering, survival and success against the odds, this compelling social history paints a striking portrait of a vanished city.

Working-Class Lives in Charlie Chaplin’s London, 1843-1913

Hard Streets

Where slaves became drag queens - and changed the world

The House of Swann

Unspeakable

A Story of Deception, Despair and Hope

AIDS in Soviet Russia

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

A History of Myself

Red, Red Robin

Transgender Celebrity

Rediscovering Britain’s Forgotten Trails And The People Who Walked Them

The Postal Paths

A Forest History of Russia and its Empires

The Oak and The Larch

Routledge Series for Creative Teaching and Learning in Anthropology

Branding Gandhi renews attention to thinking about our relationship with stuff through Gandhi's politics, his image, his things, and the history of branding Gandhi.

Branding Gandhi

Routledge Contemporary Russia and Eastern Europe Series

This book argues that although Soviet ideology did not accept the principle of biologically based racial inferiority, aspired to achieve equality for all citizens under socialist internationalism and regarded "race" as a concept formulated by modern capitalism, nevertheless Soviet films that addressed issues of "race" still exposed their authors' views. Moreover, the book contends that these views made a significant contribution to popular perceptions and to the gradual rise of "white supremacy" thinking in the late Soviet period, with such thinking being now very widely held in post-Soviet, contemporary Russia. The book discusses a wide range of films including films about Africa, Africans and Afro-Americans, explores in detail the Soviet social construction of race, gender and identity and contrasts this with the development of racial thinking in the Western world. The book's rich and subtle analysis shows how Soviet cine-culture in a variety of popular genres, from adventure films to biopics and political drama, re-articulated meanings of "race" through allegedly anti-racist imageries of "blackness" and "whiteness".

Blackness and Race in Soviet Cinema

Playing at the World, 2E, Volume 2

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