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Weiwei Ai: On Censorship

On Censorship

This is the hotly anticipated debut art book from renowned illustrator and comic artist, Ramón Nunez. With years of extensive experience working in the comic, animation, and video-game industries, Ramon has carved out a unique artistic style and earned himself a reputation for creating captivating visual concepts and character art. His previous clients include top production companies including Riot Games, Sony Pictures Animation, and Dreamworks, and he has built a following of 609K fans on Instagram.In this book, he offers an insight to his world of art, where he likes to portray characters doing everyday activities in everyday places, such as eating at home or riding the subway. He has built a relatability in his art that appeals to fans, as they see themselves in his work. That said, he isn't afraid to introduce a bizarre situation or something unexpected to push the viewers' imagination!The book will feature personal details about Ramón's early life, education, and career, as well as step-by-step tutorials for readers to learn from his incredible style and skills. For long-standing fans or those newly discovering his artwork, Ramón's art book will be one that our audiences jump to own.

The Art of RamonN90: Life in Every Sketch

The hilarious and piercing memoir about growing up gay in a not-so-gay world. 'A beautiful celebration of being different.' TOM ALLEN'An important story, told with a sharp wit and disarming humour' MOHSIN ZAIDI author of A Dutiful Boy'Brilliant, spectacularly witty and genuinely moving. I loved it.' MATTHEW TODD, author of Straight JacketI'm just a man, standing in front of a salad, asking it to be a cake. What do you do when you're too gay for Pakistan, too Pakistani to be gay in America and you're ashamed of your body everywhere?How can you find happiness despite years of humiliation, fear and a legion of Brooklyn hipsters who know you only as a queer from Whereveristan?How do you summon the courage to be yourself no matter where you are?Even as a young child in Lahore, Komail Aijazuddin knew he was different. Other boys didn't pirouette off their desks, get bullied for their 'manboobs' or spontaneously burst into songs from The Little Mermaid. Other boys didn't play together like that. Starved of a crucial part of himself, he ate. And ate. Before long, his own body became another burden to carry everywhere and to hide. Komail began to believe his only chance at a happy, meaningful life would be found elsewhere: in America, land of the free, home of the gays. But he would soon learn that finding happiness takes a lot more than a plane ticket. This is Aijazuddin's riotous, intelligent memoir of searching for his place between two worlds while navigating a minefield of expectations, prejudice and self-doubt. In Manboobs, Aijazuddin confidently announces himself as a sharp new voice in humour with his moving, wickedly funny search for love and the bravery required to be yourself.

A very queer memoir

Manboobs

Mark Klett and William L. Fox: Marshall Islands

Routledge Research in Art History

Focusing on the first four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films played a role in the consolidation of the sculptor's public identity and broke new ground in the exploration of sculptural aesthetics through film. The book draws on extensive archival research in the production files of these films and on detailed contextual research.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s,  The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades.  Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated. The book draws on extensive archival research in the production files of these films and on detailed contextual research (press cuttings, periodicals, festival pamphlets) of contemporaneous writings about the remediation of works of art  and about the reception of these films on Moore. By revealing overlooked aspects of what these films stood for at this historical conjuncture, Loukopoulou examines the specific aesthetic and political meanings of Moore's sculpture as explored by each film.

A Cultural History

The Making of Henry Moore on Film

Sisi's New Republic

Counterrevolution in Egypt

A Natural History of the Studio

In this follow-up to the acclaimed Anatomy for Artists: Drawing Form &amp; Pose (over 30,000 copies sold to date), figure-drawing maestro Tom Fox takes a deep dive into the subjects of clothing and drapery.&nbsp;Using his unique approach of simplified mannequins and dynamic figure sketches, Tom shares his process for improving your figures holistically, understanding fabric physics, and capturing the fold, stretch, and crumple of believable clothing.With over 300 pages packed with Tom’s engaging drawings and accessible instruction, Drawing Clothed Characters is a perfect companion to Drawing Form &amp; Pose, as well as an invaluable standalone resource in its own right.Available alongside this book is a companion publication called Workbook: Drawing Clothed Characters, which features 200 pages of accessible instructions and figures to draw over on the pages, allowing the reader to practise the theory put forth in this main book.

Learn how to draw clothing and drapery with tomfoxdraws

An Artist's Guide to Drawing Clothed Characters

Bollingen Series

The Archetypal World of Henry Moore

Astre Press Art of

This beautiful art book comes from Canadian artist Audra Auclair, whose work has spanned across many years and many mediums.&nbsp; Countless fans have fallen in love with her artwork thanks to her attempts to express the complexities of human emotion, and the merging of fantastical elements,nature, and stunning vibrant colours situations in her work. She has built up almost half a million followers on her Instagram account and runs a very popular Patreon, where she shares WIPs and access to her personal sketchbook. She also sells prints and products featuring her artwork from her online store.&nbsp;In this exclusive book, Audra takes readers on a journey through her creative history, opening up about her early years, childhood influences, struggles, and ambitions. She then shows us behind the scenes in her studio and discusses her personal techniques, including how she uses a sketchbook and conceptualizes. Then, presenting something a little different to other available 'Art of' books, Audra has written a chapter on an artist's relationship with art and provided some self-help-esque discussions for fellow creatives. From seeing creation as a spiritual force to being able to draw boundaries and maintain artistic confidence, this section is invaluable for artists of any ability.&nbsp;We then have beautiful galleries of Audra's complete work in various mediums, plus step-by-step tutorials for readers to follow - on topics including gouache painting, redrawing old art, creating digital art, drawing something in your own style, and mixing media.&nbsp;This is a highly interesting, ever-inspiring collection of art and writings from a thoughtful, hugely talented creative artist.

Starburst: The Art of Audra Auclair

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

Joseph Beuys and History

On Censorship

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